Rich gold (51 resultados)

Hardback. Condición: Good. Lessons from and for the creative professions of art, science, design, and engineering: how to live in and with the Plenitude, that dense, knotted ecology of human-made stuff that creates the need for more of itself.We live with a lot of stuff. The average kitchen, for example, is home to stuff galore, and every appliance, every utensil, every thing, is compound--composed of tens, hundreds, even thousands of other things. Although each piece of stuff satisfies some desire, it also creates the need for even more stuff: cereal demands a spoon; a television demands a remote. Rich Gold calls this dense, knotted ecology of human-made stuff the Plenitude. And in this book--at once cartoon treatise, autobiographical reflection, and practical essay in moral philosophy--he tells us how to understand and live with it.Gold writes about the Plenitude from the seemingly contradictory (but in his view, complementary) perspectives of artist, scientist, designer, and engineer--all professions pursued by him, sometimes simultaneously, in the course of his career. I have spent my life making more stuff for the Plenitude, he writes, acknowledging that the Plenitude grows not only because it creates a desire for more of itself but also because it is extraordinary and pleasurable to create.Gold illustrates these creative expressions with witty cartoons. He describes seven patterns of innovation--including The Big Kahuna, Colonization (which is illustrated by a drawing of The real history of baseball, beginning with Play for free in the backyard and ending with Pay to play interactive baseball at home), and Stuff Desires to Be Better Stuff (and its corollary, Technology Desires to Be Product). Finally, he meditates on the Plenitude itself and its moral contradictions. How can we in good conscience accept the pleasures of creating stuff that only creates the need for more stuff? He quotes a friend: We should be careful to make the world we actually want to live in.…

Hardcover. Condición: Very Good. Very Good hardcover 9780262072892.

hardcover. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condición: Good. Lessons from and for the creative professions of art, science, design, and engineering: how to live in and with the Plenitude, that dense, knotted ecology of human-made stuff that creates the need for more of itself.We live with a lot of stuff. The average kitchen, for example, is home to stuff galore, and every appliance, every utensil, every thing, is compound--composed of tens, hundreds, even thousands of other things. Although each piece of stuff satisfies some desire, it also creates the need for even more stuff: cereal demands a spoon; a television demands a remote. Rich Gold calls this dense, knotted ecology of human-made stuff the Plenitude. And in this book--at once cartoon treatise, autobiographical reflection, and practical essay in moral philosophy--he tells us how to understand and live with it.Gold writes about the Plenitude from the seemingly contradictory (but in his view, complementary) perspectives of artist, scientist, designer, and engineer--all professions pursued by him, sometimes simultaneously, in the course of his career. I have spent my life making more stuff for the Plenitude, he writes, acknowledging that the Plenitude grows not only because it creates a desire for more of itself but also because it is extraordinary and pleasurable to create.Gold illustrates these creative expressions with witty cartoons. He describes seven patterns of innovation--including The Big Kahuna, Colonization (which is illustrated by a drawing of The real history of baseball, beginning with Play for free in the backyard and ending with Pay to play interactive baseball at home), and Stuff Desires to Be Better Stuff (and its corollary, Technology Desires to Be Product). Finally, he meditates on the Plenitude itself and its moral contradictions. How can we in good conscience accept the pleasures of creating stuff that only creates the need for more stuff? He quotes a friend: We should be careful to make the world we actually want to live in.…

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. Book in Good condition.

Hard Cover with Jacket. Condición: Fine (Book Condition). Fine (Jacket Condition). First Edition. New. Unread. In fine condition. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Condición: As New. Estado de la sobrecubierta: As New. First edition; first printing.

Hard Cover with Jacket. Condición: Fine (Book Condition). Fine (Jacket Condition). First Edition. New. Unread. In fine condition. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Oversized Paperback. 160p., 8.5x11 inches, essays, illustrated with b&w and color art and photographs, wraps, previous owner's name and address, remains of sticker on rear wrap else very good condition. Catalog for the exhibit: Unknown secrets, art and the Rosenberg era.

Condición: New.

Condición: Good. First Edition. Lessons from and for the creative professions of art, science, design, and engineering: how to live in and with the Plenitude, that dense, knotted ecology of human-made stuff that creates the need for more of itself. We live with a lot of stuff. The average kitchen, for example, is home to stuff galore, and every appliance, every utensil, every thing, is compound-composed of tens, hundreds, even thousands of other things. Although each piece of stuff satisfies some desire, it also creates the need for even more stuff: cereal demands a spoon; a television demands a remote. Rich Gold calls this dense, knotted ecology of human-made stuff the Plenitude. And in this book-at once cartoon treatise, autobiographical reflection, and practical essay in moral philosophy-he tells us how to understand and live with it. Gold writes about the Plenitude from the seemingly contradictory (but in his view, complementary) perspectives of artist, scientist, designer, and engineer-all professions pursued by him, sometimes simultaneously, in the course of his career. I have spent my life making more stuff for the Plenitude, he writes, acknowledging that the Plenitude grows not only because it creates a desire for more of itself but also because it is extraordinary and pleasurable to create. Gold illustrates these creative expressions with witty cartoons. He describes seven patterns of innovation -including The Big Kahuna, Colonization (which is illustrated by a drawing of The real history of baseball, beginning with Play for free in the backyard and ending with Pay to play interactive baseball at home ), and Stuff Desires to Be Better Stuff (and its corollary, Technology Desires to Be Product ). Finally, he meditates on the Plenitude itself and its moral contradictions. How can we in good conscience accept the pleasures of creating stuff that only creates the need for more stuff? He quotes a friend: We should be careful to make the world we actually want to live in.; Boek schoon, fris & gaaf; losse stofomslag ook prima. …

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Tapa blanda. Condición: Como nuevo. Gedisa 2009 Primera edicion. Tapa blanda de editorial ilustrada 160 paginas. como nuevo 23 x 16 Cm Vivimos rodeados de cosas. Una cocina al uso, por ejemplo, es un paraíso repleto de innumerables objetos en el que cada uno de los aparatos, cada utensilio, cada cosa está compuesta a su vez por decenas, centenares e incluso miles de otras cosas. Cada artilugio satisface algún deseo, pero también crea la necesidad de poseer más cosas: así, los cereales requieren de una cuchara; o una televisión, de un mando a distancia. Este denso y complejo ecosistema entrelazado de cosas creadas por el ser humano es "la Plenitud". En este libro, que es un tratado sobre la creatividad y la innovación, pero también una autobiografía especulativa y un ensayo práctico de filosofía moral, Rich Gold nos explica cómo comprender y vivir plenamente en un mundo de cosas en infinita progresión. Rich Gold escribe sobre la Plenitud desde las perspectivas aparentemente contradictorias (aunque complementarias en este caso) del artista, del científico, del diseñador y del ingeniero, todas ellas profesiones ejercidas por él, en ocasiones de modo simultáneo, a lo largo de su polifacética carrera profesional. Gold ilustra estas reflexiones por medio de ingeniosos dibujos. Por ejemplo, la célebre teoría de las cuatro gorras de la creatividad o las siete pautas para la innovación, que traslucen un espíritu común: la creatividad, la necesidad continua de hacer cosas, de innovar, de hacer algo nuevo que cree una nueva categoría, un nuevo género o un nuevo tipo de cosa. Finalmente, Gold medita sobre la Plenitud en sí misma y sus contradicciones morales. ¿Cómo podemos, en buena conciencia, abogar por el placer de crear cosas cuando esta labor, probablemente, sólo sirve para crear la necesidad de poseer más cosas? Como dice un buen amigo suyo Deberíamos esmerarnos en crear el mundo en el que realmente deseamos vivir. Sin duda, un buen consejo para todos aquellos creadores de cosas. Libro.…

Condición: New. Idioma/Language: Español. Vivimos rodeados de cosas. Una cocina al uso, por ejemplo, es un paraíso repleto de innumerables objetos en el que cada uno de los aparatos, cada utensilio, cada cosa está compuesta a su vez por decenas, centenares e incluso miles de otras cosas. Cada artilugio satisface algún deseo, pero también crea la necesidad de poseer más cosas: así, los cereales requieren de una cuchara; o una televisión, de un mando a distancia. Este denso y complejo ecosistema entrelazado de cosas creadas por el ser humano es "la Plenitud". En este libro, que es un tratado sobre la creatividad y la innovación, pero también una autobiografía especulativa y un ensayo práctico de filosofía moral, Rich Gold nos explica cómo comprender y vivir plenamente en un mundo de cosas en infinita progresión. Rich Gold escribe sobre la Plenitud desde las perspectivas aparentemente contradictorias (aunque complementarias en este caso) del artista, del científico, del diseñador y del ingeniero, todas ellas profesiones ejercidas por él, en ocasiones de modo simultáneo, a lo largo de su polifacética carrera profesional. Gold ilustra estas reflexiones por medio de ingeniosos dibujos. Por ejemplo, la célebre "teoría de las cuatro gorras de la creatividad" o las "siete pautas para la innovación", que traslucen un espíritu común: la creatividad, la necesidad continua de hacer cosas, de innovar, de "hacer algo nuevo que cree una nueva categoría, un nuevo género o un nuevo tipo de cosa". Finalmente, Gold medita sobre la Plenitud en sí misma y sus contradicciones morales. ¿Cómo podemos, en buena conciencia, abogar por el placer de crear cosas cuando esta labor, probablemente, sólo sirve para crear la necesidad de poseer más cosas? Como dice un buen amigo suyo: "Deberíamos esmerarnos en crear el mundo en el que realmente deseamos vivir". Sin duda, un buen consejo para todos aquellos "creadores de cosas". *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Magazine. First edition. Near Fine magazine with a touch of shelf wear/handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 19, 2002, issue of the Sunday New York Times Magazine with: the family of Francis Ford Coppola photographed by Mary Ellen Mark; the Twilight of the Anchors--Dan Rather, Peter Jennings, and Tom Brokaw--but not the end of network news by Frank Rich with portraits by Norman Jean Roy; an essay by William Norwich on Queen Elizabeth's accessories and wardrobe on her Golden Jubilee with a fashion pictorial shot on the streets of NYC by Brigitte Lacombe; is it time to end the parole system? by Jennifer Gonnerman with photos by Vincent Laforet; a profile of David Blaine, magician and stunts man, by Glen David Gold with photos by David Harry Stewart; Ed Thompson is running for governor of Wisconsin, his brother Tommy doesn't support him, by Matt Bai with a portrait by Michael Edwards; Leroy Jarmaine Grant on being racially profiled and shot by NJ state troopers in 1998 as told to David Evanier; an essay on Mike Tyson by Gordon Marino; an interview with James Jeffords; and much more. Staple-bound magazine; 90 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…

Condición: New. In English.

Condición: New. 2021. paperback. . . . . .

Encuadernación de tapa blanda. Condición: Bien. G215497. Gedisa - 159pp Creatividad, innovación y hacer "cosas". In.