Reinhard eisendle (57 resultados)

Hardcover. Condición: As New. No Jacket. 1st Edition. Bärenreiter, 2005 1st Like new - An unbound boxed collection of booklets, illustrated.

Folio in Box. Condición: Very Good. Separated sections in box. Texts in English. Box: Very Good-w/ a 2.5inch tear on back top edge. Segments: one segment (from page 21 to 26) missing. Everything else is in great shape.

290 x 245 mm. Condición: Gut. 254 Seiten Bibliotheksexemplar. Innen sauberer, guter Zustand. Softcover, mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. (Evtl. auch Kleber- und/oder Etikettenreste, sowie -abdrücke durch abgelöste Bibliotheksschilder). Inhaltsverzeichnis extra. Hefte im Schuber. Library copy with all usual stamps and imprints. Index seperate. All brochures in a box. Good and clean copy. MIG-28-02A|M31 Sprache: Englisch Gewicht in Gramm: 2042. …

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Condición: Bon. Texte en anglais / text in english ! Riche iconographie. 23,5x28 cm. 254 p. Broché (agrafé) partiellement puis en feuilles : voir photos ! Sous chemise cartonnée. Bon état. Intérieur en bon état. Fort in-4°.

hardcover. Condición: fine. Profusely illustrated with hundreds of images of paintings, prints, and publications relating to Da Ponte. 254 pages. 4to, a hardcover slipcase (slightest of bumping) containing an introductory wrappered volume and 39 wrappered brochure-style volumes (very minor edgewear). Kassel: Barenreiter, 2005. Fine volumes in a near fine slipcase. A sweeping collection of material on the libretto and poet Lorenzo Da Ponte, the first professor of Italian literature at Columbia University, who is credited with introducing Italian opera to America, and was also a close friend of Casanova.…

Hardcover. Condición: Brand New. 300 pages. 7.17x1.26x9.72 inches. In Stock.

Buch. Condición: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828). 444 pp. Englisch.…

Buch. Condición: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828). 444 pp. Englisch.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condición: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).…

4to. 367 S. Mit einigen Abbildungen im Text. Illustrierter Orig.-Karton (Ausgabe in italienischer Sprache). 1901 g Nahezu verlagsfrisch, kein Mängelexemplar.

4°. Mit zahlr. Abbildungen. 359 SS. OKart. (guter Erhaltungszustand).

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: New.

Couverture souple. Condición: Bon. Palazzo Reale. Da Ponte Institut Wien. Catalogo della mostra in occasione della riapertura del Teatro alla Scala Il 7 Dicembre 2004. 3 Dicembre 2004 - 30 Gennaio 2005. Catalogue. Riche iconographie. Texte en italien / Text in italian ! 26x28 cm. 367 p. Broché. Bon état. Intérieur en bon état. Couverture légèrement défraîchie. Fort in-4°.…

Buch. Condición: Neu. Neuware - On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).…

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention. 731 pp. Englisch.…

Buch. Condición: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention. 731 pp. Englisch.…

Buch. Condición: Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.…

Condición: New.

Hardcover. Condición: Brand New. 712 pages. 6.85x1.89x9.69 inches. In Stock.

Condición: buono. Musica Classica Entertainment Music Classical in 4°, bross. edit. ill. illustrazioni a colori e in b.n. nel testo Catalogo della Mostra in occasione della riapertura del Teatro alla Scala il 7 dicembre 2004.

Buch. Condición: Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 Wien 444 pp. Englisch.…

Hardcover. Condición: New. Opera and enlightenment in late 18th century Vienna. 254 Seiten mit ca. 280 meist farbigen Abbildungen; 40 Hefte in einer Schmuckkassette. In englischer Sprache. Thema dieses spezifischen Bild-Textbandes ist das Verhältnis von Oper und Aufklärung im josephinischen Wien der 80er Jahre des 18. Jahrhunderts. In dieser Zeit war Lorenzo Da Ponte Dichter der kaiserlichen Theater und verfasste zahlreiche Libretti für die Opernbühne, darunter die drei großen Opern für Mozart Le nozze di Figaro, Don Giovanni und Cosi fan tutte - die im Zentrum des Buches stehen. Die Konzeption basiert auf drei Ausstellungen, die das Da Ponte Institut im Mahlersaal der Wiener Staatsoper veranstaltet hat. In einer ungewohnten Konstellation von Bildern, Zitaten und erläuternden Texten versucht der Band eine neue Sichtweise auf dieses aufregende Jahrzehnt zu lenken.…

Buch. Condición: Neu. Neuware - Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.…