Reeves donna (42 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condición: Very Good. A very nice copy. The pages are clean and unmarked. The templates are all intact and have not been removed from the book.

Soft cover. Condición: As New. Appears NEW AND UNREAD. All templats and NEW AND UNUSED. contains 6 designs.

Paperback. Condición: Used; Good.

Paperback. Condición: Used: Acceptable. Paperback in good condition but with some minor creasing. 2001 Murdoch Books edition. Complete with ready to use templates. - used books, secondhand books, out of print books, hard to find books, for sale, second-hand books, college books, student books, nonfiction, first edition, signed copies, non-fiction books delivered world wide. ISBN 1-74045-083-3 1740450833. …

Condición: New.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Condición: New. In English.

Softcover. Condición: Good. 32 bladijzdne gevolgd door patroonbladen.

Hardback or Cased Book. Condición: New. A Fight for Visibility: Black Memphis Confronts the Lost Cause. Book.

Hardback. Condición: New. In A Fight for Visibility, Donna E. Reeves explores how Black Memphians fought to maintain dignity and self-respect during the post-Reconstruction period and Jim Crow era by challenging the negative images of African Americans produced by Confederate loyalists as part of the Lost Cause narrative. After the Civil War, Black Memphians actively struggled against the white Memphis establishment, which tried to shackle the movement and development of various Black communities. The more white Memphians tried to contain African Americans, the more African American residents stood against those efforts. Reeves surveys the history of Memphis in the postwar era, uncovering the motivations behind the Confederate monument-building frenzy at the end of the nineteenth century. She argues that the ceremonies and narratives of this period served to freeze Black people in deferential roles in the minds of white southerners. In response, through subtle and not-so-subtle avenues, Black residents challenged the notion that they were second-class citizens and sought to show that they were just as worthy of citizenship as their white counterparts. Reeves focuses on two themes emblematic of the city's racial struggles. The first was the decades-long presence of a statue depicting the infamous Confederate general, slave trader, and first grand wizard of the Ku Klux Klan, Nathan Bedford Forrest, in the downtown area. The second was the hosting, beginning in the 1930s, of the Cotton Carnival, an event at which white residents and tourists, greeted by Black women dressed as plantation "mammies," celebrated the role of cotton in Memphis's history. When Black Memphians challenged depictions of their race at this annual event, they were not just rejecting demeaning stereotypes; they were also rejecting the white southern mindset that saw Black people in the role of servant and entertainer. Reeves examines the myriad ways that Black Memphians protested both the continued presence of the Forrest statue and the Cotton Carnival. Black residents, she suggests, wanted more than simply to demand the removal of the statue (which eventually occurred) and to correct the powerful, mythologized memory of slavery. They saw these sites of protest as an opportunity to take control of the image of Black citizens and to challenge the widespread belief that only white people could lead the city in politics and business.…

Condición: New.

paperback. Condición: Good. NOT an ex-library book. Clean copy in good condition. TEMPLATES INCLUDED. Quick dispatch from UK seller.

Hardback. Condición: New. In A Fight for Visibility, Donna E. Reeves explores how Black Memphians fought to maintain dignity and self-respect during the post-Reconstruction period and Jim Crow era by challenging the negative images of African Americans produced by Confederate loyalists as part of the Lost Cause narrative. After the Civil War, Black Memphians actively struggled against the white Memphis establishment, which tried to shackle the movement and development of various Black communities. The more white Memphians tried to contain African Americans, the more African American residents stood against those efforts. Reeves surveys the history of Memphis in the postwar era, uncovering the motivations behind the Confederate monument-building frenzy at the end of the nineteenth century. She argues that the ceremonies and narratives of this period served to freeze Black people in deferential roles in the minds of white southerners. In response, through subtle and not-so-subtle avenues, Black residents challenged the notion that they were second-class citizens and sought to show that they were just as worthy of citizenship as their white counterparts. Reeves focuses on two themes emblematic of the city's racial struggles. The first was the decades-long presence of a statue depicting the infamous Confederate general, slave trader, and first grand wizard of the Ku Klux Klan, Nathan Bedford Forrest, in the downtown area. The second was the hosting, beginning in the 1930s, of the Cotton Carnival, an event at which white residents and tourists, greeted by Black women dressed as plantation "mammies," celebrated the role of cotton in Memphis's history. When Black Memphians challenged depictions of their race at this annual event, they were not just rejecting demeaning stereotypes; they were also rejecting the white southern mindset that saw Black people in the role of servant and entertainer. Reeves examines the myriad ways that Black Memphians protested both the continued presence of the Forrest statue and the Cotton Carnival. Black residents, she suggests, wanted more than simply to demand the removal of the statue (which eventually occurred) and to correct the powerful, mythologized memory of slavery. They saw these sites of protest as an opportunity to take control of the image of Black citizens and to challenge the widespread belief that only white people could lead the city in politics and business.…

Paperback. The Mosaic Collection is a series of themed mosaic project books covering the basic techniques of this fashionable craft. Each book is packed with all the information needed to get started and focuses on six designs for the home and garden. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What "Used" Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used - Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life.…

Hardcover. Condición: Very Good.

Hardcover. Condición: Brand New. 238 pages. 6.00x0.69x9.00 inches. In Stock.

Condición: New. Features the upper echelon in talent in poetry, fiction, and nonfiction at MFA, MA, and PhD programs across the Southwest. This beautiful volume was assembled and produced by graduate students in the MFA program in Creative Writing, Editing, and Publishing .

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Hardback. Condición: New. In A Fight for Visibility, Donna E. Reeves explores how Black Memphians fought to maintain dignity and self-respect during the post-Reconstruction period and Jim Crow era by challenging the negative images of African Americans produced by Confederate loyalists as part of the Lost Cause narrative. After the Civil War, Black Memphians actively struggled against the white Memphis establishment, which tried to shackle the movement and development of various Black communities. The more white Memphians tried to contain African Americans, the more African American residents stood against those efforts. Reeves surveys the history of Memphis in the postwar era, uncovering the motivations behind the Confederate monument-building frenzy at the end of the nineteenth century. She argues that the ceremonies and narratives of this period served to freeze Black people in deferential roles in the minds of white southerners. In response, through subtle and not-so-subtle avenues, Black residents challenged the notion that they were second-class citizens and sought to show that they were just as worthy of citizenship as their white counterparts. Reeves focuses on two themes emblematic of the city's racial struggles. The first was the decades-long presence of a statue depicting the infamous Confederate general, slave trader, and first grand wizard of the Ku Klux Klan, Nathan Bedford Forrest, in the downtown area. The second was the hosting, beginning in the 1930s, of the Cotton Carnival, an event at which white residents and tourists, greeted by Black women dressed as plantation "mammies," celebrated the role of cotton in Memphis's history. When Black Memphians challenged depictions of their race at this annual event, they were not just rejecting demeaning stereotypes; they were also rejecting the white southern mindset that saw Black people in the role of servant and entertainer. Reeves examines the myriad ways that Black Memphians protested both the continued presence of the Forrest statue and the Cotton Carnival. Black residents, she suggests, wanted more than simply to demand the removal of the statue (which eventually occurred) and to correct the powerful, mythologized memory of slavery. They saw these sites of protest as an opportunity to take control of the image of Black citizens and to challenge the widespread belief that only white people could lead the city in politics and business.…

brossura. Condición: nuovo. Brand New., Ill. bn: --, Ill. colori: Fully Illustrated in colour., Peso: 410 gr.

Buch. Condición: Neu. Neuware - In A Fight for Visibility, Donna E. Reeves explores how Black Memphians fought to maintain dignity and self-respect during the post-Reconstruction period and Jim Crow era by challenging the negative images of African Americans produced by Confederate loyalists as part of the Lost Cause narrative. After the Civil War, Black Memphians actively struggled against the white Memphis establishment, which tried to shackle the movement and development of various Black communities. The more white Memphians tried to contain African Americans, the more African American residents stood against those efforts. Reeves surveys the history of Memphis in the postwar era, uncovering the motivations behind the Confederate monument-building frenzy at the end of the nineteenth century. She argues that the ceremonies and narratives of this period served to freeze Black people in deferential roles in the minds of white southerners. In response, through subtle and not-so-subtle avenues, Black residents challenged the notion that they were second-class citizens and sought to show that they were just as worthy of citizenship as their white counterparts. Reeves focuses on two themes emblematic of the city's racial struggles. The first was the decades-long presence of a statue depicting the infamous Confederate general, slave trader, and first grand wizard of the Ku Klux Klan, Nathan Bedford Forrest, in the downtown area. The second was the hosting, beginning in the 1930s, of the Cotton Carnival, an event at which white residents and tourists, greeted by Black women dressed as plantation 'mammies,' celebrated the role of cotton in Memphis's history. When Black Memphians challenged depictions of their race at this annual event, they were not just rejecting demeaning stereotypes; they were also rejecting the white southern mindset that saw Black people in the role of servant and entertainer. Reeves examines the myriad ways that Black Memphians protested both the continued presence of the Forrest statue and the Cotton Carnival. Black residents, she suggests, wanted more than simply to demand the removal of the statue (which eventually occurred) and to correct the powerful, mythologized memory of slavery. They saw these sites of protest as an opportunity to take control of the image of Black citizens and to challenge the widespread belief that only white people could lead the city in politics and business.…

Condición: New.