Professor michael d richardson (63 resultados)

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Paperback. Condición: Very Good. Text clean and tight; Screen Cultures: German Film and the Visual; 8.90 X 6 X 0.90 inches; 346 pages.

Paperback or Softback. Condición: New. Visualizing the Holocaust: Documents, Aesthetics, Memory. Book.

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Condición: New. 2012. Reprint. Paperback. Collection of essays exploring the controversies surrounding images of the Holocaust. Editor(s): Bathrick, David; Prager, Brad; Richardson, Michael D. Series: Screen Cultures: German Film and the Visual. Num Pages: 348 pages, black & white illustrations. BIC Classification: ACX; DSBH; HBTZ1. Category: (P) Professional & Vocational. Dimension: 152 x 227 x 19. Weight in Grams: 482. Documents, Aesthetics, Memory. Series: Screen Cultures: German Film and the Visual. 348 pages, black & white illustrations. Editor(s): Bathrick, David; Prager, Brad; Richardson, Michael D. Collection of essays exploring the controversies surrounding images of the Holocaust. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; DSBH; HBTZ1. Dimension: 152 x 227 x 19. Weight: 480. . . . . .…

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Condición: New. 2012. Reprint. Paperback. Collection of essays exploring the controversies surrounding images of the Holocaust. Editor(s): Bathrick, David; Prager, Brad; Richardson, Michael D. Series: Screen Cultures: German Film and the Visual. Num Pages: 348 pages, black & white illustrations. BIC Classification: ACX; DSBH; HBTZ1. Category: (P) Professional & Vocational. Dimension: 152 x 227 x 19. Weight in Grams: 482. Documents, Aesthetics, Memory. Series: Screen Cultures: German Film and the Visual. 348 pages, black & white illustrations. Editor(s): Bathrick, David; Prager, Brad; Richardson, Michael D. Collection of essays exploring the controversies surrounding images of the Holocaust. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; DSBH; HBTZ1. Dimension: 152 x 227 x 19. Weight: 480. . . . . . Books ship from the US and Ireland.…

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Paperback. Condición: Brand New. reprint edition. 336 pages. 8.75x6.00x0.75 inches. In Stock.

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Paperback. Condición: New. A dynamic, event-centered exploration of the hundred-year history of German-language film.This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.…

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Paperback. Condición: New. A dynamic, event-centered exploration of the hundred-year history of German-language film.This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.…

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Taschenbuch. Condición: Neu. Neuware - Collection of essays exploring the controversies surrounding images of the Holocaust.Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visualrepresentations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust. David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.…

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Paperback. Condición: New. A dynamic, event-centered exploration of the hundred-year history of German-language film.This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.…

Paperback. Condición: New. A dynamic, event-centered exploration of the hundred-year history of German-language film.This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.…

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