preda g (26 resultados)

In 8°, bross. ill., pp. 230 con numm. tavv. in colore fuori testo.

In 8°, bross. con lievi mende al dorso, pp. VII + 602 + 4 n.n., numerose figurine nel testo dai disegni di Longanesi, anche a piena pagina.

In 8°, cart. con sovrac. ill. in col., pp. 314.

Condición: BUONO USATO. Collana di formazione e aggiornamento per i quadri aziendali a cura dell'Iseo - Istituto per Studi Economici e Organizzativi ITALIANO Brossura commerciale n. Ca/1 di collana, copertina in cartoncino lievemente ingiallita al dorso, piccoli segni da scaffalatura ai bordi, molto buone le condizioni di conservazione delle pagine. N. pag. 116.

paperback. Condición: Mediocre (Poor). SC641Brossura editorialevolume in discrete condizioni, abrasioni sulla copertina, segni di lettura evidenti sul dorso, interno in buone condizioni, illustrato in b\n472 pagine circaCopertina come da foto.

brossura. Condición: Poor. 1. Brossura ed. lievemente allentata, ma che non ne compromette la tenuta. Copertina cartonata con alette informative, ingiallita e sporca. Tagli sporchi di polvere e bruniti. Pagine brunite. Bordi stanchi con segni di usura e strappetti. Dorso usurato con strappi e mancanze. Mediocre (Poor) . Book.

brossura. Condición: Good. 0. In 8', br. ed. con astuccio in cartoncino muto pp. 367 con ill. in n. n.t.; mancanza all' angolo inf. della prima bianca, segni di sporco all'ultima bianca, interni in buono stato. ***Books dated over 70 years old are not exportable, please do not order.***. Book.

In 8°, bross. ill. in cofanetto, pp. X + 2 n.n.+ 367 (compr. indice dei nomi) + 5 n.n., con numm. tavv. f. testo.

in 4°; pp. 200 (ill. in bn. e col.); leg. Tutto ciò che l'italiano per bene deve sapere e non deve fare.

in 8°; pp. 480 (ill. in bn.); leg. Con 12 acqueforti riprodotte di Luigi Bartolini.

paperback. Libro come nuovo.

brossura paperback. Condición: Fine. Copertina plastificata. Tagli e pagine integri. Collana: "Fondazione Europea Dragan/37". paperback 416 9788896498057 Ottimo (Fine) . Book.

In-8 gr. di pgg. 367 con ill. f.t. Forte cop. fig. Perfetto.

Hardback. Condición: New. This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama-perhaps the last ongoing theater for McCarthyite cultural-political anxieties.

Hardback. Condición: New. This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama-perhaps the last ongoing theater for McCarthyite cultural-political anxieties.

Condición: New. In.

Hardback. Condición: New. This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama-perhaps the last ongoing theater for McCarthyite cultural-political anxieties.

Milano, 1983, in-8, br.

Hardback. Condición: New. This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama-perhaps the last ongoing theater for McCarthyite cultural-political anxieties.

Paperback. Condición: Used: Very Good. Libro usato proveniente da collezione privata. La copertina riporta usuali segni del tempo. Le pagine possono risultare imbrunite. No segni e sottolineature all'interno del testo. Consegna 24/48 ore 21x.

Milano, Le Edizioni del Borghese, (1961), in-16, tela coeva, pp. VII, 601, (5). Con figure n.t.

Firenze, Tocca S. Casciano, 1909. Three parts in one. 8vo. Three title pages, lvi, 462, [i] pp. Later black buckram with gilt title on the spine. = Includes a preface by De Toni, and a bibliography by Preda, together forming part 1, followed by two parts on Florideae, by Preda, which are consecutively page-numbered. Published for the Società Botanica Italiana. Paper a bit wavy due to damp, otherwise very good, unmarked.

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.&Uumlber den AutorMICHAEL COYLE is Professor of English at Col.