Powell amy knight (33 resultados)

Hardcover. Condición: Fine. 1st Edition. black full cloth hardcover 8vo. (octavo). no dustwrapper. fine cond. binding square & tight. covers clean. edges clean. shadow from old label on front flyleaf, small erasure spot on 1/2 title pg., otherwise contents free of markings. nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing (nap). 369p. 8 glossy full color full page plates. 76 b&w photos & illustrations. notes. index. religion. art history. medieval philosophy. psychology. heresy. iconoclasm. folklore. medieval history. idolatry. modern art. protestant reformation. aesthetics. ~ By the late Middle Ages, the Deposition from the cross had begun to be represented on a scale and with a frequency that rivaled that of the crucifixion, to which it had earlier been a mere accessory. As the iconography of the Deposition grew in importance over the course of the fifteenth century, picturing the Deposition of Christ~ the imago Dei, "the image of the invisible God" (Colossians 1:15) ~ became an occasion to imagine the deposition of the image as such. By exploiting the auto~iconoclastic implications of the deposition scene, artists gave measured form to late medieval iconophobia. In so doing, they prefigured the imminent iconoclasms of the Protestant Reformation. Wanting to put an end to the Catholic cult of images, Protestant reformers would find themselves performing a well~rehearsed gesture: the deposition of what they liked to call dead images. The late medieval Deposition's prefiguration of Reformation iconoclasm prefigures, in turn, the repeated "deaths" of art since the invention of the camera. This is the premise of the vignettes devoted to twentieth~century works of art that conclude each chapter of this book.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Fine hardcover in a Fine dust jacket. Clean and bright, as new. No signs of wear or aging. First Edition, First Printing. Illustrated. 369 pp.

paperback. Condición: Very Good. Edge & shelf wear. No marks in text. Sticker on back cover.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New.

Hardback. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Paperback. Condición: Brand New. 128 pages. 10.50x8.50x0.25 inches. In Stock.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New. 2019. Paperback. . . . . .

Paperback. Condición: New. In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museum's centennial, it marked the final show in the institution's first hundred years. For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallery's ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalog-featuring a cover designed by artist Peter Downsbrough-documents the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 369 pp, index, plates.

Condición: New. pp. 132.

Condición: New.

Hardcover. Condición: Brand New. 392 pages. 9.25x6.50x1.50 inches. In Stock.

Condición: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Condición: New. In English.

Condición: New. pp. 132.

Hardback. Condición: New.

Buch. Condición: Neu. Neuware - From late medieval reenactments of the Deposition from the Cross to Sol Lewitts Buried Cube, Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely--no truer to their first appearance than to their later reappearances. In Depositions, Amy Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the Imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of dead images during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated deaths of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book.…

Condición: New.