plassard didier (35 resultados)

hardcover. Condición: Very Good.

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: new.

Hardcover. Condición: new. Hardcover. This open access book presents the results and conclusions of research conducted by the author, and assisted by a team of young researchers brought together in the PuppetPlays project funded by the European Research Council. It is the first international survey to examine Western European puppetry through a systematic study of its repertoires, composed by writers or by the puppeteers themselves.From improvised farces to the refined Baroque operas, from the parodies of institutional stages to the experiments of Modernism, from chivalric epics to contemporary dramaturgy, puppet repertoires are extraordinarily diverse. Their performances have been for centuries the only kind of theatre that many people could attend, but also a means of dramaturgical innovation. Their plays have crossed linguistic, geographical and social boundaries, adapting and spreading the great myths and classics of Western culture, and helping to build Europe's cultural identity.The analysis of these repertoires sheds new light on the history of theatre and society. When and how did puppet theatre compete with actors theatre? When and how did it serve as a laboratory for new dramaturgies? Why do writers and performing artists chose to use them today? These questions can only be answered through a close examination of the many forgotten or unpublished sources collected by the PuppetPlays project. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: AS NEW. Etat de NEUF / AS NEW condition 9788836630479 9788836630479 1016E 1.

Condición: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Neuf.

Couverture souple. Condición: Très bon. Charleville, Éditions Institut International de la Marionnette, 1996. Broché, couverture à rabat, 13 cm x 21 cm, 369 pages, 34 planches photographiques hors-texte. Textes réunis et présentés par Didier Plassard, sources bibliographiques, index thématique. Très bon état.

Condición: new.

Condición: New.

Condición: Very good.

Buch. Condición: Neu. Neuware -This open access book presents the results and conclusions of research conducted by the author, and assisted by a team of young researchers brought together in the PuppetPlays project funded by the European Research Council. It isthe first international survey to examine Western European puppetry through a systematic study of its repertoires, composed by writers or by the puppeteers themselves.From improvised farces to the refined Baroque operas, from the parodies of institutional stages to the experiments of Modernism, from chivalric epics to contemporary dramaturgy, puppet repertoires are extraordinarily diverse. Their performances have been for centuries the only kind of theatre that many people could attend, but also a means of dramaturgical innovation. Their plays have crossed linguistic, geographical and social boundaries, adapting and spreading the great myths and classics of Western culture, and helping to build Europe's cultural identity.The analysis of these repertoires sheds new light on the history of theatre and society. When and how did puppet theatre compete with actors theatre When and how did it serve as a laboratory for new dramaturgies Why do writers and performing artists chose to use them today These questions can only be answered through a close examination of the many forgotten or unpublished sources collected by the PuppetPlays project. 364 pp. Englisch.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. 2025. Hardcover. . . . . .

Couverture souple. Condición: Bon. Edition originale. in-8 br. (13 x 21), 369 p., 1ère édition, coll. "La Recherche", 34 planches h.-t., couverture à rabats, quelques soulignures au stylo, sinon bon état. Ce livre rassemble les textes d'écrivains, de plasticiens, de philosophes ou de metteurs en scène qui jalonnent, depuis ses origines jusqu'à nos jours, l'histoire de la marionnette : des références essentielles comme les essais de Kleist, de Stendhal, de Claudel ou de Craig? et aussi des témoignages, des traités, des documents parfois très peu connus. Voir le sommaire sur photos jointes.

Hardcover. Condición: new. Hardcover. This open access book presents the results and conclusions of research conducted by the author, and assisted by a team of young researchers brought together in the PuppetPlays project funded by the European Research Council. It is the first international survey to examine Western European puppetry through a systematic study of its repertoires, composed by writers or by the puppeteers themselves.From improvised farces to the refined Baroque operas, from the parodies of institutional stages to the experiments of Modernism, from chivalric epics to contemporary dramaturgy, puppet repertoires are extraordinarily diverse. Their performances have been for centuries the only kind of theatre that many people could attend, but also a means of dramaturgical innovation. Their plays have crossed linguistic, geographical and social boundaries, adapting and spreading the great myths and classics of Western culture, and helping to build Europe's cultural identity.The analysis of these repertoires sheds new light on the history of theatre and society. When and how did puppet theatre compete with actors theatre? When and how did it serve as a laboratory for new dramaturgies? Why do writers and performing artists chose to use them today? These questions can only be answered through a close examination of the many forgotten or unpublished sources collected by the PuppetPlays project. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. 2025. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 368 pages. 8.26x5.82x8.50 inches. In Stock.

Condición: New.

Couverture souple. Condición: Neuf. NA10618, PC316-1, 9782825102992. Collection : theatre annees vingt.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This open access book presents the results and conclusions of research conducted by the author, and assisted by a team of young researchers brought together in the PuppetPlays project funded by the European Research Council. It isthe first international survey to examine Western European puppetry through a systematic study of its repertoires, composed by writers or by the puppeteers themselves.From improvised farces to the refined Baroque operas, from the parodies of institutional stages to the experiments of Modernism, from chivalric epics to contemporary dramaturgy, puppet repertoires are extraordinarily diverse. Their performances have been for centuries the only kind of theatre that many people could attend, but also a means of dramaturgical innovation. Their plays have crossed linguistic, geographical and social boundaries, adapting and spreading the great myths and classics of Western culture, and helping to build Europe's cultural identity.The analysis of these repertoires sheds new light on the history of theatre and society. When and how did puppet theatre compete with actors theatre When and how did it serve as a laboratory for new dramaturgies Why do writers and performing artists chose to use them today These questions can only be answered through a close examination of the many forgotten or unpublished sources collected by the PuppetPlays project.

Hardcover. Condición: new. Hardcover. This open access book presents the results and conclusions of research conducted by the author, and assisted by a team of young researchers brought together in the PuppetPlays project funded by the European Research Council. It is the first international survey to examine Western European puppetry through a systematic study of its repertoires, composed by writers or by the puppeteers themselves.From improvised farces to the refined Baroque operas, from the parodies of institutional stages to the experiments of Modernism, from chivalric epics to contemporary dramaturgy, puppet repertoires are extraordinarily diverse. Their performances have been for centuries the only kind of theatre that many people could attend, but also a means of dramaturgical innovation. Their plays have crossed linguistic, geographical and social boundaries, adapting and spreading the great myths and classics of Western culture, and helping to build Europe's cultural identity.The analysis of these repertoires sheds new light on the history of theatre and society. When and how did puppet theatre compete with actors theatre? When and how did it serve as a laboratory for new dramaturgies? Why do writers and performing artists chose to use them today? These questions can only be answered through a close examination of the many forgotten or unpublished sources collected by the PuppetPlays project. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Couverture souple. Condición: Très bon. Edition originale. in-8 br. (13 x 21), 369 p., 1ère édition, coll. "La Recherche", 34 planches h.-t., couverture à rabats, très bon état. Ce livre rassemble les textes d'écrivains, de plasticiens, de philosophes ou de metteurs en scène qui jalonnent, depuis ses origines jusqu'à nos jours, l'histoire de la marionnette : des références essentielles comme les essais de Kleist, de Stendhal, de Claudel ou de Craig et aussi des témoignages, des traités, des documents parfois très peu connus. Voir le sommaire sur photos jointes.

Condición: Neuf.

Condición: Neuf.

Couverture souple. Condición: bon. RO30367955: 2000. In-8. Broché. Etat passable, Couv. défraîchie, Dos fané, Papier jauni. 95 pages. Coins frottés. Mouillures. Rousseurs. Moisissures en tranche en pied et gouttière. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.