Patrizia cavazzini (47 resultados)

Paperback. Condición: new. Paperback. Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (14851547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo. This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide. AUTHORS: Francesca Cappelletti is the director of the Galleria Borghese in Rome and Professor of Modern Art History at the University of Ferrara. Patrizia Cavazzini is an art historian, research fellow at the British School at Rome, an advisor to the American Academy in Rome and a member of the Borghese Gallery's scientific committee. SELLING POINTS: . Illustrates lesser-known works painted in the late Mannerist and early Baroque styles . Many of the photographs featured were taken especially for this publication and can't be found elsewhere 47 colour, 1 b/w illustrations The itinerary presents a selection of the most significant altarpieces painted on stone in Rome in the 16th/17th century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (1485-1547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo.This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide.…

Brossura. Condición: new. Edited by Cappelletti F. and P. Cavazzini. English Text. Milano, 2022; paperback, pp. 96, col. ill., cm 22x28. Libro.

paperback. Condición: New. **HARDBACK**.

Condición: New.

Condición: as new. Wie neu/Like new.

Softbound. First. Color pictorial french flaps, 288 pp, hundreds of color and BW plates and figures. Text is in French. From the book--In Rome, in the first half of the seventeenth century, landscape painting is developing exceptional funds previously reserved for painted compositions, it becomes an autonomous pictorial genre and will experience then a considerable success. From all over Europe, especially Flanders, many artists come together in the eternal city where increasing architectural and urban transformations, and where their presence promotes exceptional artistic effervescence. Wide range of stylistic trends enrich this new pictorial expression and contribute to a widespread dissemination of the taste for landscape painting. With Annibal Carrache, Paul Bril, Peter Paul Rubens, Claude Lorrain, and Nicolas Poussin with Gaspard Dughet, just a few of the greatest painters of the seventeenth century have contributed to the emergence of landscape painting. This book presents some of their most successful creations through some eighty paintings and twenty drawings. VG, light edge wear, may have ex-art-library marks.…

Paperback. Condición: new. Paperback. Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (14851547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo. This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide. AUTHORS: Francesca Cappelletti is the director of the Galleria Borghese in Rome and Professor of Modern Art History at the University of Ferrara. Patrizia Cavazzini is an art historian, research fellow at the British School at Rome, an advisor to the American Academy in Rome and a member of the Borghese Gallery's scientific committee. SELLING POINTS: . Illustrates lesser-known works painted in the late Mannerist and early Baroque styles . Many of the photographs featured were taken especially for this publication and can't be found elsewhere 47 colour, 1 b/w illustrations The itinerary presents a selection of the most significant altarpieces painted on stone in Rome in the 16th/17th century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: new.

Paperback. Condición: Very Good. Estado de la sobrecubierta: No Jacket (As Issued). Book has some scrapes to the reflective patches on the front and rear covers. Limited edition, one of 600 copies. The binding is somewhat unusual as it shows the gatherings and stitching through a transparent spine cover. Technically a paperback although the covers are made of heavy weight paper that does not readily bend.…

Hardcover. Condición: Brand New. 304 pages. 11.00x9.50x1.18 inches. In Stock.

Condición: New. In English.

Stiff wraps. Condición: VG. Octavo. Stiffbound boards. Tan paper with white titles and metallic panels. 200 pages, 8 unnumbered pages : color illustrations ; 23 cm. Published in conjunction with the exhibition in New York, at Nicholas Hall, April 23-May 22, 2025./ Includes bibliographical references. introduction: Nicholas H.J. Hall ; essay authors: Patrizia Cavazzini, Caterina Volpi ; catalogue contributors: Sheila Barker, Tommaso Borgogelli, Virginia Brilliant, Pierluigi Carofano, Kelly Galvagni, Ian Kennedy, Yuri Primarosa, Wayne Franits.…

Brossura. Condición: new. A cura di Bock N., Foletti I. e Tomasi M.Testo Italiano e Inglese.Roma, 2017; br., pp. 540, 17 ill. b/n e col., cm 17,5x24,5.(Études Lausannoises d'Histoire de l'Art. 23). Dedicato a Serena Romano, questo libro vorrebbe restituirle un po' di quel tanto che ha offerto, in vari modi, a tutti quelli che hanno avuto la fortuna di conoscerla e di frequentarla. L'argomento generale, quello delle continuità di lunga durata, dei ritorni in generale, e delle rinascite dell'antico, le è caro da sempre. Lei stessa lo ha esplorato in contributi fondanti e i numerosi autori che hanno accolto l'invito a partecipare al volume ne hanno dato declinazioni diverse. La decisione di dare un tema unitario a questo volume miscellaneo si giustifica anche per un'altra ragione: figlia del '68, Serena Romano ha sempre avuto una certa reticenza nei confronti di onorificenze troppo accademiche, staccate a volte dalla dimensione concreta della ricerca. Da qui il desiderio di costruire un volume che possa essere un prolungamento tangibile di un modo di guardare la storia cui Serena Romano ha contribuito per anni. Libro.…

Paperback. Condición: New. Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (1485-1547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo.This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide.…

4°, , gebundene Ausgabe. Condición: Sehr gut. 256 Seiten Sehr gutes Exemplar 618E Sprache: Englisch Gewicht in Gramm: 2001.

Couverture souple. Condición: Neuf.

Condición: NEW. Roma: Viella, 2017 9788867287819 Etudes lausannoises d'historie de l'art 23 1505 540 p. : ill. b/n, fotografie, indice, bibliografia ; 24 cm. Dedicato a Serena Romano, professore di Storia dell'arte medievale, questo libro vorrebbe restituirle un po' di quel tanto che ha offerto, in vari modi, a tutti quelli che hanno avuto la fortuna di conoscerla e di frequentarla. L'argomento generale, quello delle continuità di lunga durata, dei ritorni in generale, e delle rinascite dell'antico, le è caro da sempre. Lei stessa lo ha esplorato in contributi fondanti e i numerosi autori che hanno accolto l'invito a partecipare al volume ne hanno dato declinazioni diverse. La decisione di dare un tema unitario a questo volume miscellaneo si giustifica anche per un'altra ragione: figlia del '68, Serena Romano ha sempre avuto una certa reticenza nei confronti di onorificenze troppo accademiche, staccate a volte dalla dimensione concreta della ricerca. Da qui il desiderio di costruire un volume che possa essere un prolungamento tangibile di un modo di guardare la storia cui Serena Romano ha contribuito per anni. Bock,Nicolas - Foletti,Ivan - Tomasi,Michele.…

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. A clean, tight copy. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Condición: Very Good. : Catálogo de la exposición celebrada en el Museo Nacional del Prado en 2011, este libro presenta un centenar de obras que exploran el nacimiento y desarrollo del género paisajista. A través de figuras clave como Velázquez, Claudio de Lorena y Poussin, se ofrece una visión completa de la pintura de paisajes entre 1600 y 1650. El libro incluye referencias bibliográficas e índice. EAN: 9788484802150 Tipo: Libros Categoría: Arte y Cultura|Historia Título: Roma. Naturaleza e ideal. Paisajes 1600-1650 Autor: Stéphane Loire| Francesca Cappelletti| Patrizia Cavazzini| Silvia Ginzburg| Andrés Úbeda de los Cobos Editorial: Museo Nacional del Prado Idioma: es-ES Páginas: 272 Formato: tapa blanda Año de publicación: 2011.…

Paperback. Condición: New.

Hardcover. Square quarto. Hardcover. Navy cloth boards in green illustrated jacket with navy titles. xiv, 239 pages : illustrations (some color) ; 27 cm. "Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini's extensive archival research reveals a substantially different situation."--Jacket. VG+. Lightest touches of shelfwear.…

Hardcover. Condición: New.

tapa blanda. Condición: Bien. Períodos y fases de la pintura. Escuelas, estilos, influencias. Italia. Inventarios. (75.034(450)(083.824)) Temas de la pintura. Italia. Inventarios. (75.047(450)(083.824)) Roma, naturaleza e ideal: paisajes 1600-1650 Museo Nacional del Prado. Madrid. 2011. 28 cm. 271 p. il. col. y n. Encuadernación en tapa blanda de editorial ilustrada. Comisario general en Madrid, Andrés Úbeda de los Cobos ; comisario general en Paris, Stéphane Loire. Exposición: Grand Palais, Galeries nationales, París, del 9 de marzo al 6 de junio de 2011; Museo Nacional del Prado, Madrid, del 5 de julio al 25 de septiembre de 2011. Pintura renacentista. Italia. Exposiciones. Pintura de paisaje . ISBN: 9788484802150 (=2716971=) PR165.…

Condición: new.

Condición: Nuovo. Bross., cm 24x16,5, pp 87, tavv. e ill. a col. - ISBN: 9788833672069.

Condición: NEW. Roma: De Luca Editori d'Arte, 2021 9788865574898 Artisti in tribunale 1 609 191 p. : ill. col. b/n, indice ; 24 cm. Il volume riesamina il processo a Federico Zuccari (1540 ca. - 1609), accusato di "eccessi" per aver disegnato un cartone satirico intitolato Porta Virtutis che illustrava il trionfo dell'artista virtuoso sui propri detrattori ignoranti. Esposto sulla facciata della chiesa di S. Luca nel giorno della festa dei pittori (18 ottobre 1581), il cartone scatenò l'ira del papa bolognese Gregorio XIII, causando l'espulsione di Federico e del Passignano, suo collaboratore, da tutto lo Stato della Chiesa, con la proibizione di intraprendere qualsiasi lavoro di pittura. Nessun altro pittore nella Roma di quel tempo fu processato e condannato per il contenuto di una sua opera. Federico sostenne sempre che la sua allegoria aveva un significato generico e non era diretta contro nessuno in particolare: intendeva semplicemente ammonire i colleghi e il pubblico a non esprimere giudizi negativi sulle opere altrui per invidia e presunzione. In realtà il cartone rappresentava esplicitamente lo scalco Paolo Ghiselli, intimo famigliare del papa, come un asino ignorante e i pittori bolognesi come abitanti del regno dell'ignoranza e della maldicenza. Temendo che Zuccari sottraesse loro commissioni anche a Bologna, come già aveva fatto a Roma, i bolognesi avevano infatti convinto lo scalco a rifiutare una pala d'altare realizzata da Federico per una cappella nella chiesa di S. Maria del Baraccano. Il processo è qui trascritto e annotato insieme alle lettere del pittore e dei suoi protettori.…