gianandrea manuela (46 resultados)

Hardcover. Condición: Comme neuf. Edition 2023. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2023. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Hardback or Cased Book. Condición: New. Physical and Chemical Interactions between Insects and Plants. Book.

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Paperback. Condición: new. Paperback. The objective of this book is to draw attention to fifth-century Rome - to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence - between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy - intrinsically necessary to the Christian world - and patronage - the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condición: NEW. Roma: Viella, 2017 9788867282111 Studia artium Medievalium Brunensia 4 905 312 p. : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. The objective of this book is to draw attention to fifth-century Rome to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy intrinsically necessary to the Christian world and patronage the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. The objective of this book is to draw attention to fifth-century Rome to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy intrinsically necessary to the Christian world and patronage the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. Foletti,Ivan - Gianandrea,Manuela.

Condición: NUOVO. Roma, Viella Libreria Editrice cm.21x29,5, pp.320, 274 figg.in bn.nt., br, .cop.fig.a col.con bandelle. Stato di nuovo. Collana I libri di Viella. Arte.

Paperback. Condición: new. Paperback. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue duree, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality - with restorations of ancient monuments - and in ideas - writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second Vatican Council (1962-1965), which can be considered the most significant reaction of Catholicism towards modernity. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue duree, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: NEW. Roma: Viella, 2018 9788867289134 Études lausannoises d'histoire de l'art 27 1409 468 p. : indice ; 24 cm. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. Foletti,Ivan - Gianandrea,Manuela - Romano,Serena.

Condición: NEW. Roma: Viella, 2016 9788867284467 1105 566 p. : ill. col., indice, bibliografia ; 24 cm. Il volume offre un quadro della committenza artistica a Roma nel corso di tutto il Medioevo attraverso uno studio dettagliato sulle figure dei singoli pontefici che ne furono i principali promotori. I fatti artistici, analizzati dal punto di vista della committenza papale, non solo consentono di capire il significato primario connesso alla loro funzione, ma ricreano anche un'immagine speculare del contesto culturale di appartenenza. L'ambito cronologico, circoscritto fra il pontificato di Silvestro I (314-335) e quello di Martino V (1417-1431), lascia intravedere nel comportamento di molti pontefici la persistenza di una mentalità che, da un atteggiamento iniziale di semplice patronato e protezionismo, si tramuta nel tardo Medioevo in vero e proprio mecenatismo. I saggi raccolti, ricchi di spunti e suggestioni, pongono sotto la giusta luce aspetti meno noti di una città come Roma, quale centro ideale della cristianità e termine imprescindibile di riferimento per le sue valenze storico-artistiche. D'Onofrio,Mario.

Condición: New. 2018. Paperback. . . . . .

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Paperback. Condición: new. Paperback. The objective of this book is to draw attention to fifth-century Rome - to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence - between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy - intrinsically necessary to the Christian world - and patronage - the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue duree, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality - with restorations of ancient monuments - and in ideas - writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second Vatican Council (1962-1965), which can be considered the most significant reaction of Catholicism towards modernity. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue duree, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condición: New. Collana "I libri di Viella - Arte". Brossura editoriale con alette, 318 pagine con 274 illustrazioni in nero nel testo. Opera in stato di nuovo. Book.

Condición: UsatoBuono. Bross.con cop. ill. a col., cm 29,5x21, pp 319, 274 ill. in b/n. f.t.

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Condición: NEW. Spoleto: Centro Italiano di Studi sull'Alto Medioevo, 2023 9788868091989 Sussidi per il corpus della scultura altomedievale 1 809 viii, 382 p. : ill. col. b/n, tavole, indice, bibliografia ; 24 cm. Con il presente volume si inaugurano i Sussidi per il Corpus della Scultura Altomedievale, destinati a presentare e ad analizzare i disegni di Ferdinando Mazzanti (1850-1899), architetto, funzionario della Direzione Generale Antichità e Belle Arti e, soprattutto, pioniere degli studi sulla scultura altomedievale romana. Nel Fondo della Galleria Nazionale di Arte Moderna e Contemporanea di Roma sono, infatti, custoditi circa 3000 disegni e documenti, per la maggior parte ancora inediti, dedicati alla scultura altomedievale di Roma e della sua Provincia di allora ed eseguiti dallo stesso Mazzanti per studiare questo tema e per illustrare i suoi progetti. Oggi tale corpus di disegni, le teorie e le ricomposizioni elaborate dallo studioso travalicano l'aspetto di ipotesi personali per divenire essi stessi eccezionali documenti storici e ulteriore strumento di indagine per chiunque voglia approfondire la complessa questione della plastica altomedievale romana. Questo volume, dedicato alla I regione ecclesiastica di Roma, non si limita a studiare la documentazione relativa alle chiese di quest'area della città, ma presenta la figura di Ferdinando Mazzanti, indagandone la formazione, i metodi, l'attività di studioso, e prova a ricostruire le vicende del suo Fondo di disegni.

Condición: NEW. Roma: Viella, 2015 9788867283545 I libri di Viella, arte 705 276 p., XXIX : 100 ill. col. b/n, indice, bibliografia ; 24 cm. Sulla sommità dell'Aventino si erge la basilica di Santa Sabina, uno dei monumenti più significativi del mondo tardoantico. Il suo ingresso principale è costituito da un ampio nartece, caratterizzato dalla presenza di opere straordinarie, quali l'antica porta lignea, la decorazione a imitazione del marmo di V secolo e l'imago altomedievale della Theotokos. Il nartece, per anni trascurato negli studi, doveva essere, in origine, uno degli ambienti di maggior fasto e importanza dell'intero edificio e, soprattutto, non un semplice spazio a servizio delle opere ma il luogo per cui queste erano state pensate. Destinato con ogni probabilità principalmente ai catecumeni e ai penitenti, doveva connotarsi come una vera e propria zona liminare, mondo tra i mondi, zona di transito fisico e spirituale. Il presente volume intende indagare questo luogo a tutto tondo, con un'attenzione particolare alla sua storiografia, all'archeologia del monumento e alle sue decorazioni, rivelandone la facies tardoantica straordinariamente conservata nella sostanza. Si vuole proporre al lettore uno sguardo sinergico, volto a mostrare come la coesistenza dei diversi media permetta una più esaustiva comprensione dello scenario artistico tardoantico.

Brossura. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Una finestra su Roma altomedievale Pitture e mosaici a cura di Chiara Croci, Manuela Gianandrea, Irene Quadri e Serena Romano Collana: I libri di Viella. Arte / Études lausannoises d'histoire de l'art, 31 Pubblicazione: Aprile 2022 EDIZIONE CARTACEA pp. 416, ill. col., 17x24 cm, bross. ISBN: 9788833138725 ? 58,00 Dedicato alla produzione pittorica romana dell'altomedioevo, questo libro è il primo scorcio di una ricerca in corso nell'ambito del progetto Rome aux siècles 'obscurs'. Les lumières de la communication visuelle, Ve-XIe siècles (Fondo Nazionale Svizzero della ricerca, 2020-2023). Sette casi di studio illustrano le strategie metodologiche sviluppate da un gruppo di ricerca multidisciplinare per affrontare testimonianze tra loro diverse per contesto, funzione e tipo di committenza (i mosaici di Sant'Agnese fuori le mura e di Santo Stefano Rotondo, il mosaico e le pitture della cosiddetta aula a sei vani sotto San Martino ai Monti, le pitture del Patriarchio lateranense, di Santa Maria in Cosmedin, di San Giorgio al Velabro e della galleria orientale di San Lorenzo fuori le mura). Le molte novità qui riunite sono prova della vitalità di Roma tra i secoli V e XI, quando si affermò un sistema di comunicazione visiva che plasmerà nel tempo il paesaggio figurativo cittadino.

Condición: NEW. Roma: Viella, 2022 9788833138725 I libri di Viella. Arte / Études lausannoises d'histoire de l'art 31 1409 416 p. : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. Dedicato alla produzione pittorica romana dell'altomedioevo, questo libro è il primo scorcio di una ricerca in corso nell'ambito del progetto Rome aux siècles 'obscurs'. Les lumières de la communication visuelle, Ve-XIe siècles (Fondo Nazionale Svizzero della ricerca, 2020-2023). Sette casi di studio illustrano le strategie metodologiche sviluppate da un gruppo di ricerca multidisciplinare per affrontare testimonianze tra loro diverse per contesto, funzione e tipo di committenza (i mosaici di Sant'Agnese fuori le mura e di Santo Stefano Rotondo, il mosaico e le pitture della cosiddetta aula a sei vani sotto San Martino ai Monti, le pitture del Patriarchio lateranense, di Santa Maria in Cosmedin, di San Giorgio al Velabro e della galleria orientale di San Lorenzo fuori le mura). Le molte novità qui riunite sono prova della vitalità di Roma tra i secoli V e XI, quando si affermò un sistema di comunicazione visiva che plasmerà nel tempo il paesaggio figurativo cittadino. Croci,Chiara - Gianandrea,Manuela - Quadri,Irene.

Roma: De Luca Editori d'Arte, 2025 9788865576748 2109 N vol.: 1, N pag.: 464, W: 24, Illustr.: COL, N illustr.: 400 "Prima mostra monografica dedicata a Maria Barosso (1879-1960) che, all'interno della Direzione Generale Antichità e Belle Arti del Ministero della Pubblica Istruzione, svolse un ruolo cruciale nella documentazione dei monumenti e degli scavi attraverso riproduzioni a colori.