Paola cordera (37 resultados)

Softcover. Condición: VG+ (As new). Blue illus. wraps; 158 pp.; 43 bw plates. Text is in Italian. Addresses 19th-century Italian and Limoges enamels produced by Penicaud, considering the painted enamels and glazes.

Paperback. Condición: New.

Codex Atlanticus. L'architettura, le feste e gli apparati. Disegni di Leonardo dal Codice Atlantico. In lingua italiana e inglese: Architecture, festivities and ephemeral displays. Drawings by Leonardo Da Vinci from the Codex Atlanticus.Cataleg de l'exposicio a la Biblioteca-Pinacoteca-Accademia Ambrosiana, Mila, del 2 de marc al 6 de juny del 2010. il. col. ; 28 cm. Numorous illustrations. Paperback, in clean fine condition. 157 S. isbn 9788851115012 -- Sommario / Contents 11 Presentazione / Foreword Pietro C. Marani 15 Introduzione / Introduction Paola Corderà 35 Opere/Works Paola Corderà 36 II cantiere The construction process 52 L'architettura sacra The religious architecture 100 L'architettura civile: i palazzi The civil architecture: thè palaces 114 L'architettura civile: le ville The civil architecture: thè villas 134 Decorazioni e apparati effimeri Ornaments and ephemeral structures 156 Bibliografia essenziale / Essential bibliography.…

Hardback. Condición: New. Illustrated.

paperback. Condición: Ottimo (Fine). Opera con copertina morbida in brossura. ill. in b/n e a colori ft. 157 p. ; 28 cmPubbl. in occasione della mostra tenuta a Milano dal 2 marzo al 6 giugno 2010Testo anche in inglese In calce al front.: Ambrosiani Collegii Doctores A.D. MDCIV ; Fondazione Cardinale Federico Borromeo.LF.30. Book.…

Hardcover without dustjacket as issued, 312 pages; in English and Italian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: New.

Condición: NEW. Milano: Dario Cimorelli editore, 2025 9791255611448 2050 N vol.: 1, N pag.: 312, Peso: 2050, L: 30.9, W: 24.7, Illustr.: COL + B/N Il volume si inserisce nell'ambito dei più recenti studi sugli scambi culturali ed economici italiani nel Novecento, in cui le relazioni con gli Stati Uniti d'America emergono come un caso esemplare, da indagare cercando nuove intuizioni sulle origini e gli sviluppi della globalizzazione. In tale scenario, che vide il contributo determinante di Carlo Ludovico Ragghianti, si crearono le condizioni per il sostegno e la valorizzazione della cultura artistica, progettuale e produttiva artigianale e industriale italiana, con rilevanti ripercussioni sulla composizione di un immaginario collettivo identitario ampiamente impiegato, per lungo tempo, nella promozione del designed and made in Italy. La pubblicazione, caratterizzata da un forte taglio interdisciplinare - opere pittoriche, scultoree e grafiche, oggetti d'arte applicata e di design, accessori di moda, disegni di allestimenti, prodotti e documentazioni-, analizza lo scenario appena delineato, affrontando temi come le relazioni politiche e culturali dell'Italia nel dopoguerra, le reti internazionali che videro coinvolti politici, critici, artisti e designers di speciale rilievo, nonché la storia di manifatture di pregio, alcune delle quali attive ancor oggi. Il volume si inserisce nell'ambito dei più recenti studi sugli scambi culturali ed economici italiani nel Novecento, in cui le relazioni con gli Stati Uniti d'America emergono come un caso esemplare, da indagare cercando nuove intuizioni sulle origini e gli sviluppi della globalizzazione. In tale scenario, che vide il contributo determinante di Carlo Ludovico Ragghianti, si crearono le condizioni per il sostegno e la valorizzazione della cultura artistica, progettuale e produttiva artigianale e industriale italiana, con rilevanti ripercussioni sulla composizione di un immaginario collettivo identitario ampiamente impiegato, per lungo tempo, nella promozione del designed and made in Italy. La pubblicazione, caratterizzata da un forte taglio interdisciplinare - opere pittoriche, scultoree e grafiche, oggetti d'arte applicata e di design, accessori di moda, disegni di allestimenti, prodotti e documentazioni-, analizza lo scenario appena delineato, affrontando temi come le relazioni politiche e culturali dell'Italia nel dopoguerra, le reti internazionali che videro coinvolti politici, critici, artisti e designers di speciale rilievo, nonché la storia di manifatture di pregio, alcune delle quali attive ancor oggi.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Buch. Condición: Neu. Neuware -This book examines postwar Italian craft and design (1948-1962) through a multidisciplinary lens, reassessing its significance today. It explores the enduring appeal of artifacts within and beyond museum contexts, emphasizing their role as dynamic tools that transcend historical value. Addressing future challenges, the book highlights their relevance in enriching society, supporting creative industries, and aligning with UNESCO s 2030 Agenda for Sustainable Development. Building on seminal exhibitions such as 'Il Design Italiano Degli Anni 50' (Milan, 1981), 'Anni Cinquanta' (Milan, 2005), and 'Il Modo Italiano' (Montreal-Toronto-Rovereto, 2006-2007), the book underscores the pivotal role of 1950s design in shaping Italy s postwar renewal. It testifies to the emergence of a vibrant creative world rooted in cultural heritage and sustained by networks of artisans, manufacturers, artists, designers, and architects each contributing to an interconnected and territorially grounded design culture. Organized into three thematic sections, it explores the uniqueness of Italian design (Section 1: On the Uniqueness of Italian Design), archival practices (Section 2: Archives for Memory and the Future), and exhibition strategies (Section 3: Made in Italy on Display Inside and Outside Museums). The book advocates for innovative strategies in data and memory sharing to enhance the understanding and appreciation of Italy s cultural assets, ensuring their continued relevance while maintaining their connection to local identities and production practices. Drawing on case studies, experts from diverse fields including architecture, museums, decorative arts, craft, product and interior design examine Italian craftsmanship s heritage and its connections to local communities. Their essays illustrate how interdisciplinary enquiries converge into a unified narrative, benefiting from modern approaches to preservation, communication, exhibition, and promotion across physical, digital, and virtual experiences. The book also addresses practical concerns for individuals, industries, archives, museums, and cultural institutions. It provides insights into best practices for presenting design artifacts, leveraging social media for engagement, and fostering partnerships to amplify the impact of cultural initiatives. Emphasizing community participation and cross-sector collaboration, it emphasizes the importance of sustaining Italy s design legacy. Beyond academia and professional circles, the book engages a wider audience by raising public awareness of Italy s cultural heritage and its nature for future generations. It suggests strategies for mitigating overtourism, enhancing engagement with Italy s design heritage, and developing sustainable tourism initiatives that support local communities. By demonstrating the lasting influence of Italian craftsmanship and design, the book positions heritage as a living tradition that continues to shape contemporary life. 160 pp. Englisch.…

paperback. Condición: Ottimo (Fine). Opera con copertina morbida in brossura. ill. in b/n ft e nt. 158 p. ; 28 cm. LF.38. Book.

Buch. Condición: Neu. Neuware -This book examines postwar Italian craft and design (1948-1962) through a multidisciplinary lens, reassessing its significance today. It explores the enduring appeal of artifacts within and beyond museum contexts, emphasizing their role as dynamic tools that transcend historical value. Addressing future challenges, the book highlights their relevance in enriching society, supporting creative industries, and aligning with UNESCO's 2030 Agenda for Sustainable Development. Building on seminal exhibitions such as 'Il Design Italiano Degli Anni '50' (Milan, 1981), 'Anni Cinquanta' (Milan, 2005), and 'Il Modo Italiano' (Montreal-Toronto-Rovereto, 2006-2007), the book underscores the pivotal role of 1950s design in shaping Italy's postwar renewal. It testifies to the emergence of a vibrant creative world rooted in cultural heritage and sustained by networks of artisans, manufacturers, artists, designers, and architects each contributing to an interconnected and territorially grounded design culture. Organized into three thematic sections, it explores the uniqueness of Italian design (Section 1: On the Uniqueness of Italian Design), archival practices (Section 2: Archives for Memory and the Future), and exhibition strategies (Section 3: Made in Italy on Display Inside and Outside Museums). The book advocates for innovative strategies in data and memory sharing to enhance the understanding and appreciation of Italy's cultural assets, ensuring their continued relevance while maintaining their connection to local identities and production practices. Drawing on case studies, experts from diverse fields including architecture, museums, decorative arts, craft, product and interior design examine Italian craftsmanship's heritage and its connections to local communities. Their essays illustrate how interdisciplinary enquiries converge into a unified narrative, benefiting from modern approaches to preservation, communication, exhibition, and promotion across physical, digital, and virtual experiences. The book also addresses practical concerns for individuals, industries, archives, museums, and cultural institutions. It provides insights into best practices for presenting design artifacts, leveraging social media for engagement, and fostering partnerships to amplify the impact of cultural initiatives. Emphasizing community participation and cross-sector collaboration, it emphasizes the importance of sustaining Italy's design legacy. Beyond academia and professional circles, the book engages a wider audience by raising public awareness of Italy's cultural heritage and its nature for future generations. It suggests strategies for mitigating overtourism, enhancing engagement with Italy's design heritage, and developing sustainable tourism initiatives that support local communities. By demonstrating the lasting influence of Italian craftsmanship and design, the book positions heritage as a living tradition that continues to shape contemporary life.…

Buch. Condición: Neu. Unfolding Made in Italy (1948-1962) | Narratives for the 21st Century | Paola Cordera | Buch | Research for Development | xviii | Englisch | 2026 | Springer | EAN 9783032101174 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Buch. Condición: Neu. Neuware - This book examines postwar Italian craft and design (1948-1962) through a multidisciplinary lens, reassessing its significance today. It explores the enduring appeal of artifacts within and beyond museum contexts, emphasizing their role as dynamic tools that transcend historical value. Addressing future challenges, the book highlights their relevance in enriching society, supporting creative industries, and aligning with UNESCO s 2030 Agenda for Sustainable Development. Building on seminal exhibitions such as 'Il Design Italiano Degli Anni 50' (Milan, 1981), 'Anni Cinquanta' (Milan, 2005), and 'Il Modo Italiano' (Montreal-Toronto-Rovereto, 2006-2007), the book underscores the pivotal role of 1950s design in shaping Italy s postwar renewal. It testifies to the emergence of a vibrant creative world rooted in cultural heritage and sustained by networks of artisans, manufacturers, artists, designers, and architects each contributing to an interconnected and territorially grounded design culture. Organized into three thematic sections, it explores the uniqueness of Italian design (Section 1: On the Uniqueness of Italian Design), archival practices (Section 2: Archives for Memory and the Future), and exhibition strategies (Section 3: Made in Italy on Display Inside and Outside Museums). The book advocates for innovative strategies in data and memory sharing to enhance the understanding and appreciation of Italy s cultural assets, ensuring their continued relevance while maintaining their connection to local identities and production practices. Drawing on case studies, experts from diverse fields including architecture, museums, decorative arts, craft, product and interior design examine Italian craftsmanship s heritage and its connections to local communities. Their essays illustrate how interdisciplinary enquiries converge into a unified narrative, benefiting from modern approaches to preservation, communication, exhibition, and promotion across physical, digital, and virtual experiences. The book also addresses practical concerns for individuals, industries, archives, museums, and cultural institutions. It provides insights into best practices for presenting design artifacts, leveraging social media for engagement, and fostering partnerships to amplify the impact of cultural initiatives. Emphasizing community participation and cross-sector collaboration, it emphasizes the importance of sustaining Italy s design legacy. Beyond academia and professional circles, the book engages a wider audience by raising public awareness of Italy s cultural heritage and its nature for future generations. It suggests strategies for mitigating overtourism, enhancing engagement with Italy s design heritage, and developing sustainable tourism initiatives that support local communities. By demonstrating the lasting influence of Italian craftsmanship and design, the book positions heritage as a living tradition that continues to shape contemporary life.…

Buch. Condición: Neu. Neuware -This book examines postwar Italian craft and design (1948-1962) through a multidisciplinary lens, reassessing its significance today. It explores the enduring appeal of artifacts within and beyond museum contexts, emphasizing their role as dynamic tools that transcend historical value. Addressing future challenges, the book highlights their relevance in enriching society, supporting creative industries, and aligning with UNESCO's 2030 Agenda for Sustainable Development. Building on seminal exhibitions such as 'Il Design Italiano Degli Anni '50' (Milan, 1981), 'Anni Cinquanta' (Milan, 2005), and 'Il Modo Italiano' (Montreal-Toronto-Rovereto, 2006-2007), the book underscores the pivotal role of 1950s design in shaping Italy's postwar renewal. It testifies to the emergence of a vibrant creative world rooted in cultural heritage and sustained by networks of artisans, manufacturers, artists, designers, and architects each contributing to an interconnected and territorially grounded design culture. Organized into three thematic sections, it explores the uniqueness of Italian design (Section 1: On the Uniqueness of Italian Design), archival practices (Section 2: Archives for Memory and the Future), and exhibition strategies (Section 3: Made in Italy on Display Inside and Outside Museums). The book advocates for innovative strategies in data and memory sharing to enhance the understanding and appreciation of Italy's cultural assets, ensuring their continued relevance while maintaining their connection to local identities and production practices. Drawing on case studies, experts from diverse fields including architecture, museums, decorative arts, craft, product and interior design examine Italian craftsmanship's heritage and its connections to local communities. Their essays illustrate how interdisciplinary enquiries converge into a unified narrative, benefiting from modern approaches to preservation, communication, exhibition, and promotion across physical, digital, and virtual experiences. The book also addresses practical concerns for individuals, industries, archives, museums, and cultural institutions. It provides insights into best practices for presenting design artifacts, leveraging social media for engagement, and fostering partnerships to amplify the impact of cultural initiatives. Emphasizing community participation and cross-sector collaboration, it emphasizes the importance of sustaining Italy's design legacy. Beyond academia and professional circles, the book engages a wider audience by raising public awareness of Italy's cultural heritage and its nature for future generations. It suggests strategies for mitigating overtourism, enhancing engagement with Italy's design heritage, and developing sustainable tourism initiatives that support local communities. By demonstrating the lasting influence of Italian craftsmanship and design, the book positions heritage as a living tradition that continues to shape contemporary life.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 139 pp. Englisch.…

Hardcover. Condición: Brand New. 260 pages. 9.25x6.10x9.21 inches. In Stock.

Condición: New.

Brossura. Numerose illustrazioni e fotografie, in b/n e a colori, n.t. e f.t. Numero di tavole: 0 pp.301 9788890395369 altezza 0 larghezza 0 Esemplare in buone condizioni.Copertina con ingiallimento, macchie di polvere e lievi segni di usura ai bordi e agli angoli.Tagli con tracce di polvere.Pagine leggermente ingiallite.…

Condición: NEW.

Hardback. Condición: New. Illustrated.

Brossura. Condición: new. Bologna, 2015; br., pp. 504, ill. b/n, cm 20,5x29,5. (Arte. Collezioni Luoghi Attori). Frédéric Spitzer (1815-1890) fu figura controversa. All'indomani della sua morte, le pagine dei più importanti quotidiani di lingua francese, tedesca e inglese si affannarono a presentare frammentarie memorie relative alla sua personalità e alla sua celebre collezione, spesso venate da toni elegiaci e nostalgici, ovvero critici e ostili. Cronache che si arricchirono notevolmente all'approssimarsi dell'ineluttabile dispersione della raccolta in quella che fu definita la "plus grande vente du siècle" (1893), ma che tendevano a sovrapporre la vicenda biografica di Spitzer a una sommaria descrizione della sua collezione. In questo studio la raccolta viene riletta - attraverso il reperimento e l'interpretazione di documenti inediti conservati presso archivi inglesi, francesi, italiani, tedeschi e austriaci - nel solco della storia del collezionismo, del gusto e della storia sociale della seconda metà dell'Ottocento - con particolare riferimento ai "miti" del Medioevo e del Rinascimento - in quanto momento fondativo delle arti decorative industriali e del design. L'indagine, condotta in una prospettiva allargata e interdisciplinare, include aspetti relativi alla personalità di Spitzer, alla sua biografia, alle sue dimore oltre che alle collezioni vere e proprie e alla loro mise en scène in occasione di Esposizioni di Arte Decorativa e Industriale e delle Esposizioni Universali, e costituisce un caso esemplare di indagine su una collezione ottocentesca. Libro.…

Paperback. Condición: New.

Paperback. Condición: New.

Paperback 21 x 29.7cms. ISBN: 8873959938, 9788873959939. A new 280 page inventory raisonné of Spitzer's collection at the time of his death in 1890, placed within the context of his private and social life at Passy, Paris. Accompanied by scholarly work and photographs concerning his collection and art dealing. Illustrated chapter with floor plans and diagrams, revealing just how everything was arranged by the collector himself. Text in Italian.…