osborn anthony (36 resultados)

Taschenbuch. Condición: Gut. 158 Seiten ; 18 cm Papierqualität und Alter führten zu einer Nachdunklung der Seiten und der Buchschnitt ist angestaubt. Im Übrigen ist das Taschenbuch in einem guten Zustand. Sprache: Deutsch Gewicht in Gramm: 441.

Condición: New. In.

Taschenbuch. Condición: Befriedigend. 1. Auflage. getrennt paginiert Kanten etwas berieben / bestossen, Knicke an Einband, Fleckchen auf Schnitt, papierbedingte Seitenbräunung -[ Standort Wimregal . ISS-14744 ISBN 3426029235 Sprache: Deutsch Gewicht in Gramm: 448.

Taschenbuch. Condición: Befriedigend. 1. Auflage. getrennt paginiert Kanten berieben/leicht bestossen, Eselsohr an Deckel und ersten Blatt, Widmung auf Vortitelblatt, papierbedingte Seitenbräunung. /// Standort Wimregal . STE-02373 ISBN 3426029235 Sprache: Deutsch Gewicht in Gramm: 448.

Softcover. Condición: Very Good. First edition. Wrappers. 185-352pp. Wrappers age-toned and wrinkled, very good in the original manilla envelope addressed to fellow author and contributor Daniel Hoffman. Poetry, stories, articles and reviews by W.D. Snodgrass, Kenneth Burke, Philip Levine, Harold Witt, Daniel Hoffman, Mary Louise Willey, Theodore Roethke, Irving Howe, Neal J. Osborn, B.H. Haggin, John Simon, Vernon Young, Mary Evans, Marvin Mudrick, Robert Martin Adams, Roger Sale, Anthony Hecht, Sigurd Burckhardt, J. Mitchell Morse, and Jack Behar.

Softcover. Condición: Very Good. First edition. Wrappers. 185-352pp. Spine and edges age-toned, very good. Poetry, stories, articles and reviews by W.D. Snodgrass, Kenneth Burke, Philip Levine, Harold Witt, Daniel Hoffman, Mary Louise Willey, Theodore Roethke, Irving Howe, Neal J. Osborn, B.H. Haggin, John Simon, Vernon Young, Mary Evans, Marvin Mudrick, Robert Martin Adams, Roger Sale, Anthony Hecht, Sigurd Burckhardt, J. Mitchell Morse, and Jack Behar.

cloth. 8vo. cloth. xviii, 297 pages. Second edition. Lacking the dust jacket, else a fine copy. With many plates and illustrations in the text.

Soft cover. Condición: Very Good. 1st Edition. as new unused.

Taschenbuch. 158 Gut / ohne Umschlag / Sprache: Deutsch Gewicht in Gramm: 450.

Paperback. Condición: New. Print on Demand. This captivating collection of letters offers an intimate glimpse into the spiritual lives of two extraordinary women during a transformative era of religious revival. Penned between 1762 and 1770, their correspondence eloquently captures the fervor and introspection prevalent in the hearts of those seeking a deeper connection with the divine. The letters explore the authors' experiences of doubt, longing, and unwavering faith amid personal challenges and the tumultuous events of their time. They grapple with questions of salvation, grace, and the nature of God, delving into the intricacies of religious doctrine and the transformative power of the gospel. Through their heartfelt exchanges, the women provide a poignant portrayal of the human search for meaning and the profound impact of spirituality on their daily lives. This collection not only sheds light on the religious landscape of 18th-century America but also offers a timeless meditation on the enduring themes of faith, hope, and the enduring legacy of those who sought to live in accordance with their beliefs. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condición: New. Print on Demand. This book is a collection of letters between two 18th-century evangelical Christian women as they worked through challenging life circumstances. As they lived their lives as active Christians, they wrote letters to each other providing insights into their own spiritual lives. The letters provide a unique window into the community of evangelical Christians that existed in that era, and into the spiritual lives of religious women. In their letters, they provide each other comfort and support as they work through the challenges of life and strive to live according to their faith. Both women describe the times they feel close to God, and the struggles and temptations they face in their Christian journey. Their letters provide a view of how Christianity was practiced in a domestic setting in the 18th century, and how one can persevere in their faith even when one is tempted to stray from the path of righteousness. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condición: New.

Trade Paperback. Condición: Near Fine. Book is in excellent condition with a 1/4" tear to the bottom front cover as the only flaw. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 91 pages with the following chapters: Kaitlyn Aurelia Smith, A short interview with Anthonly Rolando, M. Geddes Gengras, Gabriel Reyes-Whittaker: gifted & blessed's guide tot he essentials, Critter & Guitari: Owen Osborn and Chris Kucinski, An essay by Oliver Gillet, Afterword: Brian Dewan. Keywords: Kaitlyn Aurelia Smith, A short interview with Anthonly Rolando, M. Geddes Gengras, Gabriel Reyes-Whittaker: gifted & blessed's guide tot he essentials, Critter & Guitari: Owen Osborn and Chris Kucinski, An essay by Oliver Gillet, Afterword: Brian Dewan, Synthesizer, Production, Moog, Use of, Looping, Audio, Processor, Interview, Polophonic.

Fourth Edition. Good copy in original gilt-blocked cloth with some staining, wear and tear as with age. Remains well-preserved overall; bright and clean. Includes previous owner's signature. Physical description; x, 109 p. ; 22 cm. Notes; First published 1949. Reprinted 1968, 1975, 1981. Text in English, with extracts in Old Irish. Subjects; Irish language To 1100. Irish literature. Irish language Glossaries, vocabularies, etc. Irish language To 1100 Readers. Irish language To 1100 Grammar. Irish literature To 1100. 1 Kg.

Fourth Edition. Good copy in original gilt-blocked cloth with some staining, wear and tear as with age. Remains well-preserved overall; bright and clean. Includes previous owner's signature. Physical description; x, 109 p. ; 22 cm. Notes; First published 1949. Reprinted 1968, 1975, 1981. Text in English, with extracts in Old Irish. Subjects; Irish language To 1100. Irish literature. Irish language Glossaries, vocabularies, etc. Irish language To 1100 Readers. Irish language To 1100 Grammar. Irish literature To 1100. 1 Kg.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 320 pages. 9.49x6.42x1.22 inches. In Stock.

Condición: Very good. Anthony Osborn (Photographs 1-29) and Graham Herbe Ilustrador. 31 pages, [1], and 80 pages of black and white plates. Decorative cover and slipcase. Includes Acknowledgment, Introduction, Notes on the Plates, Bibliography of works concerned with the Artist's Engravings, Glasses in Public Galleries; Engraved Window-glass and Glass Panels; and Main Exhibitions. Includes 80 black and white illustrations. Except where a goblet, decanter, window-pane or panel is illustrated in its entirety, the engravings are reproduced in exactly the same size as the originals. Sir Alan Charles Laurence Whistler CBE (21 January 1912 19 December 2000) was a British poet and artist, working in glass engraving. In 1935, Whistler became the first recipient of the King's Gold Medal for Poetry. He engraved on goblets and bowls blown to his own designs, and on large-scale panels and windows for churches and private houses. He engraved on three-sided prisms, some of them designed to revolve so that the prism's internal reflections completed the image. Engravings of his can be found in Salisbury Cathedral; at the Ashmolean Museum; at Balliol College, Oxford, at Stowe House; at the village church of St Nicholas at Moreton, Dorset, where every window was engraved by him over about 30 years and in the Corning Museum of Glass. In 1947, Whistler created a wedding gift for Princess Elizabeth, a goblet engraved with the words of a 1613 poem by Thomas Campion. The works shown are a selection of those engraved during fourteen years: between 1959 and 1972. The author thanked Her Majesty The Queen for gracious permission to illustrate one work; and was grateful to the owners of other engravings, as named in the notes. From the Introduction: It is best to begin by describing how most of the pictures in this book were made. They were drawn on the bowl of a glass with a steel point held in a tool like a pencil, no acid and no mechanical process coming into it, except that here and there, though very seldom, the same kind of point was held in a slow-revolving drill. The picture is built up mainly of extremely small dots put on at speed by a vibrating hand, and with a pressure perhaps less than that of a pencil on paper, a technique that would be called stippling if the dots did not merge into longer marks and lines, and sometimes into areas scratched or abraded all over, to achieve maximum whiteness. That is to say, whiteness will result when the glass is placed in a good light, falling from behind, against a background that is black or at least shadowy. My aim is to make glass a pictorial medium like canvas. Glass is an ideal medium for expressing the ambiguous, having ambiguity in its very nature. In theory it should be still in a liquid state, we are told, or at least viscous; in practice if feels hard enough. It can last unaltered for a thousand years, of be destroyed at a touch. It is there, and not there. That this is no flight of fancy will be confirmed by any connoisseur who has banged an antique rummer into the front of a cabinet supposedly open, or by anyone who is thankful to be only bruised after walking through a plate-glass door. Full of illusion itself, glass calls for an illusionistic art, and would do so even if this could be banned in all visual arts by the fiat of fashion. W hen engraved, it can be made to distinguish sharply between light and darkness, but when held to the light all distinctions disappear: There is no darkness. Gradually through years one begins to learn what to say in glass, by discovering, for oneself and within one's own limited capacity, what glass is capable of saying. There are notes on 31 plates, as well as 80 black illustrations. Hardcover in slipcase with decorative cover Limited Edition of 1400 of which this is number 1072, signed.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Print on Demand pp. 176.

Condición: New. Print on Demand pp. 176.

Condición: New. PRINT ON DEMAND pp. 176.

A collection of correspondence exchanged between two close friends, Sarah Osborn and Susanna Anthony, between 1740 and 1779. Osborn and Anthony were both devout Congregationalists Ñ Anthony, in fact, broke with her parentsÕ Quaker faith to join Osborn in the Congregationalist church. The two friends were also both teachers and abolitionists: the present collection includes OsbornÕs accounts of her experience teaching classes to the Black population in Newport, as well as letters exchanged between Anthony and the abolitionists Rev. Samuel Hopkins. Twelvemo. 170 pp. Contemporary sheep with gilt spine label. Some chipping and rubbing to sheep. Joints somewhat fragile. Largely a clean copy aside from some light occasional foxing. Two ink ownership signatures, one dated 1829 and one dated 1875, to front flyleaf. A very good, clean copy of this uncommon collection of letters. First edition.

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.