Oleksijczuk (30 resultados)

Condición: very_good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Condición: Very Good. 1st Edition. 8.5 X 10 inches, 222 pages. Paperback. Library stamp on FEP, otherwise no names or marks. Slight warp to body due to improper storage. Overall VERY GOOD, unread.

Paperback. Condición: Very good. Paperback. 210pp+ Index. Very good in publisher's wraps.

Pictorial Soft Cover. Condición: Very Good. Text is in English. Top corner of the contents page has a small red heart stamp; volume has minor wear; tight, text clean. 123 p., illustrated. [otob nr mnk] Size: 11 11/16 x 7 inches.

Soft cover. Condición: Fine. Softcover, 120 pgs. Fine. Nicely-produced literary and arts periodical, with photography by Robert Capa, Anne Collier, Bruce Davidson, William Klein, Eikoh Hosoe, Peter Hujar, and many others.

Condición: New. Brand New.

Soft cover. Condición: Very Good. Beige card covers.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. The First Panoramas is a cultural history of the first three decades of the panorama, a three-hundred-sixty-degree visual medium patented by the artist Robert Barker in Britain in 1787. A towering two-story architectural construction inside which spectators gazed on a 10,000-square-foot painting, Barker's new technology was designed to create an impression of total verisimilitude for the observer. In the beautifully illustrated The First Panoramas, Denise Blake Oleksijczuk demonstrates the complexity of the panoramas' history and cultural impact, exploring specific exhibits: View of Edinburgh and the Adjacent Country from the Calton Hill (1788), View of London from the Roof of the Albion Mill (1791), View of the Grand Fleet Moored at Spithead (1793), and the two different versions of View of Constantinople (1801). In addition to the art itself, she examines the panoramas' intriguing descriptive keys-single-sheet diagrams that directed spectators to important sites in the representation, which evolved over time to give the observer greater perceptual control over the view.Using the surviving evidence, much of it never published before, on the early exhibitions of these massive installations, Oleksijczuk reconstructs the relationships between specific paintings, their accompanying printed guides, and the collective experiences of different audiences. She argues that by transporting its spectators to increasingly distant locations, first in the city and country and then in the world beyond Britain's borders, the panorama created a spatial and temporal disjunction between "here" and "there" that helped to forge new national and social identities.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Soft cover. Condición: As New. 1st Edition. Vancouver Art Gallery 1991. Like New softcover. Clean, crisp and unmarked. Book.

Condición: New. Num Pages: 264 pages, 73 b&w illustrations. BIC Classification: 1DBK; 3JF; ACVT; HBJD1; HBTB. Category: (G) General (US: Trade). Dimension: 252 x 218 x 15. Weight in Grams: 638. . 2011. Paperback. . . . .

Condición: New. pp. 264.

Paperback. Condición: Brand New. 264 pages. 10.00x8.50x1.50 inches. In Stock.

Condición: New. In English.

Soft cover. Condición: Very Good (+).

Condición: New. Num Pages: 264 pages, 73 b&w illustrations. BIC Classification: 1DBK; 3JF; ACVT; HBJD1; HBTB. Category: (G) General (US: Trade). Dimension: 252 x 218 x 15. Weight in Grams: 638. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condición: Fine. Book measures 26x22cm, 222pp. Illustrated throughout. Bound in original publishers softcover. Binding lightly rubbed with some minor shelf wear. Binding in near fine condition, internally pages clean, A very good clean copy.

Paperback. Condición: New. The First Panoramas is a cultural history of the first three decades of the panorama, a three-hundred-sixty-degree visual medium patented by the artist Robert Barker in Britain in 1787. A towering two-story architectural construction inside which spectators gazed on a 10,000-square-foot painting, Barker's new technology was designed to create an impression of total verisimilitude for the observer. In the beautifully illustrated The First Panoramas, Denise Blake Oleksijczuk demonstrates the complexity of the panoramas' history and cultural impact, exploring specific exhibits: View of Edinburgh and the Adjacent Country from the Calton Hill (1788), View of London from the Roof of the Albion Mill (1791), View of the Grand Fleet Moored at Spithead (1793), and the two different versions of View of Constantinople (1801). In addition to the art itself, she examines the panoramas' intriguing descriptive keys-single-sheet diagrams that directed spectators to important sites in the representation, which evolved over time to give the observer greater perceptual control over the view.Using the surviving evidence, much of it never published before, on the early exhibitions of these massive installations, Oleksijczuk reconstructs the relationships between specific paintings, their accompanying printed guides, and the collective experiences of different audiences. She argues that by transporting its spectators to increasingly distant locations, first in the city and country and then in the world beyond Britain's borders, the panorama created a spatial and temporal disjunction between "here" and "there" that helped to forge new national and social identities.…

Hardcover. Condición: New. The First Panoramas is a cultural history of the first three decades of the panorama, a three-hundred-sixty-degree visual medium patented by the artist Robert Barker in Britain in 1787. A towering two-story architectural construction inside which spectators gazed on a 10,000-square-foot painting, Barker?s new technology was designed to create an impression of total verisimilitude for the observer. In the beautifully illustrated The First Panoramas, Denise Blake Oleksijczuk demonstrates the complexity of the panoramas? history and cultural impact, exploring specific exhibits: View of Edinburgh and the Adjacent Country from the Calton Hill (1788), View of London from the Roof of the Albion Mill (1791), View of the Grand Fleet Moored at Spithead (1793), and the two different versions of View of Constantinople (1801). In addition to the art itself, she examines the panoramas? intriguing descriptive keysâ"single-sheet diagrams that directed spectators to important sites in the representation, which evolved over time to give the observer greater perceptual control over the view. Using the surviving evidence, much of it never published before, on the early exhibitions of these massive installations, Oleksijczuk reconstructs the relationships between specific paintings, their accompanying printed guides, and the collective experiences of different audiences. She argues that by transporting its spectators to increasingly distant locations, first in the city and country and then in the world beyond Britain?s borders, the panorama created a spatial and temporal disjunction between ?here? and ?there? that helped to forge new national and social identities.…

Condición: Gut bis sehr gut. B : 88 pages, pictorial wrappers offset-printed glue bound black-and-white & color edition size 1500 - Final issue of File Megazine published in 1989 and edited by General Idea. "This last issue of FILE looks at the City, and interventions in the life of the city." Contains artists' projects by Matt Mullican and Krzysztof Wodiczko and public art projects by Dennis Adams, Alan Belcher and Dennis Oleksijczuk. Cover by General Idea. …

88 pp.; 25.5 x 18 cm.; glue bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Final issue of File Megazine published in 1989 and edited by General Idea. "This last issue of FILE looks at the City, and interventions in the life of the city." Contains artists' projects by Matt Mullican and Krzysztof Wodiczko and public art projects by Dennis Adams, Alan Belcher and Dennis Oleksijczuk. Cover by General Idea. References : No. 8912 in "General Idea : Editions 1967 - 1995" by General Idea, Barbara Fischer, AA Bronson, Fern Bayer, Jean-Christophe Ammann, Lionel Bovier, Cathy Busby, Christophe Cherix, Joshua Decter, Diedrich Diederichsen, Mike Kelley, John Miller, Philip Monk, Stephan Trescher. Toronto, Canada : Blackwood Gallery, University of Toronto at Mississauga, 2003, pp. 202. "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 176. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 260. Fair / Good. 5.3 cm. dog-ear with tearing to top right corner of recto with 1.8 cm. loss to corner, 1 cm. and 1.5 cm. tears to right side edge of recto, 3 mm. tear to top edge of recto and 1.3 cm. tear to top left side of recto. 6 mm. dog-ear to top left corner of verso. Light rubbing of cover edges. 1 cm. of rubbing to title page, contents otherwise clean and unmarked. …