Nusenovich marcelo (14 resultados)

blanda. Condición: New. Estado de la sobrecubierta: Nuevo. This book interprets from a historical and social perspective the development of the Visual Arts in Cordoba (Argentina) in the second half of the 19th century. The period, characterized by the tension between the old and modern ideas, as the genesis of the local artistic field, crossing ethnic, economic, religious, political issues and gender. The author highlights the experience of producers and receivers in the middle, from the installation of the "Aula de Dibujo" (Drawing class) directed by the Portuguese master Luis Gonzaga Cony and the performance of their more prominent students, known as "precursors of the art of Cordoba". The practice of these artists is contrasted with the first contributions of Emilio Caraffa. The research focuses on the 'way of viewing" local painting in oils, styles, genres and themes, as well as the iconography of images. The text goes through different moments in the formation of the field, such as the national exhibition of 1871, the establishment of public and private academies and associations and formations intended for the promotion of artistic practice, articulating the plastic productions with the culture of the time.…

blanda. Condición: New. Estado de la sobrecubierta: Nuevo. This book interprets from a historical and social perspective the development of the Visual Arts in Cordoba (Argentina) in the second half of the 19th century. The period, characterized by the tension between the old and modern ideas, as the genesis of the local artistic field, crossing ethnic, economic, religious, political issues and gender. The author highlights the experience of producers and receivers in the middle, from the installation of the "Aula de Dibujo" (Drawing class) directed by the Portuguese master Luis Gonzaga Cony and the performance of their more prominent students, known as "precursors of the art of Cordoba". The practice of these artists is contrasted with the first contributions of Emilio Caraffa. The research focuses on the 'way of viewing" local painting in oils, styles, genres and themes, as well as the iconography of images. The text goes through different moments in the formation of the field, such as the national exhibition of 1871, the establishment of public and private academies and associations and formations intended for the promotion of artistic practice, articulating the plastic productions with the culture of the time.…

Paperback. Condición: New.

Condición: New. In English.

blanda. Condición: New. Estado de la sobrecubierta: Nuevo.

blanda. Condición: New. Estado de la sobrecubierta: Excelente. This book interprets from a historical and social perspective the development of the Visual Arts in Cordoba (Argentina) in the second half of the 19th century. The period, characterized by the tension between the old and modern ideas, as the genesis of the local artistic field, crossing ethnic, economic, religious, political issues and gender. The author highlights the experience of producers and receivers in the middle, from the installation of the "Aula de Dibujo" (Drawing class) directed by the Portuguese master Luis Gonzaga Cony and the performance of their more prominent students, known as "precursors of the art of Cordoba". The practice of these artists is contrasted with the first contributions of Emilio Caraffa. The research focuses on the 'way of viewing" local painting in oils, styles, genres and themes, as well as the iconography of images. The text goes through different moments in the formation of the field, such as the national exhibition of 1871, the establishment of public and private academies and associations and formations intended for the promotion of artistic practice, articulating the plastic productions with the culture of the time.…

blanda. Condición: New. Estado de la sobrecubierta: Nuevo.

blanda. Condición: New. Estado de la sobrecubierta: Excelente. This book interprets from a historical and social perspective the development of the Visual Arts in Cordoba (Argentina) in the second half of the 19th century. The period, characterized by the tension between the old and modern ideas, as the genesis of the local artistic field, crossing ethnic, economic, religious, political issues and gender. The author highlights the experience of producers and receivers in the middle, from the installation of the "Aula de Dibujo" (Drawing class) directed by the Portuguese master Luis Gonzaga Cony and the performance of their more prominent students, known as "precursors of the art of Cordoba". The practice of these artists is contrasted with the first contributions of Emilio Caraffa. The research focuses on the 'way of viewing" local painting in oils, styles, genres and themes, as well as the iconography of images. The text goes through different moments in the formation of the field, such as the national exhibition of 1871, the establishment of public and private academies and associations and formations intended for the promotion of artistic practice, articulating the plastic productions with the culture of the time.…

Taschenbuch. Condición: Neu. Neuware.

Condición: New.

Condición: New. Print on Demand.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. Este texto estaba destinado en principio a ser utilizado como manual, un tipo particular de libro relacionado con la actividad academica, cuyo objeto es mostrar lo esencial o fundamental de una materia o programa. Los destinatarios originales eran las y los estudiantes de la catedra "Introduccion a la historia de las artes", inserta en la Facultad de Artes de la Universidad Nacional de Cordoba, contexto donde integra los Departamentos de Artes Visuales y Musica. Por diferentes razones, su uso se ha ampliado desde su edicion original hace 20 anos a otros niveles y ambitos educativos, artisticos y extra-artisticos, extendiendo asi el beneficio de la educacion superior publica a la comunidad. Marcelo Nusenovich nace en Villaguay (Entre Rios), el 29 de octubre de 1956. En 1984 se gradua como Profesor Superior de Educacion en Artes Plasticas, y en 1992 como Licenciado en Pintura en la Facultad de Filosofia y Humanidades de la UNC. En el ano 2000, obtiene el titulo de Magister en Sociosemiotica en el Centro de Estudios Avanzados de la UNC. Actualmente escribe su tesis doctoral sobre el tema "Arte y experiencia en Cordoba en la segunda mitad del siglo XIX". Es Profesor Titular de la Catedra "Introduccion a la Historia de las Artes" en la Escuela de Artes de la UNC desde 1989. Desde 1996 hasta 2005 es Coordinador del Area Artes del CIFFyH (Centro de Investigaciones de la Facultad de Filosofia y Humanidades de la UNC). Se ha desempenado como Jefe de Trabajos Practicos en la Catedra "Introduccion al Dibujo", Profesor Titular en las Catedras "Las Artes Plasticas en la Historia II", "Pintura II", "Las Artes Plasticas en la Historia I", y como Profesor Coordinador del Ciclo de Nivelacion de Plastica, Escuela de Artes, FFyH, UNC. EDITORIAL BRUJAS ARGENTINA. Este libro contiene el desarrollo de los siguientes temas: -CAPITULO 1. El arte y lo simbolico-CAPITULO 2. La interpretacion clasica del mundo-CAPITULO 3. La interpretacion cristiana del mundo-CAPITULO 4. La recuperacion de lo clasico-CAPITULO 5. El Barroco-CAPITULO 6. El siglo XVIII-CAPITULO 7. El siglo XIX-CAPITULO 8. Los siglos XX y XXI Con este libro usted podra profundizar sus conocimientos de la historia del arte. Compre ya este libro y obtenga herramientas para el analisis de las diferentes disciplinas artisticas Tags: Arte, historia del arte, siglo XVIII, siglo XVIII, siglo XX, siglo XXI, material de consulta. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…