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Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Condición: Sehr gut. 798 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 1178.

Condición: New.

Condición: New. 2022. 1st Edition. paperback. . . . . .

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: new. Paperback. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as ?pasticcios? since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Gr.-8°, Brosch. 795 S.; mit zahlr. teils farb. Abb. u. Tab. Neuwertiges Ex. / Fine Copy // In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer`s abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. ISBN: 9783837648850 Sprache: Englisch Gewicht in Gramm: 1370.…

Condición: New. pp. 650.

Paperback. Condición: New. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.…

Taschenbuch. Condición: Neu. Neuware -In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. 798 pp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. 798 pp. Englisch.…

Condición: New. pp. 650.

Taschenbuch. Condición: Neu. Neuware -In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as 'pasticcios' since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.…

Condición: New. 2022. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial succes.

Originalbroschur. Condición: Wie neu. 276 S. Ein tadelloses Exemplar. - Deutsch und Französisch. - In den letzten Jahren hat der interdisziplinäre aber auch internationale Austausch zum Forschungsobjekt Musik neue methodische Herangehensweisen und Untersuchungsgegenstände eröffnet. Der Band versammelt Beiträge aus dem deutschen und französischen Forschungskontext mit einem Themenspektrum von Opernparodien des 18. Jahrhunderts über die Musik in kanadischen Gefangenenlagern bis hin zur vusic junger Gehörloser. Entlang der zentralen Begriffe Identität, Historiographie, Erfahrung und Praxis zeugen sie von den gegenwärtigen Perspektiven auf Musik in all ihren technischen, kulturellen und soziohistorischen Facetten. / Au cours des dernieres annees, les echanges interdisciplinaires mais aussi internationaux autour de lobjet musique ont fait emerger de nouvelles perspectives methodologiques et de nouveaux terrains detude. Cet ouvrage rassemble les contributions de chercheurs dAllemagne et de France travaillant sur un large spectre de themes, allant des parodies dopera du 18e siede aux pratiques musicales de prisonniers de guerre au Canada, en passant par la vusic de jeunes sourds. A partir des concepts centraux didentite, dhistoriographie, dexperience et daction musicienne, ces travaux actuels rendent compte des diverses facettes du fait musical, envisage dans ses dimensions techniques, culturelles et socio-historiques. -- Inhalt/Content: Talia Bachir-Loopuyt, Anna Langenbruch und Gesa zur Nieden: Musik - Kontext - Wissenschaft: Interdisziplinäre Wege und Möglichkeiten -- 1. Grenzverschiebungen: Musik im Spannungsfeld von Wissenschaftstraditionen: Denis Laborde:Pour une science indisciplinée de la musique -- Daniel Martin Feige: Philosophie und Musikwissenschaft im Wechselspiel -- Julien Labia: L'esthétique philosophique de la musique au croisement des disciplines -- Tatjana Böhme-Mehner: Travailler la différence ou changer la perspective ? Über das Wechselspiel von Gegenstand und Methode bei der Auseinandersetzung mit Musik des 20. Jahrhunderts im deutsch-französischen Kulturvergleich -- Alain Bonardi: Quand émergent des pratiques musicales a-musicologiques - 2. Grenzziehungen: Musik - Diskurse - Identitäten -- Eva Siebenborn: Die Pathologisierung der weiblichen Stimme im 19. Jahrhundert. Geschlecht, Krankheit, Gesang -- Mario Dunkel: Ansätze zur Erforschung von Jazzhistoriographie: Erkenntnisse der Metageschichtsschreibung und der Diskursanalyse -- Elsa Rieu: Pour une histoire sociale des discours sur la musique: exemple du développement d'approches sociologiques :e la musique en Allemagne (1900-1930) -- Gunilla Budde: Musik - Macht - Geschichte. Überlegungen zu einer Beziehungs-Geschichte -- Alexander Preisinger und Stefan Schmidl: Musikalische Kollektivsymbole und Kontexte. Nationalitäten und musiktheatralische Symbolbestände in der Operette Österreich-Ungams 1860-1918 -- Mauro Bertola: Nationale Identität und musikalische Vergangenheit: Die musikwissenschaftliche Erfindung einer "echten Tradition" und ihre Verbreitung im Musikprogramm des italienischen Rundfunks 1890-1943 -- Claire Guiu: Tous en place. Les lieux et territoires des musiques traditionnelles -- 3. Entgrenzungen: Dimensionen musikalischer Erfahrungen und Praktiken -- Julia A. Schmidt-Funke: Musik und Konsum in der Frühen Neuzeit -- Pauline Beaucé: Musique et théâtre: pour de nouvelles perspectives théoriques et méthodologiques à partir de l'exemple de la parodie d'opéra en France au 18e siècle -- Christina Gößling: Verbal Music - Konzepte zur Versprachlichung von Musik -- Pierre Schmitt: De la musique et des sourds. Approche ethnographique du rapport à la musique de jeunes sourds européens -- Jean-Christophe Sevin: L'implémentation des musiques électroniques de danse et leurs agencements collectifs -- Judith Kestler: Eislauf im Dreivierteltakt - Musik als Zugang zur Alltagskultur in kanadischen Internierungslagern, 1941-1946 -- Michael Werner: Musik als Handlung. Zu einigen Schwierigkeiten beim Arbeiten über Musik. ISBN 9783631606520 Sprache: Französisch Gewicht in Gramm: 356.…

Condición: New. pp. 650.

Condición: New.

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Paperback. Condición: New. 1.

Taschenbuch. Condición: Neu. Neuware - In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.…

Taschenbuch. Condición: Neu. Operatic Pasticcios in 18th-Century Europe | Berthold Over | Taschenbuch | 798 S. | Englisch | 2025 | transcript Verlag | EAN 9783837648850 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu. …

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Condición: Neu. Auflage: 1. 128 Seiten ORIGINALVERSCHWEISST Q70 Sprache: Deutsch Gewicht in Gramm: 320 22,4 x 15,0 x 1,0 cm, Gebundene Ausgabe.

Taschenbuch. Condición: Neu. Neuware -In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as 'pasticcios' since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.GPSR Kontakt, Harvestehuder Weg 42, 20149 Hamburg 798 pp. Englisch.…