Nicholson hubert (104 resultados)

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Paperback or Softback. Condición: New. Collected Poems: With Translations from Jacques Pr�vert. Book.

Soft cover. Condición: Very Good. No Jacket. b-566.

Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.…

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: new. Paperback. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.' Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Very Good. Collected Poems: with Translations from Jacques Prevert: With Translations from Jacques Pr�vert This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

hardcover. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condición: New. pp. 256.

Hard Cover with Dust Jacket. Condición: VG++, Wear, EPS & Edge Foxing. Estado de la sobrecubierta: VG+, Wear, Tear, Foxing. 1st Edition. Comic drama. Jacket by John Rowland. Expanded condition report/scan on request.

1st edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 52p ; 21 cm. 1 Kg.

Condición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . . …

Condición: Good. 1955. First Edition. 49 pages. This is an ex-Library book. Pictorial dust jacket over green cloth. Ex library copy with associated labels, inserts, stamps and annotations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking. …

Condición: new.

1st edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 52p ; 21 cm. 1 Kg.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. UK hardback first impression. Near fine in near fine unclipped jacket.

Paperback. Condición: New.

Condición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . . Books ship from the US and Ireland. …

Wraps. Condición: Good. 8vo. Includes Thurber's Topaz Cufflinks Mystery. Spine sunned, extremities bumped, wrappers sunned and stained, corners bumped, page edges tanned.

Hard Cover with Dust Jacket. Condición: Very Good ++. Estado de la sobrecubierta: Very Good +. 1st Edition. VG++, Shelfwear, mild edge-soiling/VG+, PC, edgewear, indentations. Psychological drama. Jacket designed by Paul Castell. Expanded condition report/scan on request.

Condición: New. In English.

First Edition. Near-fine paperback copy; wrappers faintly dust-toned. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 44 pages ; 21 cm. Subjects; English poetry 20th century. 1 Kg.

Condición: New. pp. 256.

Condición: New.

Card Wrappers. Condición: Very Good. First Edition. 44pp. Fractionally handled.

Card Wrappers. Condición: Very Good. First Edition. 44pp. Fractionally handled.