Nicholson hubert (105 resultados)

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Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his… contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.

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Paperback or Softback. Condición: New. Collected Poems: With Translations from Jacques Pr�vert. Book.

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Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

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paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are… not satisfied. See all our books here, order more than 1 book and get discounted shipping.

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paperback. Condición: Very Good. Collected Poems: with Translations from Jacques Prevert: With Translations from Jacques Pr�vert This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. Thi…s book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

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Soft cover. Condición: Very Good. No Jacket. b-566.

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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his… contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.

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Paperback. Condición: new. Paperback. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of st…ep with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.' Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Card Wrappers. Condición: Very Good. First Edition. 44pp. Fractionally handled.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. pp. 256.

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Librería: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Reino UnidoThe Poetry Bookshop : Hay-on-Wye
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Card Wrappers. Condición: Very Good. First Edition. 44pp. Fractionally handled.

Editorial: William Heinemann, 1955
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Condición: Good. 1955. First Edition. 49 pages. This is an ex-Library book. Pictorial dust jacket over green cloth. Ex library copy with associated labels, inserts, stamps and annotations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tan…ning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking.

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Librería: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Reino UnidoThe Poetry Bookshop : Hay-on-Wye
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Card Wrappers. Condición: Very Good. First Edition. 52pp. Hint of toning to unprinted spine.

Editorial: Progress Publishing, London 1946.,, 1946
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Condición: Fair. 1946. First Published. 224 pages. No dust jacket. Blue cloth with gilt lettering. Owner's stamp to front free endpaper, rear pastedown, half title page and title page. Light foxing and tanning to pages. More prominent to text block edges, pastedowns and free endpapers. Moderate cracking to gutters and front hing…e, exposing netting and causing some looseness to binding but pages remain attached. Boards have minor corner bumping and edgewear with mild tanning and scuffing overall. Spine has heavier tanning with soft crushing to ends. Lettering remains bright and clear. Book has a slight forward lean.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condición: new.

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US:… Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . .

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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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Paperback. Condición: New.

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- Primera edición
Librería: MW Books, New York, NY, Estados Unidos de AmericaMW Books
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First Edition. Near-fine paperback copy; wrappers faintly dust-toned. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 44 pages ; 21 cm. Subjects; English poetry 20th century. 3 Kg.

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US:… Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . . Books ship from the US and Ireland.

Editorial: William Heinemann Ltd., 1949
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- Firmado
Librería: World of Rare Books, Goring-by-Sea, SXW, Reino UnidoWorld of Rare Books
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Condición: Fair. 1949. First Edition. 233 pages. No dust jacket. Signed by the author. Orange cloth. Flat signed by Author. Surface tears to front pastedown. Pages are moderately tanned and thumbed at the edges, with moderate foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and… edges. Corners are a little bumped. Spine ends are mildly crushed. Tanning to spine and edges. Boards are bowed. Book has a forward lean. Water marks to boards and spine.

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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 12,99
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paperback. Condición: New.
Idioma: Inglés
Editorial: The Fortune Press, London, 1943
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Librería: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Reino UnidoThe Poetry Bookshop : Hay-on-Wye
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Brick Red Cloth. Condición: Very Good. Estado de la sobrecubierta: Fair. First Edition. 40pp. Printed on laid paper with fore & tail edges untrimmed. Protected dust jacket a little toned & rubbed with loss; 'on' of 'Nicholson' at head of spine.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Condición: New. In.

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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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paperback. Condición: New.
Editorial: London, 1931
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Librería: Anthology Booksellers, Portland, OR, Estados Unidos de AmericaAnthology Booksellers
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Wraps. Condición: Good. 8vo. Includes Thurber's Topaz Cufflinks Mystery. Spine sunned, extremities bumped, wrappers sunned and stained, corners bumped, page edges tanned.