Natalie robertson (41 resultados)

Paperback. Condición: Very Good. Dead Funny: Encore: More Horror Stories by Comedians This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Condición: New.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Acceptable. Slight wear and curl Satisfaction 100% guaranteed.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Pamphlet. Condición: Very Good. Nov/Dec, 2019, pp. 75-89, 4to, Profusely Illus with Color Photos, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Good. Inscribed by Robertson on title page. Nice copy. Jacket is lightly water stained, not visible from outside. Cover corners are bumped, but binding is tight. Aside from author's inscription, previous owner's inscription and signature on front endpaper and half-title page. Inside is otherwise clean and unmarked.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Debates on reparations for slavery have emerged on national and international levels. However, much of the discourse centers on the legitimate slave trade. Few people are cognizant of the fact that the transatlantic slave trade consisted of both a legal trade and an illegal trade that began after January 1, 1808. Despite statutory prohibitions against slave smuggling, American citizens continued to smuggle African captives into the United States up to and beyond the threshold of the Civil War. The Slave Ship Clotilda and the Making of AfricaTown, USA is the only well-documented work of serious nonfiction that chronicles the transatlantic smuggling expedition of the slaver Clotilda during the slave trade's illegal period, dramatizing the plight of her captives from the point of capture in the West African interior to the point of disembarkation in Mobile, Alabama in 1860, and tracing the specific means by which the captives triumphed over their tragedy.Thirty members of that fateful cargo established AfricaTown in Alabama, where many of their descendants still live. In 1927, Zora Neale Hurston interviewed Cudjo Kazoola, the last survivor of the Clotilda. In The Slave Ship Clotilda and the Making of AfricaTown, USA Natalie S. Robertson uses ethnography, cartography, linguistics, and oral history to connect the story of the Clotilda captives to their origins in Africa, through their ordeals on the middle passage, all the way to the issue of reparations in the present day. She incorporates indigenous African perspectives, Hurston's interviews, and sources such as the Clotilda's log, meshing diverse voices into a narrative that reveals the centrality of slavery, Africanisms, and resistance in American culture even today.…

Wraps. Condición: VG-. None. 401 pp, wraps, minor page tip folding, some highlighting (so far, i count 17 pages -- some, just a sentence -- some, whole paragraphs), else very clean and binding strong, NOT EXLIB.

Condición: New.

Condición: New. Print on Demand.

Condición: New.

Condición: New.

Condición: New. Shows how African captives endured capture, imprisonment, the middle passage, and slavery in America only to persevere and found a free and vibrant community in America. Editor(s): Crichton & Associates, Inc. Num Pages: 272 pages, Illustrations. BIC Classification: HBJH; HBJK; HBTS. Category: (G) General (US: Trade). Dimension: 241 x 166 x 28. Weight in Grams: 594. . 2008. Hardback. . . . . …

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New. Shows how African captives endured capture, imprisonment, the middle passage, and slavery in America only to persevere and found a free and vibrant community in America. Editor(s): Crichton & Associates, Inc. Num Pages: 272 pages, Illustrations. BIC Classification: HBJH; HBJK; HBTS. Category: (G) General (US: Trade). Dimension: 241 x 166 x 28. Weight in Grams: 594. . 2008. Hardback. . . . . Books ship from the US and Ireland. …

Hardcover. Condición: Brand New. 1st edition. 256 pages. 9.50x6.50x1.25 inches. In Stock.

Hardback. Condición: New. New Book, Direct from Publisher.

Condición: Hervorragend. Zustand: Hervorragend | Seiten: 272 | Sprache: Englisch | Produktart: Bücher | Debates on reparations for slavery have emerged on national and international levels. However, much of the discourse centers on the legitimate slave trade. Few people are cognizant of the fact that the transatlantic slave trade consisted of both a legal trade and an illegal trade that began after January 1, 1808. Despite statutory prohibitions against slave smuggling, American citizens continued to smuggle African captives into the United States up to and beyond the threshold of the Civil War. The Slave Ship Clotilda and the Making of AfricaTown, USA is the only well-documented work of serious nonfiction that chronicles the transatlantic smuggling expedition of the slaver Clotilda during the slave trade's illegal period, dramatizing the plight of her captives from the point of capture in the West African interior to the point of disembarkation in Mobile, Alabama in 1860, and tracing the specific means by which the captives triumphed over their tragedy.Thirty members of that fateful cargo established AfricaTown in Alabama, where many of their descendants still live. In 1927, Zora Neale Hurston interviewed Cudjo Kazoola, the last survivor of the Clotilda. In The Slave Ship Clotilda and the Making of AfricaTown, USA Natalie S. Robertson uses ethnography, cartography, linguistics, and oral history to connect the story of the Clotilda captives to their origins in Africa, through their ordeals on the middle passage, all the way to the issue of reparations in the present day. She incorporates indigenous African perspectives, Hurston's interviews, and sources such as the Clotilda's log, meshing diverse voices into a narrative that reveals the centrality of slavery, Africanisms, and resistance in American culture even today.…

Hardback. Condición: New. Debates on reparations for slavery have emerged on national and international levels. However, much of the discourse centers on the legitimate slave trade. Few people are cognizant of the fact that the transatlantic slave trade consisted of both a legal trade and an illegal trade that began after January 1, 1808. Despite statutory prohibitions against slave smuggling, American citizens continued to smuggle African captives into the United States up to and beyond the threshold of the Civil War. The Slave Ship Clotilda and the Making of AfricaTown, USA is the only well-documented work of serious nonfiction that chronicles the transatlantic smuggling expedition of the slaver Clotilda during the slave trade's illegal period, dramatizing the plight of her captives from the point of capture in the West African interior to the point of disembarkation in Mobile, Alabama in 1860, and tracing the specific means by which the captives triumphed over their tragedy.Thirty members of that fateful cargo established AfricaTown in Alabama, where many of their descendants still live. In 1927, Zora Neale Hurston interviewed Cudjo Kazoola, the last survivor of the Clotilda. In The Slave Ship Clotilda and the Making of AfricaTown, USA Natalie S. Robertson uses ethnography, cartography, linguistics, and oral history to connect the story of the Clotilda captives to their origins in Africa, through their ordeals on the middle passage, all the way to the issue of reparations in the present day. She incorporates indigenous African perspectives, Hurston's interviews, and sources such as the Clotilda's log, meshing diverse voices into a narrative that reveals the centrality of slavery, Africanisms, and resistance in American culture even today.…

Hardcover. Condición: gut. 2008. The Slave Ship Clotilda and the Making of AfricaTown, USA In englischer Sprache. pages.

Hardcover. Condición: New.

Revised Final Draft script for the 1983 film. A group of researchers create a method of entering human minds, allowing the scientists to play back recordings of what the subject was feeling, seeing, and thinking at any given moment. The project quickly lends itself to predatory behavior, however, and the laboratory begins fighting off government interference. Shot on location throughout North Carolina, in Durham, Outer Banks, Pinehurst, and Raleigh, and in San Francisco. Goldenrod titled MGM wrappers, dated September 18, 1981, and noted as REVISED FINAL DRAFT on the front wrapper, stamped copy No. 16, with credits for screenwriter Robert Stitzel and director Douglas Trumbull. Title page present, dated September 18, 1981, noted as Revised Final Draft, with credit for Stitzel. 136 leaves, with last page of text numbered 135. Xerographic duplication, rectos only. Pages about Near Fine, wrapper Near Fine, bound with three gold brads. …

DVD. Condición: Sehr gut. Standard Version. Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. Altersfreigabe FSK ab 12 Jahre - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 83.