Narusyte agne (15 resultados)

Condición: Very Good. None. 349 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Corner folds to multiple pages. Black and white photographs throughout. Record # 471519.

Paperback. Condición: Brand New. 224 pages. 7.30x4.70x0.90 inches. In Stock.

Softcover/Paperback. Condición: Gut. 349 S., 22x16 cm O-Klappbroschur, kart. 90 s/w Abbildungen. Buch leicht schiefgestanden, Kapitale leicht bestoßen; ohne Eintragungen; gutes bis sehr gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 700.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: New. In English.

Condición: New. In English.

Condición: New. 1st ed. 2022 edition NO-PA16APR2015-KAP.

hardcover. Condición: Used; Like New. First Edition; First Printing. 15 full page plates. Text in English and Lithuanian. Introduction by Agne Narusyte. ; Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New.

2ß6 x 26cm. Paperback, 249pp. From the publicity release: "Dainius Liskevicius's 'Museum' is presented in the Lithuanian Pavilion at the 56th International Art Exhibition - la Biennale di Venezia by Nida Art Colony of Vilnius Academy of Arts. The pavilion is organised by curator and commissioner Dr. Vytautas Michelkevicius, 2nd commissioner Rasa Antanaviciute, producer Daina Pupkeviciute and the Pavilion team. 'Museum', which originated in 2012 as a black cube intervention in the Lithuanian National Gallery of Art in Vilnius, has arrived in Venice as an artist-created institution which can tell and do what ordinary museums cannot. The artist's ways of storytelling and rhetoric simulate the phenomenon of a museum itself, with its rules and methods. In this way, a discursive space with overlapping subjective and objective interpretations of time is created. As the Lithuanian national pavilion, 'Museum' seemingly alludes to the idea of the curator Okwui Enwezor that a national pavilion is 'the most anachronistic exhibition model'. At the same time, it offers a relevant model of conduct for today's world, full of national and geopolitical conflicts. The multi-layered collection that has been put together by the artist works as an elliptical time loop. It simultaneously takes us back to the recent past, questions the present, and projects our anxieties onto a future that is full of cultural and geopolitical tensions. 'Museum' is essentially a one-off piece of artistic research, but it is not only relevant in exploring the depths of the Soviet totalitarian regime. It is also a possible model for dealing with present-day hegemonic powers, and their impact on the public discourse and the freedom of the artist. In his vision of Lithuanian art history, revamped with subtle irony, the artist offers an unexpected version of the archaeology of objects. Here, every object has both a personal and a collective history that conveys the signs of the times, and allows us to travel in time. Within the space of 'Museum', Liskevicius's own life story intertwines with those of dissident revolutionaries and idealised cultural figures (such as Jean-Paul Sartre), further erasing the thin line between subjective and objective forms of storytelling." Very good condition. …

Soft cover. Condición: Very Good. 1st Edition. Paperback, limited edition of 1000 copies, fully bilingual (Lithuanian & English), 223 pages + 4 glossy fold-out sheets, b&w and colour illustrations in text, NOT ex-library. Gentle wear, book is clean, with unmarked text, free of inscriptions and stamps, firmly bound. -- "This is a catalogue of two exhibitions and a collection of essays on photography, history, cinema and mapping. The event called photo/carto/historio/graphies is an artistic research project, which uses cartographic strategies to rethink the developments, ideas and stereotypes of Lithuanian photography. The essays published here discuss the re/creation of history and visual constructions of history in cinema, contemporary art and particularly photography. The book starts with a discussion about the project and issues it raises; German art historian Rudolf Frieling has contributed his paper about the links between maps, media, art, archives and text, and their representation in contemporary art. Historian Ruta Sermuksnyte discusses representations of the past in film and television and Vasilijus Safronovas analyses the role of power in the formation of history. The textual part of the book ends with a playful essay by the art critic Valentinas Klimasauskas who wanders between photography and reality. An important component of the book are maps and schemes created by the participants of the project.".…

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.