Morton feldman (128 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

CD in Jewel Case. Condición: Fine. Estado de la sobrecubierta: Fine. WWE 1CD20506. [5099702050623] Three subtly powerful works by the American avant-garde master. REPERTOIRE: Piano and Orchestra (1975); Durations II (1960); Rothko Chapel (1971). CONDITION: A Fine-condition CD (plays beautifully) with Fine booklet, insert, and jewel-case. NOTE: Given that these are "live" performances and that Feldman's music is generally extremely quiet, one hears incidental noises - from the stage as well as the audience, but not so much as to distract from the music. Complimentary upgrade to securely-packed First Class shipping on domestic (USA) orders. Peter Thorpe (cover) (ilustrador). …

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Booklets, Photocopies, etc. Condición: Near Fine. From the pre-internet era, here are the Peters Edition publisher's brochures for three great late-20th-century avant-garde composers: [1] John Cage (1912-92), listing his Peters-published works through 1992; [2] Morton Feldman (1926-87), works published through 1969 [his subsequent works were published by Universal Edition); [3] Christian Wolff (1934---) works published through 1993. The brochures are in uniform format, so I conclude that they were published around the same time in the early 1990s. 12/6/6 pages. CONDITION: All three are unmarked and uncreased, with light shelf-wear and are now nestled in a clear, protective polypropylene bag with archival backing board.…

Paperback. Condición: Very Good. Copyright 1976. Slight wear.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers are clean with light shelf wear. Contents: Manheim, Outside looking in: evidences of primal-scene fantasy in Hawthorne's fiction. Hurry, The use of Freudian dream symbolism in William Carlos Willims' Paterson. Spector, Science fiction and the sex war: a womb of one's own. Cowart, Oedipal dynamics in Jane Eyre. Feldman, The longing for death in O'Neill's Strange Interlude and Mourning becomes Electra. 10.0" tall; 48 pages. …

Wrappers. Condición: Near Fine. 67 pages with 55 illustrations, 12 of which are in color. Linen covered stiff paper covers. There is some tanning to the edges and covers, with some minimal fraying along the edges of the covers, consistent with shelving and age, but otherwise in tight, sharp, crisp and clean condition. Introduction by Dominique de Menil. Published on the occasion of the exhibition at the University of St. Thomas, Houston, TX from February 10-April 6, 1967. Size: 9" x 6". Book.…

Softcover. Condición: Bon. Edition 1998. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1998. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Soft cover. Condición: Fine. Morton Feldman (1926-1987) is among the most influential American composers of the 20th Century. While his music is known for its exteme quiet and delicate beauty, Feldman himself was famously large and loud. His writings are both funny and illuminating, not only about his own music but about the entire New York School of painters, poets and composers that coalesced in the 1950s, including his friends Jackson Pollack, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O Hara, and John Cag.…

Paperback. Condición: Fine condition. First Edition. Evanston, Illinois: TriQuarterly / Northwestern University, 1982. Fine condition. Bright, clean, square, and tight. No store stamp, owner's name or bookplate. No remainder mark. Flat spine. No creases. Pages are fresh, crisp -- apparently never read. No underlining. No highlighting. No margin notes. 6" wide by 9" tall. An International Journal of Art, Writing and Cultural Inquiry. Includes: A JOHN CAGE READER IN CELEBRATION OF HIS 70TH BIRTHDAY (pp. 68-232), with contributions by Paul Zukofsky; Peter Gena; Marjorie Perloff; Natalie Crohn Schmitt; M. C. Richards; Morton Feldman; Christian Wolff; William Brooks; Merce Cunningham; Kathan Brown; Stephen Addiss; Richard Kostelanetz; et al. Also has an interview with Eugenio Montale; plus fiction and poetry by Ray Reno; Grace Mary Garry; Teresa Cader; Jay Wright; Rush Rankin. . First Edition. Softcover. Fine condition. Illus. by Cage, John (paintings -- cover art & 8 pages in color). 289pp. + ads. Cage, John (paintings -- cover art & 8 pages in color) (ilustrador).…

Softcover. Small Quarto. Softcover. Plain white wraps with black and green titles. 28 unnumbered pages : color illustrations ; 26 cm. VG-. Some small pen markings to the early textblock.

Notenblatt. Condición: Neu. Neuware.

Condición: Good. Good condition. Covers slightly yellowed. (Philip Guston, Exhibition catalogues) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Wrappers. Condición: Near Fine. 32 pages. Paperback. Texts in English. Minimal shelfwear to the edges and faint associated soiling to the covers. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff printed paper covers and published on the occasion of the exhibition held from April 22-June 3, 1995. Book.…

Condición: New.

Geheftet. Condición: New. Palais de Mari for pianoInhaltsverzeichnisrnrnPalais de Mari for piano.

Soft cover. Condición: Near Fine. Near Fine paperback. Clean and bright with no signs of wear or aging. 256 pp.

Noten. Condición: Neu. Neuware.

Size: Folio. [iv], 36pp. Stapled as issued in publisher's printed wrappers.

Noten. Condición: Neu. Neuware.

Noten. Condición: Neu. Neuware.

Notenblatt. Condición: Neu. Neuware.

Condición: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.

Soft cover. Condición: Near Fine. Book measures 6 x 8 inches. Insightful and humorous writings by Feldman about his friends and contemporaries including Jackson Pollock, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O'Hara, John Cage among others. Give My Regards to Eighth Street is an authoritative collection of Feldman's writings, culled from published articles, program notes, LP liners, lectures, interviews and unpublished writings. Highly recommended reading. A Near Fine copy which shows only very faint wear along corners of bottom edges. ( very minor) and minimal signs of rubbing. Binding is square and tight.…

Condición: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Condición: New.

Geheftet. Condición: Gut. 22,9 x 35 cm, 12 Seiten / p. Aus dem Vorbesitz ( ohne Namenseintrag ) von Prof. Dr. Dieter Schnebel, einem Pionier der Neuen Musik und des Fluxus in Deutschland. - Exemplar Schnebel: Stempel mit "Autorisierte Kopie" , altersgemäß sehr guter Zustand - Morton Feldman (* 12. Januar 1926 in New York City; 3. September 1987 in Buffalo) war ein US-amerikanischer Komponist. Er gilt als einer der Pioniere der grafischen Notation. Weil diese dem Interpreten zu viel Freiheiten ließ, verwarf er sie 1969 wieder und kehrte zur präzisen Notation zurück. -- Manchmal wurde und wird Feldmans Werk als Meditationsmusik missverstanden. Jedenfalls lassen die Äußerungen des Komponisten in seinen Essays keinen anderen Schluss zu, als dass er dem Prinzip des lart pour lart verpflichtet war und es in vielleicht einzigartiger Weise im Sinne eines quasi schopenhauerischen Nicht-Wollens erreicht hat. Das macht ihn zu einer Ausnahmeerscheinung in der Musik des 20. Jahrhunderts, vielleicht der Musik überhaupt [Wikipedia]. Sprache: Englisch Gewicht in Gramm: 550. …