Morstad erik (28 resultados)

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Hardback. Condición: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.…

Hardback. Condición: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.…

Condición: As New. Unread book in perfect condition.

Condición: New.

kart. Condición: Gut. 21 cm ; 3., erweiterte Auflage. Paperbackausgabe, 438 Seiten. Gutes Exemplar. hwR.-L.-1449 ISBN: 3934692095.

Hardcover. Condición: Brand New. 208 pages. 10.83x8.51x10.88 inches. In Stock.

Hardcover. Condición: new. Hardcover. This anthology springs out of a productive environment that in recent years has been created in Norway for research into the art of Edvard Munch. Comprising scholars from both the University of Oslo and the Munch Museum, this environment is seeking to internationalise the research and broadening the network of scholars working on Munch's art. The nine essays written by art historians from USA, Germany, Switzerland and Norway shed new light upon different sides of Munch and his art, as well as on the impact he has had in art history. The authors in this anthology are more critical of their sources than has been seen earlier in research on Munch, and their interpretations of works are increasingly based on information that can be documented. A diversity of theory now supplements the traditionally biographical approach. One of the authors describes the process of identifying a formerly unknown Munch painting, Seated nude and three male heads, as well as addressing general problems of dating concerning Munch's oeuvres.Another essay focuses on Munch's portrayals of one of the most radical Norwegian art movements in the late 19th century, Kristianiabohemen, and the importance of this movement for Munch's development as an artist. Through analysis of Munch's paintings the authors also focus on Munch's role in the creation of a national identity, and his perception of the male role in contemporary society. In the last essay of the book it is being argued that Munch and his works have often been better comprehended by other artists than by traditional art historians. The essay shows how certain artists, most of them American such as Jim Dine, Andres Serrano and Elizabeth Jones, have appropriated and developed Munch's pictorial imagination, in independent works or in visual quotations. An anthology that springs out of a productive environment that has been created in Norway for research into the art of Edvard Munch. It includes nine essays written by art historians from USA, Germany, Switzerland and Norway that focus on different sides of Munch and his art, as well as on the impact he has had in art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New.

3., erw. Aufl. 8°. 438 S. (Edition Kirchliche Umschau). (hinter Umschlagseite geknickt, Fußschnitt angestaubt, Exlibris a. Umschl.-Innenseite). >>>> Zur Zeit erfolgt KEIN VERSAND NACH ÖSTERREICH aufgrund der dort geltenden Verpackungsverordnung. <<<<.

Hardback. Condición: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.…

Hardback. Condición: New. Multilingual. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.…

Hardcover. Condición: new. Hardcover. This anthology springs out of a productive environment that in recent years has been created in Norway for research into the art of Edvard Munch. Comprising scholars from both the University of Oslo and the Munch Museum, this environment is seeking to internationalise the research and broadening the network of scholars working on Munch's art. The nine essays written by art historians from USA, Germany, Switzerland and Norway shed new light upon different sides of Munch and his art, as well as on the impact he has had in art history. The authors in this anthology are more critical of their sources than has been seen earlier in research on Munch, and their interpretations of works are increasingly based on information that can be documented. A diversity of theory now supplements the traditionally biographical approach. One of the authors describes the process of identifying a formerly unknown Munch painting, Seated nude and three male heads, as well as addressing general problems of dating concerning Munch's oeuvres.Another essay focuses on Munch's portrayals of one of the most radical Norwegian art movements in the late 19th century, Kristianiabohemen, and the importance of this movement for Munch's development as an artist. Through analysis of Munch's paintings the authors also focus on Munch's role in the creation of a national identity, and his perception of the male role in contemporary society. In the last essay of the book it is being argued that Munch and his works have often been better comprehended by other artists than by traditional art historians. The essay shows how certain artists, most of them American such as Jim Dine, Andres Serrano and Elizabeth Jones, have appropriated and developed Munch's pictorial imagination, in independent works or in visual quotations. An anthology that springs out of a productive environment that has been created in Norway for research into the art of Edvard Munch. It includes nine essays written by art historians from USA, Germany, Switzerland and Norway that focus on different sides of Munch and his art, as well as on the impact he has had in art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover with dustjacket, 226 pages, new condition, clean and crisp; no internal marks.

8° (18,5-22,5 cm), Kart. 401 S. Gering berieben, sonst: Sehr gut erhalten. Fast neuwertig. Mit Widmung des Verfassers auf dem Vorsatz! no Gewicht in Gramm: 524.

Hardback. Condición: New.

First Edition in English. Large hardcover in jacket, Very good with slight shelf wear. English language text. Illustrated.

8°. Condición: Gut. 310 S. Leichte bis moderate Lager- und Gebrauchsspuren. Insgesamt guter Zustand. Ehemaliges Bibliotheksexemplar mit Stempel und Rückensignatur. Kbx 8° D 3301 fu058641 Sprache: Deutsch Gewicht in Gramm: 550.

Hard cover. Condición: Very Good. Estado de la sobrecubierta: Good. First edition. With b/w illustrations throughout; text in Norwegian. An uncommon title. Per Ung (5 June 1933 20 June 2013) was a Norwegian sculptor and graphic artist. He received his sculptor education under the influential of Per Palle Storm (1910 1994) at the Norwegian National Academy of Fine Arts from 1952-55. He became a student of Anthony Caro (1924 2013) at St. Martin's School of Art in London in 1960. Ung made a number of public portrait statues and monuments, most of them on private assignments. His first large public commission was the statue of actress Johanne Dybwad (bronze. 1959), located on Johanne Dybwads plass outside the National Theatre in Oslo. His monument of figure skater Sonja Henie ( (bronze. 1985) is located at Frogner stadion. His statue of Nobel Prize laureate Fridtjof Nansen (bronze. 1993) is placed outside the Fram building at BygdÃ?Æ?Ã?â??Ã?â??Ã?¸y. A monument of the composer Johan Halvorsen (bronze. 2002) is placed outside the National Theatre in Oslo. Ung was member and served as chairman of the Norwegian Association of Sculptors (Norsk Billedhuggerforening), was a member of the Young Artists Society (Unge Kunstneres Samfund) and served on the Board of Supervisors of Kunstnernes Hus in Oslo from 1967-69. He was granted the A. C. Houens legat in 1953, Conrad Mohrs legat in 1958 and 1964, Moltzaus legat in 1957 and Lorch-Schives legat in 1960. He received the Ingeborg og Per Palle Storms Ã?Æ?Ã?â??Ã?â??Ã?¦respris in 1995. In 2007, he was appointed Knight 1st Class in the Order of St. Olav.…

8°. Condición: Gut. 2. Ehemaliges Bibliotheksexemplar mit Stempel innen und Bibliothekssignatur auf Einband in gutem Zustand. Ex-library with stamp and catalogue number on spine. GOOD condition, some traces of use. Kbx 8° O 3991 fu058642 Sprache: Deutsch Gewicht in Gramm: 550.

Taschenbuch. Condición: Sehr gut. 438 Sauberes Exemplar mit leichten Handhabungsspuren- siehe Scan. Fach N26 N26 Sprache: Deutsch Gewicht in Gramm: 550.

Collage Press, OSLO 1983. Förlagets linneband med skyddsomslag. 108 (12) sidor. Illustrerad. Lite kantslitage på skyddsomslaget. Boken är i gott skick. Text: norska.

Softcover/Paperback. Condición: Gut. 4., erweiterte und korrigierte Auflage. 438 Seiten. Buchrücken mit deutlichen Knickspuren vom Lesen. Vorderer und oberer Schnitt etwas angeschmutzt. Ansonsten gut erhalten. 3934692095 Sprache: Deutsch Gewicht in Gramm: 1800.

Paperback. Bw illustrated wraps; red/white lettering on black spine. 432 pp. with 112 color images. Text in Norwegian. An ambitious PhD thesis/dissertation about Edvard Munch. VG+ a clean, tight copy; just a hint of shelf life.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - In Rom sterben bei einem Autounfall vier junge Menschen. Existieren sie noch Tragen sie noch Verantwortung für ihr Leben Nehmen sie die Trauer ihrer Freunde wahr Der Atheist sagt Nein, der Theist sagt Ja. Dieses Nein und dieses Ja entscheiden die Erinnerung an die Toten. Das Buch öffnet mit einer Behandlung der Ich-Problematik angesichts des Todes. Dann wendet es sich der trostlosen Trauer Ciceros und Quintilians zu. Im Alten Testament war aber der Glaube angekündigt: Der Schöpfer des Alls wird die Leichen wieder aufstehen lassen (Jes 26,19). Existiert nun Jesus von Nazaret Der Apostel Paulus sagt, Jesus sei 'von den Toten auferweckt worden als der Erste der Entschlafenen' (1 Kor 15,20). Hat er an eine dauernde anima -Existenz Jesu gedacht War Luthers Jesus fähig den kosmischen Tod zu besiegen Wie lässt sich heute die Erinnerung an Jesus begründen Das Buch will den Weg zur Erschließung des Schicksals aller Toten bieten und begründet einen Brief an die Verunglückten.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In Rom sterben bei einem Autounfall vier junge Menschen. Existieren sie noch Tragen sie noch Verantwortung für ihr Leben Nehmen sie die Trauer ihrer Freunde wahr Der Atheist sagt Nein, der Theist sagt Ja. Dieses Nein und dieses Ja entscheiden die Erinnerung an die Toten. Das Buch öffnet mit einer Behandlung der Ich-Problematik angesichts des Todes. Dann wendet es sich der trostlosen Trauer Ciceros und Quintilians zu. Im Alten Testament war aber der Glaube angekündigt: Der Schöpfer des Alls wird die Leichen wieder aufstehen lassen (Jes 26,19). Existiert nun Jesus von Nazaret Der Apostel Paulus sagt, Jesus sei 'von den Toten auferweckt worden als der Erste der Entschlafenen' (1 Kor 15,20). Hat er an eine dauernde anima -Existenz Jesu gedacht War Luthers Jesus fähig den kosmischen Tod zu besiegen Wie lässt sich heute die Erinnerung an Jesus begründen Das Buch will den Weg zur Erschließung des Schicksals aller Toten bieten und begründet einen Brief an die Verunglückten. 436 pp. Deutsch.…