Mitchell gari (18 resultados)

Paperback. Condición: Good.

paperback. Condición: Fair.

Paperback. Condición: Good.

Paperback. Condición: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Condición: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condición: Like New. Like New. May have some shelf wear from being out in store. All Orders Shipped With Tracking And Delivery Confirmation Numbers.

Paperback. Condición: Very Good. Nice book that has minor reading wear. Cover edges have some wear and there is a small spot on one of the page margins.

Condición: new.

Paperback. Condición: Brand New. 320 pages. 8.00x5.50x1.00 inches. In Stock.

The name of the recipient is not clear: it would appear to read 'Wriggles', and the letter suggests that this is a pet name for Melchers' close friend Henriette Lewis-Hind, who wrote the foreword to 'Gari Melchers, Painter', published that same year in New York by W. E. Rudge. An excellent letter, full of content, beginning: 'My dear [Wriggles?]. | We only returned from the West Indies a week or two ago had a fine time'. He continues: 'I have been busy here but leave today for home to stay there a week or two Corinne [his wife the artist Corinne Lawton Mackall Melchers (1880-1955)] sent me your letter and it seems as tho a letter by you written some time ago never reached me'. He announces that the 'G. M. exhibition at the Anderson Galleries is to open Jan first 1929 and last for four weeks'. He has seen the president of the Anderson Galleries Mitchell Kennerly (1878-1950) several time in recent weeks, 'and he has been very nice and in earnest about the whole project, everything is arranged and O.K. and we both agree that it must be done just as well as is humanly possible. | Yesterday we had a meeting or conference in my studio at which Mr Rudge [William Edwin Rudge (1876-1931)], the publisher of the very finest books made, was present, and he is willing to go into the thing and turn out a fine book. You are to write the text.' Rudge 'suggests fifty black and white reproductions a few color prints and some drawings or sketches interwoven'. For his part Melchers is 'most eager to see some facsimilae [sic] of watercolor & sketches and drawings, which make it more of an art book than a picture book but it seems that all this kind of work I suggest is most costly and may, much to my regret, have to be cut down to a minimum sorry!' Kennerly is 'leaving for Europe in a week or two and you will see him in London and hear all this first hand and know exactly what the exact situation is'. Turning to another matter, he writes that he is enclosing a draft for £500, 'which you said at the time was what I could have the Shannon portrait for and I want to stop it being hawked about.' (The reference is to the portrait of Melchers by James Jebusa Shannon (1862-1923), now at the Gari Melchers Estate and Memorial Gallery, Belmont.) If she can sell the portrait to a museum before the following July, 'and get more money for it you can do so and return to me the money I have paid for the picture'. He also thinks he might show the portrait at his January exhibition. 'All this in haste as I am about to leave for Virginia.' In a postscript, regarding the writing of the text for the Rudge book, he writes: 'You may be tempted to limit my life to Egmond so be on guard and remember that my activities cover many other periods and places'. …