Michael pinchbeck (62 resultados)

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Acceptable. PLEASE READ DESCRIPTION. Acceptable rating is due to previous owner name on inside of front cover as well as underlining throughout the text, both in hot pink pen. Otherwise, this is a readable copy with no loose or missing pages and light handling wear. More photos available upon request. Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.…

Paperback. Condición: Very Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. ARTicles National Arts Journalism Program Number 6 / 2001 a publication of the Columbia University program with pieces by Tim Cahill, Tony Green, Charles Kaiser, Daniel Pinchbeck, Brandon griggs, Reena Jana, Michael Kimmelman / Andras Szanto, Louisa Kamps, Peter Clowney, Gina Arnold, John Habich. 204 pages, paper with stiff cover. Black and white reproductions. Very good condition.…

240 pp.; 22.8 x 15.3 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 16 of the tri-annual arts and prose periodical Open City. Edited by Thomas Beller, Daniel Pinchbeck, and Joanna Yas. Contents include: "Contributors' Notes;" "The Crossing Guard," by Robert Bingham; "Four Poems," by Dana Goodyear; "Book Worms," by David Bunn; "Four Stories," by Joe Andoe; "Happens All the Time," by Deborah Shapiro; "Three Poems," by Nathaniel Bellows; "Dubrovnik," by Cannon Thomas; "Resuscitations of the Shih Tzu," by Ryan Kenealy; "Three Poems," by Craig Arnold; "Hope from the Third Person," by Evan Harris; "The Unread Unreadable.(bookmark)," by Matthew Brannon; "Four Poems," by Kevin Young; "From the Poetical Dictionary," by Lohren Green; "A Ticket for Kat," by Erich Eisenegger; "From the Sorted Books Project," by Nina Katchadourian; "From Arachnida Speak," by Ed Pavlic; "Two Poems," by Margaret Levine; "The Diver," by Lewis Robinson; "The First Visit to the Louvre," by Rafael Fernández de Villa-Urrutia; "Alley," by Peter Gray; "Lost," by Bruce Jay Friedman; "Her Deflowering," by Marilyn A. Johnson; "Private Beach Bitches," by Tim Wilson; "This Island Earth," by Bryan D. Dietrich; "Three Parts," by Matthew Higgs; "The Birdlady of Houston," by Michael Sledge; "Proust and the Rat," by Nick Tosches; "Two Letters," by Rick Rofihe and "Greetings from L.A.," by Allen Ruppersberg. Cover: Matthew Higgs. Very Good. Light bumping of corners with minimal handling wear. Contents clean and unmarked.…

Paperback. Condición: Collectible-Like New. Open City features a dynamic mix of prominent writers, undiscovered aspirants, and lost treasures from writers of past eras. Including fiction, essays, poetry, and artwork by an exciting range of talents, Open City has presented new works by Michael Cunningham, Deborah Garrison, Rick Moody, David Foster Wallace, Geoffrey O'Brien, Sam Lipsyte, Meghan Daum, David Berman, and previously unpublished work by Delmore Schwartz, Richard Yates, Edvard Munch, and Ford Madox Ford. Praised in the pages of publications such as Harper's Bazaar, Library Journal, and The New York Times, Open City is today's most important literary journal. Open City #14 includes John Seabrook on ancestor hunting; Arthur Nersessian, from Fuck-Up to makeup; new fiction by Betsy Bern and Martha McPhee; and the original treatment for the improvised cult-classic film Waiting for Guffman.…

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs. …

Hardcover. Condición: Brand New. 225 pages. 9.75x6.75x0.75 inches. In Stock.

Condición: New. In English.

Hardcover. Condición: Brand New. 244 pages. 9.61x6.70x0.90 inches. In Stock.

Taschenbuch. Condición: Neu. Staging Loss | Performance as Commemoration | Michael Pinchbeck (u. a.) | Taschenbuch | XXII | Englisch | 2019 | Springer, Berlin | EAN 9783030404857 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Based on a recent touring project, The Ravel Trilogy, this title comprises playtexts and essays that contextualise the themes and approaches of the devised work: Bolero (2014), Concerto (2016) and Solo (2018). The book takes an interdisciplinary critical enquiry into the working dramaturgy of performance 'scores' inspired by the music.The book frames the playtexts of the trilogy alongside a series of reflective essays and provocations on contemporary dramaturgy and musicology from academics and artists in drama, music, linguistics and fine art. It contextualises themes and approaches of the trilogy and serves as a critical companion to a body of devised work. It stimulates a debate about dramaturgy and composition and invites discussion about postdramatic theatre's relationship to music.This publication marks the culmination of the trilogy and its critical legacy and explores the work through the dual lenses of postdramatic theatre and research questions articulated and addressed by the practice-research undertaken by its co-creators. The dramaturgical context for The Ravel Trilogy and the reflective essays around it allow the editors to explore the relationship between theatre and music.It raises questions about practice-research and notions of creating playtexts from musical scores. Pinchbeck and Smith reflect on making and performing The Ravel Trilogy and the process of researching, devising and presenting work inspired by music where score becomes script and dynamics become stage directions.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.