Michael j hatch (50 resultados)
The Future is Now: America Confronts the New Genetics
William, Kristol [Editor]; Cohen, Eric [Editor]; Annas, George J. [Contributor]; Bailey, Ronald [Contributor]; "Kit" Bond, Sen Christopher [Contributor]; Bottum, J [Contributor]; Brownback, Sen Sam [Contributor]; W. Bush, President George [Contributor]; Cohen, Eric [Contributor]; Connor, Kenneth L. [Contributor]; Doerflinger, Richard M. [Contributor]; Fox, Michael J. [Contributor]; Frist MD former U.S. Senate Majority Leader, Bill [Contributor]; Fukuyama, Francis [Contributor]; George, Robert P. [Contributor]; Glassman, James K. [Contributor]; Greenwood, Rep James [Contributor]; Harkin, Sen Tom [Contributor]; G. Hatch, Sen Orrin [Contributor]; Himmelfarb, Gertrude [Contributor]; Huxley, Aldous [Contributor]; Kass, Leon R. [Contributor]; Kin
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Librería: Lexington Books Inc, Idaho Falls, ID, Estados Unidos de AmericaLexington Books Inc
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EUR 8,67
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Paperback. Condición: Very Good.
ANALOG Science Fiction/ Science Fact: May 1990
Analog (Michael F. Flynn; Robert R. Chase; Daniel Hatch; Jerry Oltion; Julia Ecklar; Kevin D. Robinson; Martin J. Fogg; Ben Bova)
Editorial: Davis Publications, NY, 1990
Librería: Books from the Crypt, N. Potomac, MD, Estados Unidos de AmericaBooks from the Crypt
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Añadir al carritoSingleIssueMagazine. Condición: Very Good-. Vol. CX, No. 6. Edited by Stanley Schmidt. Cover art by David Hardy for "Transit of Betelgeuse" (novelette) by Robert R. Chase. Includes "A Rose by Other Name" (novella) by Michael F. Flynn; "The Scout Post" (novelette) by Daniel Hatch; "Time Out" (novelette) by Jerry Oltion; "Slow Nig…hts" by Kevin D. Robinson; "Extra Ellies" by Julia Ecklar; "Probability Zero: Fitting Suits" by Ben Bova. Science Fact: "Astrophysical Engineering and the Fate of Earth" by Martin J. Fogg. Illustrated by David Hardy, Janet Aulisio, Nicholas Jainschigg, Martin G. Cameron, and Randy Asplund-Faith.Heavy creasing. Book.
ANALOG Science Fiction/ Science Fact: May 1990
Analog (Michael F. Flynn; Robert R. Chase; Daniel Hatch; Jerry Oltion; Julia Ecklar; Kevin D. Robinson; Martin J. Fogg; Ben Bova)
Editorial: Davis Publications, NY, 1990
- Revista/Periódico
Librería: Books from the Crypt, N. Potomac, MD, Estados Unidos de AmericaBooks from the Crypt
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Añadir al carritoSingleIssueMagazine. Condición: Very Good-. Vol. CX, No. 6. Edited by Stanley Schmidt. Cover art by David Hardy for "Transit of Betelgeuse" by Robert R. Chase. Includes "A Rose by Other Name" by Michael F. Flynn; "The Scout Post" by Daniel Hatch; "Time Out" by Jerry Oltion; "Slow Nights" by Kevin D. Robinson; "Extra Ellies" by J…ulia Ecklar; "Probability Zero: Fitting Suits" by Ben Bova. Science Fact: "Astrophysical Engineering and the Fate of Earth" by Martin J. Fogg. Illustrated by David Hardy, Janet Aulisio, Nicholas Jainschigg, Martin G. Cameron, and Randy Asplund-Faith. Label ghost; cover scratches; bumped at spine heel. Book.
Editorial: The Auk, 1970
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- Revista/Periódico
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Añadir al carritoPamphlet. Condición: Very Good. Vol 87, pp. 215-254, Photos, Illus, Extracted from Orig vol, then Recased in Orig Journal Covers, damp stain & paper wrinkled at bottom else VG.
Idioma: Inglés
Editorial: Penn State University Press, 2026
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paperback. Condición: Very Good.
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Editorial: Pennsylvania State University Press, US, 2026
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Paperback. Condición: New. In early nineteenth-century China, a remarkable transformation took place in the art world: artists among China's educated elites began to use touch to forge a more authentic relationship to the past, to challenge stagnant artistic canons, and to foster deeper human connections. Networks of Touch is an… engaging exploration of this sensory turn.In this book, Michael J. Hatch examines the artistic network of Ruan Yuan (1764-1849), a scholar-official whose patronage supported a generation of artists and learned people who prioritized epigraphic research as a means of truing the warped contours of Confucian heritage. Their work instigated an "epigraphic aesthetic"-an appropriation of the stylistic, material, and tactile features of ancient inscribed objects and their reproductive technologies-in late eighteenth- and early nineteenth-century artwork. Rubbings, a reduplicative technology, challenged the dominance of brushwork as the bearer of artistic authority. While brushwork represented the artist's physical presence through ink and paper, rubbings were direct facsimiles of tactile experiences with objects. This shift empowered artists and scholars to transcend traditional conventions and explore new mediums, uniting previously separate image-making practices while engaging audiences through the senses.Centering on touch and presenting a fresh perspective on early nineteenth-century literati art in China, this volume sheds light on a period often dismissed as lacking innovation and calls into question optical realism's perceived supremacy in reshaping the sensory experience of the modern Chinese viewer.
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Condición: New. 2026. paperback. . . . . .
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Paperback. Condición: new. Paperback. In early nineteenth-century China, a remarkable transformation took place in the art world: artists among Chinas educated elites began to use touch to forge a more authentic relationship to the past, to challenge stagnant artistic canons, and to foster deeper human connections. Networks of T…ouch is an engaging exploration of this sensory turn.In this book, Michael J. Hatch examines the artistic network of Ruan Yuan (17641849), a scholar-official whose patronage supported a generation of artists and learned people who prioritized epigraphic research as a means of truing the warped contours of Confucian heritage. Their work instigated an epigraphic aesthetican appropriation of the stylistic, material, and tactile features of ancient inscribed objects and their reproductive technologiesin late eighteenth- and early nineteenth-century artwork. Rubbings, a reduplicative technology, challenged the dominance of brushwork as the bearer of artistic authority. While brushwork represented the artists physical presence through ink and paper, rubbings were direct facsimiles of tactile experiences with objects. This shift empowered artists and scholars to transcend traditional conventions and explore new mediums, uniting previously separate image-making practices while engaging audiences through the senses.Centering on touch and presenting a fresh perspective on early nineteenth-century literati art in China, this volume sheds light on a period often dismissed as lacking innovation and calls into question optical realisms perceived supremacy in reshaping the sensory experience of the modern Chinese viewer. Explores the transformative shift in nineteenth-century Chinese art, where artists used touch to establish a genuine connection with the past, challenge stagnant artistic norms, and foster deeper human connections. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
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Paperback. Condición: Brand New. 222 pages. 10.00x7.00x0.62 inches. In Stock.
The Future is Now: America Confronts the New Genetics
William, Kristol [Editor]; Cohen, Eric [Editor]; Annas, George J. [Contributor]; Bailey, Ronald [Contributor]; "Kit" Bond, Sen Christopher [Contributor]; Bottum, J [Contributor]; Brownback, Sen Sam [Contributor]; W. Bush, President George [Contributor]; Cohen, Eric [Contributor]; Connor, Kenneth L. [Contributor]; Doerflinger, Richard M. [Contributor]; Fox, Michael J. [Contributor]; Frist MD former U.S. Senate Majority Leader, Bill [Contributor]; Fukuyama, Francis [Contributor]; George, Robert P. [Contributor]; Glassman, James K. [Contributor]; Greenwood, Rep James [Contributor]; Harkin, Sen Tom [Contributor]; G. Hatch, Sen Orrin [Contributor]; Himmelfarb, Gertrude [Contributor]; Huxley, Aldous [Contributor]; Kass, Leon R. [Contributor]; Kinsley, Michael [Contributor]; Krauthammer, Charles [Contributor]; Kristol, William [Contributor]; J. Kucinich, Rep Dennis [Contributor]; Lederberg, Joshua [Contributor]; Meilaender, Gilbert [Contributor]; Muller, H J. [Contributor]; Advisory Commissio
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paperback. Condición: New. In shrink wrap. Looks like an interesting title.
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Editorial: Penn State University Press, 2026
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Paperback. Condición: new. Paperback. In early nineteenth-century China, a remarkable transformation took place in the art world: artists among Chinas educated elites began to use touch to forge a more authentic relationship to the past, to challenge stagnant artistic canons, and to foster deeper human connections. Networks of T…ouch is an engaging exploration of this sensory turn.In this book, Michael J. Hatch examines the artistic network of Ruan Yuan (17641849), a scholar-official whose patronage supported a generation of artists and learned people who prioritized epigraphic research as a means of truing the warped contours of Confucian heritage. Their work instigated an epigraphic aesthetican appropriation of the stylistic, material, and tactile features of ancient inscribed objects and their reproductive technologiesin late eighteenth- and early nineteenth-century artwork. Rubbings, a reduplicative technology, challenged the dominance of brushwork as the bearer of artistic authority. While brushwork represented the artists physical presence through ink and paper, rubbings were direct facsimiles of tactile experiences with objects. This shift empowered artists and scholars to transcend traditional conventions and explore new mediums, uniting previously separate image-making practices while engaging audiences through the senses.Centering on touch and presenting a fresh perspective on early nineteenth-century literati art in China, this volume sheds light on a period often dismissed as lacking innovation and calls into question optical realisms perceived supremacy in reshaping the sensory experience of the modern Chinese viewer. Explores the transformative shift in nineteenth-century Chinese art, where artists used touch to establish a genuine connection with the past, challenge stagnant artistic norms, and foster deeper human connections. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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hardcover. Condición: Fine.
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Hardcover without dustjacket as issued, 206 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Paperback. Condición: new. Paperback. In early nineteenth-century China, a remarkable transformation took place in the art world: artists among Chinas educated elites began to use touch to forge a more authentic relationship to the past, to challenge stagnant artistic canons, and to foster deeper human connections. Networks of T…ouch is an engaging exploration of this sensory turn.In this book, Michael J. Hatch examines the artistic network of Ruan Yuan (17641849), a scholar-official whose patronage supported a generation of artists and learned people who prioritized epigraphic research as a means of truing the warped contours of Confucian heritage. Their work instigated an epigraphic aesthetican appropriation of the stylistic, material, and tactile features of ancient inscribed objects and their reproductive technologiesin late eighteenth- and early nineteenth-century artwork. Rubbings, a reduplicative technology, challenged the dominance of brushwork as the bearer of artistic authority. While brushwork represented the artists physical presence through ink and paper, rubbings were direct facsimiles of tactile experiences with objects. This shift empowered artists and scholars to transcend traditional conventions and explore new mediums, uniting previously separate image-making practices while engaging audiences through the senses.Centering on touch and presenting a fresh perspective on early nineteenth-century literati art in China, this volume sheds light on a period often dismissed as lacking innovation and calls into question optical realisms perceived supremacy in reshaping the sensory experience of the modern Chinese viewer. Explores the transformative shift in nineteenth-century Chinese art, where artists used touch to establish a genuine connection with the past, challenge stagnant artistic norms, and foster deeper human connections. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
