Michael guarneri (57 resultados)

Paperback. Condición: Near Fine. 1st. 1st printing; stapled ictorial wraps; 88 clean, unmarked pages. Cover Photo: Andrea Guarneri Viola, 1664 (ilustrador).

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 1945 85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers.…

Paperback. Condición: New. Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 1945 85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 194585 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers. Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: NEW.

Brossura. Condición: new. English Text. Bologna, 2024; paperback, pp. 158, cm 15x21. Libro.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: NEW.

Condición: New.

Brossura. Condición: new. English Text. Bologna, 2020; paperback, pp. 192, cm 15x20,5. Libro.

Paperback. Condición: New.

Condición: New. 2022. Paperback. . . . . .

Condición: New. In English.

Condición: new.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Audio CD. Condición: Very Good. 1990. 1 disc. Disc Quality: Excellent. CD37.

Condición: New.

Condición: new.

Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 232 pages. 9.21x6.14x0.28 inches. In Stock.

Audio CD. Condición: New. 1990. 3 discs. Excellent condition. Still in shrinkwrap. CD38.