Michael clapper (16 resultados)

paperback. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

paperback. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condición: new. Paperback. Engravings for the people: a fresh appraisal of the printmakers Currier & Ives and their vision of AmericaCurrier & Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier & Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as The Grand Central Depot for Cheap and Popular Prints. The firm took advantage of New York Citys booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier & Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier & Ivess images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of Americas past. Published in conjunction with the exhibition Revisiting America: The Prints of Currier and Ives, presented at Joslyn Art Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. "Engravings for the people": a fresh appraisal of the printmakers Currier and Ives and their vision of AmericaCurrier and Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier and Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as "The Grand Central Depot for Cheap and Popular Prints." The firm took advantage of New York City's booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier and Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier and Ives's images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of America's past.…

Paperback. Condición: New. "Engravings for the people": a fresh appraisal of the printmakers Currier and Ives and their vision of AmericaCurrier and Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier and Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as "The Grand Central Depot for Cheap and Popular Prints." The firm took advantage of New York City's booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier and Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier and Ives's images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of America's past.…

Condición: new.

Paperback. Condición: New. Special order direct from the distributor.

Paperback. Condición: Brand New. 184 pages. French language. 11.00x9.50x0.75 inches. In Stock.

Paperback. Condición: Brand New. 184 pages. French language. 11.00x9.50x0.75 inches. In Stock.

Soft cover. Condición: Very Good. Book is in very good condition. 280pp with colour photographs.

Paperback. Condición: New. "Engravings for the people": a fresh appraisal of the printmakers Currier and Ives and their vision of AmericaCurrier and Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier and Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as "The Grand Central Depot for Cheap and Popular Prints." The firm took advantage of New York City's booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier and Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier and Ives's images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of America's past.…

Kartoniert / Broschiert. Condición: New. KlappentextPublished in conjunction with the exhibition Revisiting America: The Prints of Currier and Ives, presented at Joslyn Art Museum.

Taschenbuch. Condición: Neu. Neuware - 'Engravings for the people' a fresh appraisal of the printmakers Currier & Ives and their vision of AmericaCurrier & Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier & Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as 'The Grand Central Depot for Cheap and Popular Prints.' The firm took advantage of New York City's booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier & Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier & Ives's images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of America's past.…

Paperback. Condición: new. Paperback. Engravings for the people: a fresh appraisal of the printmakers Currier & Ives and their vision of AmericaCurrier & Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier & Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as The Grand Central Depot for Cheap and Popular Prints. The firm took advantage of New York Citys booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier & Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier & Ivess images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of Americas past. Published in conjunction with the exhibition Revisiting America: The Prints of Currier and Ives, presented at Joslyn Art Museum. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. "Engravings for the people": a fresh appraisal of the printmakers Currier and Ives and their vision of AmericaCurrier and Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier and Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as "The Grand Central Depot for Cheap and Popular Prints." The firm took advantage of New York City's booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier and Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier and Ives's images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of America's past.…

Paperback. Condición: new. New Copy. Customer Service Guaranteed.