Mclellan alasdair (36 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. McLellan, Alasdair (ilustrador).

Magazine. First edition. Fine magazine with light signs of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Fashion and Beauty Spring 2008, issue of the Sunday New York Times T Magazine, with: cover story on Emily Blunt, interviewed by Lynn Hirschberg and photographed by Raymond Meier; Tilda Swinton photographed by Jean-Baptiste Mondino; a pictorial chronology of the life of Louise Bourgeois; fashion portfolios by Matthias Vriens and Alasdair McLellan; Marc Jacobs and his pregnant muse, the French actress Elodie Bouchez; an essential guide to eco-friendlier beauty products; the found-object-adorned jewelry of the designer Tom Binns; the d'Ornano clan of France; and much more. Staple-bound magazine; 98 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…

Paperback. Condición: new. Paperback. Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books? The greatest hits? Not really. A double album? Sort of. A retrospective? Certainly, but not a definitive one.These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeths death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal.So, its HOME and AWAY.HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdairs pictures,no matter how famous they are, their age or status. Something of the subjects thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime lightI find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose its a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, its still that same relationshipits only who or what you photograph that really matters. Alasdair McLellan Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

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Condición: New.

Soft cover. Condición: Very good. No jacket. Cover has light wear on edges and light smudges near top of spine, but text and images are clear and bright. Binding is tight. Inside is clean and unmarked.

Paperback. Condición: New. Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books? The greatest hits? Not really. A double album? Sort of. A retrospective? Certainly, but not a definitive one. These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeth's death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal. So, it's HOME and AWAY. HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdair's pictures,no matter how famous they are, their age or status. Something of the subject's thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime light."I find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose it's a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, it's still that same relationship-it's only who or what you photograph that really matters. "Alasdair McLellan.…

Paperback. Condición: New. Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books? The greatest hits? Not really. A double album? Sort of. A retrospective? Certainly, but not a definitive one. These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeth's death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal. So, it's HOME and AWAY. HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdair's pictures,no matter how famous they are, their age or status. Something of the subject's thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime light."I find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose it's a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, it's still that same relationship-it's only who or what you photograph that really matters. "Alasdair McLellan.…

Condición: new.

Condición: new.

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Paperback. Condición: New. New Book, Direct from Publisher.

Paperback. Condición: new. Paperback. Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books? The greatest hits? Not really. A double album? Sort of. A retrospective? Certainly, but not a definitive one.These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeths death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal.So, its HOME and AWAY.HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdairs pictures,no matter how famous they are, their age or status. Something of the subjects thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime lightI find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose its a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, its still that same relationshipits only who or what you photograph that really matters. Alasdair McLellan Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware - Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books The greatest hits Not really. A double album Sort of. A retrospective Certainly, but not a definitive one. These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeth's death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal. So, it's HOME and AWAY. HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdair's pictures,no matter how famous they are, their age or status. Something of the subject's thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime light.'I find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose it's a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, it's still that same relationship-it's only who or what you photograph that really matters. 'Alasdair McLellan.…

Paperback. Condición: New. Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books? The greatest hits? Not really. A double album? Sort of. A retrospective? Certainly, but not a definitive one. These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeth's death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal. So, it's HOME and AWAY. HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdair's pictures,no matter how famous they are, their age or status. Something of the subject's thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime light."I find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose it's a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, it's still that same relationship-it's only who or what you photograph that really matters. "Alasdair McLellan.…

Paperback. Condición: New. Foreword by Bob StanleyEssay by Jo-Ann FurnissDesigned at M/M (Paris) What are these books? The greatest hits? Not really. A double album? Sort of. A retrospective? Certainly, but not a definitive one. These books were nearly entitled The New Elizabethans as the last picture was taken just after Queen Elizabeth's death in 2022 while all of the people in the pictures or the locations that appear are British. Yet that title seemed a little too narrowand far too royal. So, it's HOME and AWAY. HOME and AWAY is an idea of where somebody is from, where they travel to, and where, if they are the photographer Alasdair McLellan, they find themselves now after taking pictures for 35 years. These books fall somewhere between those two worlds,as does Alasdair McLellan himself. Alasdair started his life as a photographer aged thirteen, in 1987. His pictures today have changed little; his way of looking at the world is almost exactly the same. The first picture he ever took looks like it could have been captured yesterday. Today, the people might have grown up, but they are essentially the same kind of people in Alasdair's pictures,no matter how famous they are, their age or status. Something of the subject's thirteen-year-old self still shines through; there is something untouched and open about themand there is always springtime light."I find myself thinking about the photos I took as a teenager in Doncaster and the various influences that inspired me to be a photographer in the first place. I suppose it's a return to simpler times; it was just me and the subject rather than having 30 people standing behind me waiting for the picture to be taken, as it often is now. But at the heart of the pictures then and now, it's still that same relationship-it's only who or what you photograph that really matters. "Alasdair McLellan.…

Condición: Fine. 2024. First edition. Louis Vuitton Malletier. Paris. 2024. First edition. Hardback, quarto; two-tone green cloth-bound boards, with title debossed in navy and images pasted to front and rear boards. [100 pages.] Illustrated throughout with b&w and colour photographs, with colour acetate leaves. English, French. 315x245mm. 0.85kg. Fine; as new. Alasdair McLellan's photographic exploration of the landscapes, buildings, traditions and youth of Scotland. McLellan has continually been drawn to Scotland, the birth-place of his father, and has photographed extensively across the nation, from cities to islands. From the Louis Vuitton Fashion Eye series of photo-travel books which visualise an individual photographer's interpretation and response to a journey or travel destination. Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller.…

Soft cover. Condición: New.

Paperback. Condición: Very Good. Photos by Alasdair McLellan, oblong 8.5 x 11", pict wraps, unpaginated, covers lightly rubbed and soiled, contents nice. SCARCE.

Text by Jo-Ann Furniss. 4to (10 x 10 inches). Color and black-and-white photographs. Wrappers; pictorial outer wrapper that unfolds to be a poster; publisher's plastic sleeve with sticker. FIRST EDITION, number 618 of 200 copies. Designed by art directors Mathias Augustyniak and Michael Amzalag M/M (PARIS). A major retrospective of McLellan's work, focusing on his Yorkshire upbringing and pride in northern England: a distinctly British edgy pop aesthetic, but with a melancholic cast. A fine copy.…

Condición: As New.

Brossura. Condición: nuovo. D la Repubblica Magazine September 2024 * Brand New * Italian Text * Weekly Magazine LOLI BAHIA Cover & story by Alasdair McLellan.

Rilegato. Condición: nuovo. WE SHIP WORLDWIDE (ASK) The Gentlewoman Magazine Spring/Summer 2015 - Issue 11 BRAND NEW Condition * English Text BJORK - COVER by ALASDAIR MCLELLAN SUSIE WOLFF - 10 pages edit with fullpage photos by DANIEL RIERA BJORK - 12 pages with fullpage photos by ALASDAIR MCLELLAN RAINE COUNTESS SPENCER - 8 pages edit with fullpage photos by ALASDAIR MCLELLAN HANNAH MACGIBBON - 10 pages edit with fullpage photos by LIZ COLLINS GISELE BUNDCHEN - 16 pages edit with fullpage photos by KARIM SADLI ISELIN STEIRO - 14 pages edit with fullpage photos by BENJAMIN ALEXANDER HUSEBY FREJA BEHA - 14 pages edit with fullpage photos by COLLIER SCHORR AMANDA WELLSH - 12 pages edit with fullpage photos by ROE ETHRIDGE JULIER BUGGE - 10 pages edit with fullpage photos by ZOE GHERTNER.…

Brossura. Condición: ottimo. Vogue Paris Magazine December 2020/January 2021 * Excellent Condition * French Text LEA SEYDOUX Cover + NIAGARA , 14 pages by ALASDAIR MCLELLAN LEA SEYDOUX , PRIVATE EYES , 12 pages by INEZ & VINOODH LEA SEYDOUX , UNDERCOVER , 12 pages by CRAIG MCDEAN REBECCA LEIGH LONGENDYKE , REFLETS DE DIAMANTS , 14 pages by NATHANIEL GOLDBERG MATHILDE HENNING , JOYAUX HOLLYWOODIENS , 8 pages by GREGORY HARRIS LOLA NICON , TRUE BLUE , 10 pages by GREGORY HARRIS.…

Brossura. Condición: nuovo. Another Magazine Spring/Summer 2016 * Brand New * English Text KATE MOSS & NUDE MALE MODELS - SIREN CALL - Cover + 20 pages edit with fullpage photos by ALASDAIR MCLELLAN BJORK - 14 pages edit with fullpage photos by NICK KNIGHT KIRSTEN OWEN - CHLOE - 8 pages edit with fullpage photos by VANINA SORRENTI ANA TAYLOR JOY - 8 pages with fullpage photos by JEFF BARK KARL LAGERFELD - STELLA TENNANT * LILY * GRETA VARLESE * MOLLY BAIR * LINDSEY WIXSON * FREJA BEHA * LARA STONE * DEBI * - PIECE by PIECE - 24 pages edit with fullpage photos by COLIN DODGSON ANNA CLEVELAND * EUGENIA SHISHKINA * AFONSO PEIXOTO * ANGIE SHERBOURNE * LORNA FORAN * MAISIE PEARSON * SEBASTIAN ADASTRA * TYTIAH BLAKE - OF FISH AND FLOWERS - 18 pages edit with fullpage photos by JULIA HETTA AAMITO LAGUM * SARA BLOMQVIST * AGNES NIESKE * JULIE HOOMANS * KADRI VAHERSALU * ALICE TOMS * AMY GWATKIN * AMY STICKLAND * MOLLY BAIR & OTHER - MOMENTS OF BEING - 18 pages edit with fullpage photos by BEN TOMS FERNANDA LY * GRETA VARLESE - TRASHED - 18 pages edit with fullpage photos by ROE ETHRIDGE KRISTEN STEWART - ONE MORE TIME, WITH FEELING - 14 pages edit with fullpage photos by PAOLO ROVERSI GRIMES - HIDDEN LANGUAGE OF THE SOUL - 10 pages edit with fullpage photos by CRAIG MCDEAN.…