Mcdowell tara (44 resultados)

Condición: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Condición: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: good. Signs of wear and consistent use.

hardcover. Condición: Very Good. San Francisco Museum of Modern Art, San Francisco [Published date: 2002]. Softcover, 112 pp; full color illustrations; 27 cm. Edited by Chad Coerver. Introduction by Madeleine Grynsztejn, Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA. In very good condition. Illustrated paper covers with French flaps featuring Les valeurs personnelles (1952) by Rene Magritte on front and Still Life (Apur) (2001) by Sarah Sze on rear; light edgewear and faint surface scuffing to covers. Binding tight. Pages clean and unmarked. This catalog introduces the outstanding holdings of the San Francisco Museum of Modern Art's painting and sculpture collection, with essays by Janet Bishop, Julia Bryan-Wilson, Madeleine Grynsztejn, Molly Hutton, Clara Kim, Tara McDowell, and John S. Weber. It surveys landmark works representing the museum's growth since its 1995 move to the Mario Botta-designed building, tracing the evolution of twentieth- and twenty-first-century modern and contemporary art. Artists represented include Matisse, Derain, Braque, Marc, Jawlensky, Beckmann, Duchamp, Miro, Klee, Brancusi, Cornell, Pollock, Rauschenberg, Johns, Warhol, Stella, Kelly, Lichtenstein, Diebenkorn, Calder, Hesse, Nauman, Serra, Koons, Kiefer, Richter, Walker, and many others.…

Condición: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover, 24 pages; as new condition; clean and crisp; no internal marks. (Blank bluish spine). Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition. Near fine. Bright and clean wraps with only light shelf wear. A clean and tight copy with little signs of use or reading. Internally, a previous owner plate on half-title. The edition is otherwise unmarked and remains in excellent condition.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

DVD. Condición: Used - Like New. Still in original plastic.

Condición: New.

Hardcover. Condición: new. Hardcover. How the poet Robert Duncan and the artist Jess made the household part of their separate and collaborative creative practice."I'm a householder," the poet Robert Duncan once explained. "My whole idea of being able to work was to have a household." In this book, Tara McDowell examines the household (physical and conceptual) that Duncan established with the artist Jess, beginning in 1951 when the two men exchanged marriage vows, and ending with Duncan's death in 1988. For Duncan and Jess, the household-rather than the studio, gallery, or collective-provided the support structure for their art. Indeed, McDowell argues convincingly, their work was coextensive with their household. The material surroundings of their house in San Francisco and the daily rhythms of their domestic lives became part of their creative practice.Duncan wrote poetry that is romantic, ornate, and obscure; Jess (born Burgess Franklin Collins) created multi-imaged, complex collages and assemblages. McDowell explores their life and work-reading Duncan and Jess with and against each other, in alignment and misalignment. She examines their illustrated book Caesar's Gate, a collaborative effort that led them to reject collaboration; considers each man's lifelong preoccupation with an unfinished project, Jess's Narkissos and Duncan's The H.D. Book; and discusses their "origin myths" and self-made genealogies, describing them as a form of witness in the face of the calamities of the twentieth century.Duncan and Jess made the household a necessary precondition for their art making. Doing so, they reclaimed and rehabilitated the domestic-from which gay couples were traditionally excluded-for their own uses. The household permitted them to reimagine the world. McDowell's portrait of a couple expands to encompass broader issues, urgent in midcentury America and still resonant today: belonging and kinship, alienation, and catastrophe. How the poet Robert Duncan and the artist Jess made the household part of their separate and collaborative creative practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: Very Good. Softcover in specially designed fold out Dust Wrapper. Pages clean, unmarked. Cover has light wear, with small tear upper front edge. Dust wrapper lightly rubbed around the edges. Shipped promptly with Tracking. 141.

Hardback. Condición: New.

Hardcover. Condición: Fine. 1st Edition. Book is in fine condition. 100pp with colour illustrations.

Hardcover. Condición: New.

Paperback (Saddle Stitched). Condición: Very Good. Unmarked text. Corner crease on front cover. Artists: Rosana Castrillo Diaz, Simon Evans, Shaun O'Dell, and Josephine Taylor. Notes on the artits by Janet Bishop and Tara McDowell. Measures 7.5x10 inches. Unpaginated. Exhibition checklist. Illustrated in color and black-and-white. Catalog for a January-May 2005 exhibition at SF MoMA. SECA, the Society for the Encouragement of Contemporary Art, present yearly artist awards. …

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: As New. First Edition. Softcover in illustrated wraps, sharp and bright. First printing. As New condition, crisp and clean. Color plates of the four artists' work, published to accompany an exhibit Jan. -May 2005 at SF MoMA. With commentary by Janet Bishop and Tara McDowell. Free of any markings, not ex-library.; 4to 11" - 13" tall; Unpaginated pages. …

Hardcover. Condición: New.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. 2019. Hardcover. . . . . .

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

4to. xii+232pp. Original boards in dustwrapper. Numerous colour and black and white illustrations; a fine copy. . First edition. The author is Associate Professor and Director of Curatorial Practice at Monash University.

Condición: New.

Hardcover. Condición: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Condición: Good. 8vo. Softcover with dust jacket. 184 pp. Color Plates. Very Good.