Masheck (300 resultados)

Paperback. Condición: Good. . Satisfaction 100% guaranteed.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Near Fine. Paperback. Binding sound, text clean, just a hint of shelfwear. Book.

hardcover. Condición: Good. A good hardcover. No dust jacket. as issued Some edgewear and bumped corners to boards. Light age toning to text block. No markings.

Soft cover. Condición: Good. 2nd Edition. 8vo, card covers, xxxiv, 184pp., ills. Updated edition. Good: minor foxing to the edges, minor soiling to the covers; sound, internally quite clean, presentable.

Soft cover. Condición: Very Good. 2nd Edition. 8vo, card covers, xxxiv, 184pp. First printing of the updated Da Capo edition of the '75 original. VG: mild foxing to the covers and edges, price-sticker transposed to the last blank page; solid binding; clean and unmarked text.

Hardcover without dustjacket as issued, 48 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hard Cover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Image on page 13 scratched. Very clean.

Softcover. Condición: Very Good. Soft cover edition. Condition: Very Good with light wear to covers and no marks to text.; 8vo - over 7¾" - 9¾".

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hard cover edition. Condition: Very Good with light wear to Dust Jacket and no marks to text.; 8vo - over 7¾" - 9¾".

Hardcover. Condición: Very Good. Very good hardcover in a like DJ with light edgewear.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Black Printed Wrappers. Condición: Good-. First Edition. Binding has wear, including scratches and chips; the first page has small bit of soil and a stamp indicating that this book was not retained by a Harvard University library (never accessioned, no other library marks); tight, text clean. 219 p., illustrated [otob: 61] Size: Oversize.…

Hardcover. Condición: new. Hardcover. In this book, Joseph Masheck re-examines the spiritual in Mondrian's art and proposes a parallel between the equilibrium found in his paintings and his writings on theological justification. The artist's Calvinist Christianity is considered in respect to the balanced, asymmetrical works of his 'classic' phase of the 1920s and 1930s, and potential parallels with the writings of an important Dutch theologian of the Neo-Calvinist movement are explored. Finally, the author follows Mondrian's classic phase into the 1930s and beyond, in this extraordinary and inspiring reassessment of one of the fathers of abstract art. AUTHOR: Joseph Masheck is Professor of Art History at Hofstra University, New York. He was formerly Editor-in-chief of Artforum and has taught at Columbia, Harvard and Fordham Universities. His previous books include Marcel Duchamp in Perspective (Da Capo, 2002), C's Aesthetics: Philosophy in the Painting (Slought Foundation, 2004), Texts on (Texts on) Art (The Brooklyn Rail Black Square Editions, 2011) and Adolf Loos: The Art of Architecture (I. B. Tauris, 2013). SELLING POINT: . A fresh look at Mondrian by a renowned art historian 23 colour images An extraordinary re-examination of the spiritual in Mondrian's art, which draws a parallel between the equilibrium in his paintings and his writings on theological justification. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Very Good. First Edition. In pictorial wraps, 4to, 96pp. Illustrated exhibition catalog. Size: 4to - over 9¾" - 12" tall. Color & b/w Illustration (ilustrador). Book.

Paperback. Condición: Very Good. Writings on one of the most influential artists of the 20th century, by some of its most celebrated writers and artists: Jasper Johns, Octavio Paz, John Cage, and more.

Paperback. Condición: New. Best known for cheeky conceptual works,like his signed urinals ("R. Mutt") and his graffitioed Mona Lisa,Marcel Duchamp (1887-1968) was also an extraordinary painter and sculptor ( Nude Descending a Staircase ) who changed the language of twentieth-century art and reigns with Picasso and Matisse as one of its greatest influences. Joseph Masheck has compiled a sampler of the best writing on Duchamp, with pieces that include Duchamp's obituary from Artforum , written by Jasper Johns Octavio Paz on the ready-mades a Duchamp post-mortem by Hans Richter Donald Judd's investigation of Rrose Sélavy a "Counter-Avant-Garde" by Clement Greenberg a consideration by Guillaume Apollinaire and John Cage's "26 Statements on Marcel Duchamp." Illustrated with photographs of Duchamp's seminal pieces, and updated with a substantial preface that offers new scholarship as well as a fascinating consideration of why Duchamp's popularity has exponentially increased since this book first appeared, this is an essential volume for the Duchamp devotee.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780521447850. …

Condición: New.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Brand New. 48 pages. 8.50x6.50x0.25 inches. In Stock.

Paper. Condición: Good. Good papery copy, writings on Duchamp by Jasper Johns, Donald Judd, Clement Greenberg, John Cage, Octavio Paz and others, xxxiv + 184 pp paperback, 3 pp chron, 2 pp notes on contributors, 4 pp selected biblio, Updated with new introduction.

Soft cover. Condición: Very Good. 1st Edition. First printing. Softcover volume, measuring approximately 6" x 9.25", shows light shelfwear. Binding is sound. Pages are clean and bright. xi/184 pages. "With such works as "Nude Descending a Staircase" (1912) and the urinal which he presented as the ready-made "Fountain" (1917), Marcel Duchamp extended modern art while pretending to destroy it. The result, as the contributors to this volume show, was a new way of thinking that blurred the traditional distinction between life and art, providing inspiration for a variety of groups ranging from Pop to Conceptual Art. In this illustrated volume, such contributors as Clement Greenberg, Thomas Hess, Max Kozloff, and Claude Levi-Strauss trace the positive and negative reactions to Duchamp and his works, from the early Cubist paintings through the "ready-mades" to the ironic and chance constructions of his later career. In analyzing the artist who dismissed his works by saying "Nothing was intended," this volume shows that Marcel Duchamp is truly one of the most significant figures of 20th-century art.".…