Mary ellen carroll (38 resultados)

paperback. Condición: Fair.

Hardcover. Condición: Very Good. First Edition. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover. Signed and inscribed by Mary Ellen Carroll on the free endpaper. Postcards announcing the reception laid-in.

hardcover. Condición: Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Cloth. Condición: Very Good (No Jacket). 8vo, 75 pp. Swift's text, Carroll's phonetic translation as embroidered on eight WWII military blankets, and an essay by Boyle. Illustrated with several b/w photos showing details of Carroll's embroidery. Small stains to boards, spine and front cover lettering rubbed, interior Fine.…

Hardcover with dustjacket; 78 pages; very good condition; except dj ruffled at top edge; no internal marks. Foreign shipping may be extra.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.…

Hardcover. Condición: Very Good. Light shelf-wear to DJ. Inscribed to former owner by one of the authors. A tight and clean copy.

Hardback or Cased Book. Condición: New. Mary Ellen Carroll: How to Talk Dirty and Influence People. Book.

Hardcover. Condición: new. Hardcover. In Carrolls civic-oriented conceptual art, humor and provocation sit alongside rigorous research and ethical commitmentPublished with Contemporary Arts Museum Houston.Working across performance, publishing, urban intervention and long-term social engagement, New Yorkbased artist Mary Ellen Carroll (born 1961) uses conversation, contracts, zoning codes and bureaucratic processes as the key components of their conceptual language. Their practice unfolds through law, architecture and lived systems rather than discrete objects. The artist often operates in real time and in public view, embracing uncertainty, risk and contradiction as generative conditions. How To Talk Dirty and Influence People offers a comprehensive overview of Carrolls work since the 1980s. Bringing together performance documentation, new critical essays, commissioned fiction and poetry and conversations with the artist, this publication presents the oeuvre of an artist whose work insists that speech, negotiation and persistence are powerful tools for reshaping social reality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 80 pages. Hardcover, bound in green cloth covered boards and wrapped in a printed brown paper dustjacket. Some wear to the extremities of the dustjacket, and light sunning, but the binding is tight and sharp, with a clean interior free of markings. Published in conjunction with the exhibition from the Artist Book Series of the State University of New York at Binghamton.…

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Hardback. Condición: New. In Carroll's civic-oriented conceptual art, humor and provocation sit alongside rigorous research and ethical commitmentPublished with Contemporary Arts Museum Houston.Working across performance, publishing, urban intervention and long-term social engagement, New York-based artist Mary Ellen Carroll (born 1961) uses conversation, contracts, zoning codes and bureaucratic processes as the key components of their conceptual language. Their practice unfolds through law, architecture and lived systems rather than discrete objects. The artist often operates in real time and in public view, embracing uncertainty, risk and contradiction as generative conditions. How To Talk Dirty and Influence People offers a comprehensive overview of Carroll's work since the 1980s. Bringing together performance documentation, new critical essays, commissioned fiction and poetry and conversations with the artist, this publication presents the oeuvre of an artist whose work insists that speech, negotiation and persistence are powerful tools for reshaping social reality.…

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Photos by Mary Ellen Carroll, oblong 7 x 5", glossy blue wraps, unpaginated, covers lightly rubbed and delamination badly else a decent, usable copy. Not the limited, signed edition. Photos of Manhattan, "Broadway from the Harmlem River to Battery Park", with the camera mounted on photographer's back. SCARCE.…

Hardcover. Condición: Very Good. No Jacket. 2nd Edition. Revised & expanded edition ; 528 p., [16] p. of plates : ill. (some col.) ; 29 cm. ; ISBN: 068808074X; 9780688080747; 0688082246 ; LCCN: 88-2851 ; OCLC: 17551530 ; photographic color illustrated boards ; no dustjacket ; A collection of over 1,400 recipes each featuring step-by-step instructions, including 900 color photographs of finished dishes. ; "Many of these recipes are classics direct from the pages of Good Housekeeping Magazine. Others are newly developed for this book. All have met the strict standards of Good Housekeeping's food department. The staff checked and rechecked these recipes, trying several brands of ingredients, eliminating extra steps, using fewer utensils, confirming the cooking times, making sure they are nutritionally sound and, most importantly, that they tasted as good as they looked. The popularity of microwave ovens and an increasing concern with nutritional values have been the major factors to affect cooking since the book was first published. In this revised edition, we have included a chapter of microwave recipes as well as color photographs of microwave techniques and equipment. Each recipe in the book is now accompanied by a calorie count." ; Contents: Before you cook -- Color index -- Appetizers -- Soups -- Eggs -- Cheese -- Shellfish -- Fish -- Meat -- Poultry -- Vegetables -- Fruit -- Salads -- Pasta -- Rice -- Pies -- Desserts -- Ice cream and sherbert -- Cakes -- Cookies -- Candy -- Quick breads -- Yeast breads -- Sandwiches -- Sauces -- Beverages -- Microwave cooking -- Useful information. ; thick, heavy volume ; VG. Book.…

Couverture rigide. Condición: Comme neuf. Edition originale.

Hardcover. Condición: Brand New. 336 pages. 9.75x2.00x13.25 inches. In Stock.

Hardback. Condición: New. In Carroll's civic-oriented conceptual art, humor and provocation sit alongside rigorous research and ethical commitmentPublished with Contemporary Arts Museum Houston.Working across performance, publishing, urban intervention and long-term social engagement, New York-based artist Mary Ellen Carroll (born 1961) uses conversation, contracts, zoning codes and bureaucratic processes as the key components of their conceptual language. Their practice unfolds through law, architecture and lived systems rather than discrete objects. The artist often operates in real time and in public view, embracing uncertainty, risk and contradiction as generative conditions. How To Talk Dirty and Influence People offers a comprehensive overview of Carroll's work since the 1980s. Bringing together performance documentation, new critical essays, commissioned fiction and poetry and conversations with the artist, this publication presents the oeuvre of an artist whose work insists that speech, negotiation and persistence are powerful tools for reshaping social reality.…

Hardcover. Condición: new. Hardcover. In Carrolls civic-oriented conceptual art, humor and provocation sit alongside rigorous research and ethical commitmentPublished with Contemporary Arts Museum Houston.Working across performance, publishing, urban intervention and long-term social engagement, New Yorkbased artist Mary Ellen Carroll (born 1961) uses conversation, contracts, zoning codes and bureaucratic processes as the key components of their conceptual language. Their practice unfolds through law, architecture and lived systems rather than discrete objects. The artist often operates in real time and in public view, embracing uncertainty, risk and contradiction as generative conditions. How To Talk Dirty and Influence People offers a comprehensive overview of Carrolls work since the 1980s. Bringing together performance documentation, new critical essays, commissioned fiction and poetry and conversations with the artist, this publication presents the oeuvre of an artist whose work insists that speech, negotiation and persistence are powerful tools for reshaping social reality. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condición: new. Hardcover. In Carrolls civic-oriented conceptual art, humor and provocation sit alongside rigorous research and ethical commitmentPublished with Contemporary Arts Museum Houston.Working across performance, publishing, urban intervention and long-term social engagement, New Yorkbased artist Mary Ellen Carroll (born 1961) uses conversation, contracts, zoning codes and bureaucratic processes as the key components of their conceptual language. Their practice unfolds through law, architecture and lived systems rather than discrete objects. The artist often operates in real time and in public view, embracing uncertainty, risk and contradiction as generative conditions. How To Talk Dirty and Influence People offers a comprehensive overview of Carrolls work since the 1980s. Bringing together performance documentation, new critical essays, commissioned fiction and poetry and conversations with the artist, this publication presents the oeuvre of an artist whose work insists that speech, negotiation and persistence are powerful tools for reshaping social reality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. In Carroll's civic-oriented conceptual art, humor and provocation sit alongside rigorous research and ethical commitmentPublished with Contemporary Arts Museum Houston.Working across performance, publishing, urban intervention and long-term social engagement, New York-based artist Mary Ellen Carroll (born 1961) uses conversation, contracts, zoning codes and bureaucratic processes as the key components of their conceptual language. Their practice unfolds through law, architecture and lived systems rather than discrete objects. The artist often operates in real time and in public view, embracing uncertainty, risk and contradiction as generative conditions. How To Talk Dirty and Influence People offers a comprehensive overview of Carroll's work since the 1980s. Bringing together performance documentation, new critical essays, commissioned fiction and poetry and conversations with the artist, this publication presents the oeuvre of an artist whose work insists that speech, negotiation and persistence are powerful tools for reshaping social reality.…

Paperback. Condición: Good. In good shape with damaged slipcase (with tape repair), some shelfwear, and a few creased pages in rear - may have remainder mark or previous owner's name; in our rare books collection - GOOD Standard-sized.

Soft cover. Condición: Near Fine. No Jacket. No slipcase. Gift inscription dated 21 May 2010. Unclear if signed by Mary Ellen Carroll.

Soft cover. Condición: New. Limited Edition. Out of print - limited edition soft cover artists' book 100 German Men: Documentary began with a simple question asked of strangers on the streets : where are you from? Over more than a year and nearly a thousand encounters, Carroll photographed men who answered "Germany", implying heritage rather than birthplace , and who agreed to be photographed. From those encounters, one hundred portraits were selected, each paired with a stereotypically German name: not the subject's own, but an assigned one. In this investigation of ethnicity and cultural identity, Carroll examines how history shapes and burdens national self-perception in post-reunification Germany, a moment of intense debate about what German identity could or should mean. The subtitle Documentary quietly implicates the truth claims of the documentary tradition itself: the document records nothing stable, only the gap between self-identification, stereotype, and the photograph's supposed authority. The back cover reprints a passage from Norbert Elias's The Germans: Power Struggles and the Development of Habitus in the Nineteenth and Twentieth Centuries a key sociological text on German national character and the civilizing process, grounding the work in rigorous intellectual company. First shown at Printed Matter, New York in 1998.…

Paperback. First edition, 2009, first printing. Near Fine paperback with French flaps with a tiny tear to the spine at the crown and a touch of rubbing to the edges in the publisher's printed slipcase which has a short split at one edge, a sticker stain to the back, and is starting to separate in a couple of places. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Despite an oeuvre spanning more than 20 years and a disavowal of any signature style, Mary Ellen Carroll has throughout her career been investigating a single, fundamental question: What is a work of art? The resulting multifarious, provocative and often wry outpouring in architecture, writing, performance, photography, filmmaking, printmaking, sculpture and painting has been collected into this book--the New York conceptual artist's long-awaited first monograph." Essay by Jonathan Flatley; interview with the artist conducted by Hamza Walker. 360 pages; color illustrations throughout; 7 x 9.75 inches. Index. LAID-IN is an 18 x 24-inch poster for a 2001 exhibition of the artist's work; folded as issued.…

[unpaginated]; 12.5 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book / photo book by Mary Ellen Carroll featuring black and white photographs of Manhattan. "A documentation of Manhattan. The camera is mounted on the photographer's back. The focus is set to infinity. Broadway from the Harlem River to Battery Park." -- from the title page. Very Good. Light rubbing of cover edges and corners. Contents clean and unmarked.…

paperback. Condición: Perfetto (Mint). Edizione originale di 250 es. numerati. Libro d'artista. Illustrato con fotografie in bianco e nero . Cm 22,5 x 14. pp. 150 non numerate. . Perfetto (Mint). . Edizione originale di 250 es. numerati. . What would it be like if one day everyone you encountered saidthat they were you. Would you let them assume your identification, knowing that ultimately they can only be themselves. These questions are what Carroll provokes us with in All the menthat think they can be me. Mary Ellen Carroll lives between New York and Sicily. Book.…

Paperback. Condición: Very Good. First Edition. Comes in cardboard slipcase, which has a split along one of the spine edges. Size: 8vo - over 7¾" - 9¾" tall.