Martine prange (47 resultados)

perfect. Condición: Very Good. Cover and edges may have some wear.

perfect. Condición: Fine.

Condición: New.

Paperback or Softback. Condición: New. Nietzsche, Wagner, Europe. Book.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism.".…

Condición: New.

Paperback. Condición: New. Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism.".…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. reprint edition. 295 pages. 9.50x6.50x0.75 inches. In Stock.

Condición: New. In English.

Condición: New. 2016. Paperback. . . . . .

Condición: New. 2016. Paperback. . . . . . Books ship from the US and Ireland.

Condición: , , mooi exemplaar. Estado de la sobrecubierta: , , mooi exemplaar. 2025, paperback, mooi exemplaar.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the 'nationalist nonsense' and 'politics of dissolution' of his day, he advocated the birth of 'good Europeans,' i.e. 'supra-national' individuals and the 'amalgamation of nations.'Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the 'aestheticization' of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of 'Dionysian' music and of Goethe as a model of 'Good Europeanism.'.…

Paperback. Condición: New. Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism.".…

Paperback. Condición: Very Good. In zeer goede staat, paperback, 144 pp., 14x21x1,4 cm, met bibliografie Potloodstrepen in de kantlijn door het gehele boek, wordt verzonden als brievenbuspakket.

Eindhoven, Timmer Art Books, 2013, gebonden, 248 pp., met opdracht, verder minimale gebruikssporen, 248 pp.

Taschenbuch. Condición: Neu. Nietzsche, Wagner, Europe | Martine Prange | Taschenbuch | ISSN | Einband - flex.(Paperback) | Englisch | 2016 | De Gruyter | EAN 9783110481631 | Verantwortliche Person für die EU: De Gruyter [9], Genthiner Str. 13, 10785 Berlin, orders[at]degruyter[dot]com | Anbieter: preigu. …

Paperback. Condición: New. Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism.".…

gebundene Ausgabe. Condición: Sehr gut. VIII, 286 S. Aus dem Vorbesitz von Prof. Dr. Abel, TU-Berlin. Sehr gutes und sauberes Exemplar. Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the nationalist nonsense and politics of dissolution of his day, he advocated the birth of good Europeans, i.e. supra-national individuals and the amalgamation of nations. Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsches ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europes economic-political union. The book claims that Nietzsche always propagated the aestheticization of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsches passion for and later aversion to Wagners music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of Dionysian music and of Goethe as a model of Good Europeanism.Inhalt: Part I Aestheticization: Germany as saviour of Europe. Chapter 1 Was Nietzsche ever a true Wagnerian? Chapter 2 Germanizing music and culture: Richard Wagners Beethoven essay Chapter 3 Nietzsches reception of Wagners Beethoven essay in the spirit of Weimar Classicism Chapter 4 The Birth of Tragedy out of Nietzsches concern for Wagners Graecization Part II Dynamic interculturalism: De-Germanization and the Good European Chapter 5 Nietzsches anti-Wagnerism in the light of his increasing cosmopolitanism Chapter 6 La Gaya Scienza in music: Nietzsches new musical aesthetics Chapter 7 Goethe as model of the Good European ISBN 9783110315097 Sprache: Englisch Gewicht in Gramm: 630.…

286 S. Originalpappband (Hardcover). Monographien und Texte zur Nietzsche-Forschung 61. Rücken lichtgehellt, Exlibrisstempel auf Innendeckel, sonst sauber und gut. DAZU: Schmidt-Löbbecke, Caroline und Curt Paul Janz, Friedrich Nietzsches Wagner-Erfahrung. Sils-Maria o.J. 121 S. Originalbroschur Sprache: de.…

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 296 | Sprache: Englisch | Produktart: Bücher | Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many ofhis works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner,Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism.".…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.