Martin scherzinger (42 resultados)

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Paperback. Condición: Good. The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bart k, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of educated listening to modernist works: the notion that a person can appreciate difficult music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is associate professor of music at the Ohio State University.…

Paperback. Condición: Good. The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bart k, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of educated listening to modernist works: the notion that a person can appreciate difficult music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is associate professor of music at the Ohio State University.…

Hardcover. Condición: New. After comprehensive chapters discussing the physical features, behaviour and habitat requirements of owls as a whole, this volume focuses in turn on each of the 13 species that can be found in Europe. For each one it presents a more detailed description of its appearance, distribution, population, characteristics and lifecycle, accompanying the information with photographs and drawings and notes on conservation efforts. …

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Condición: New. 1st edition NO-PA16APR2015-KAP.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

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Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Paperback. Condición: Brand New. 192 pages. 9.68x6.87x9.69 inches. In Stock.

Condición: New. Martin Scherzinger is a composer and associate professor of Media, Culture and Communication at New York University, USA. His research specializes in sound studies, music, media and politics of the twentieth and twenty-first centuries, w.

Hardcover. Condición: Brand New. German language. 10.28x7.72x0.59 inches. In Stock.

Hardcover. Condición: Brand New. German language. 10.63x7.87x0.79 inches. In Stock.

Hardcover. Condición: Brand New. German language. 10.39x7.95x0.59 inches. In Stock.

Taschenbuch. Condición: Neu. Music in Contemporary Philosophy | Martin Scherzinger | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9781032928289 | Verantwortliche Person für die EU: Taylor and Francis, Taylor & Francis Verlag Gmbh, Kaufingerstr 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu. …

Merziger Druckerei & Verlag GmbH, Merzig, 1988. 216 überwiegend bebilderte S., Leineneinband mit goldgeprägtem Rücken- und Deckeltitel sowie Schutzumschlag, quer---- gutes Exemplar - 934 Gramm.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Condición: New. pp. 192.

Condición: New. Martin Scherzinger is a composer and associate professor of Media, Culture and Communication at New York University, USA. His research specializes in sound studies, music, media and politics of the twentieth and twenty-first centuries, w.

Condición: New. pp. 192.

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Merzig, um 1995, 4°, 211 S., m. zahlreichen Abbildungen, Original-Pappeinband in schöner Erhaltung.