Martin gammon (29 resultados)

Hardback. Condición: Very Good. The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.Museums often stir controversy when they deaccession works--formally remove objects from permanent collections--with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of deaccession denial--the assumption that deaccession is always wrong--and deaccession apology--when museums justify deaccession by finding some fault in the object--as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.Gammon describes the liquidation of the British Royal Collections after Charles I's execution--when masterworks were used as barter to pay the king's unpaid bills--as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 Hoving affair, when the Metropolitan Museum of Art sold a number of works to pay for a Vel zquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.…

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardback. Condición: Very Good. The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.Museums often stir controversy when they deaccession works--formally remove objects from permanent collections--with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of deaccession denial--the assumption that deaccession is always wrong--and deaccession apology--when museums justify deaccession by finding some fault in the object--as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.Gammon describes the liquidation of the British Royal Collections after Charles I's execution--when masterworks were used as barter to pay the king's unpaid bills--as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 Hoving affair, when the Metropolitan Museum of Art sold a number of works to pay for a Vel zquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.…

hardcover. Condición: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Spiral-bound. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New.

Hardcover. Condición: Very Good. Minimal shelf wear, clean internals. Remainder mark.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condición: Good. Kimie Gammon (ilustrador).

Hardcover. Condición: Fine. Near Fine. Color illustrations. Due to size, ships within US only and only by media rate mail. ; tall 8vo 9" - 10" tall; 448 pp; Mit Press.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardcover. Condición: new. Hardcover. The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.Museums often stir controversy when they deaccession works-formally remove objects from permanent collections-with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of "deaccession denial"-the assumption that deaccession is always wrong-and "deaccession apology"-when museums justify deaccession by finding some fault in the object-as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.Gammon describes the liquidation of the British Royal Collections after Charles I's execution-when masterworks were used as barter to pay the king's unpaid bills-as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 "Hoving affair," when the Metropolitan Museum of Art sold a number of works to pay for a Velazquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention. The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New.

Condición: New. Illustrated edition NO-PA16APR2015-KAP.

Condición: Good. Original boards, dust jacket, numerous illustrations in colour and b/w, small 4to.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New.

Condición: New. 2018. Critical. Hardcover. . . . . .

Condición: New. 2018. Critical. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 424 pages. 10.00x7.50x1.00 inches. In Stock.

Spiral-bound. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Fine+. No Dust Jacket. First Edition. Bound in pictorial, spiral bound boards in folder, a lovely clean copy showing very light shelf wear only, CD inclusion intact.; 11" x 9"; 288 pages.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.Museums often stir controversy when they deaccession works-formally remove objects from permanent collections-with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of "deaccession denial"-the assumption that deaccession is always wrong-and "deaccession apology"-when museums justify deaccession by finding some fault in the object-as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.Gammon describes the liquidation of the British Royal Collections after Charles I's execution-when masterworks were used as barter to pay the king's unpaid bills-as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 "Hoving affair," when the Metropolitan Museum of Art sold a number of works to pay for a Velazquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention. The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New.