markus neuwirth (79 resultados)

Condición: Very Good. Unused - Minor shelfwear, otherwise condition excellent throughout.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine chapters seek to account for the great variety and complexity inherent in the cadence by approaching it from different subdisciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these chapters challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the chapters are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers.Contributors: Pieter Berge (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University).

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Leinen. Condición: Gut. 28 cm ; Hardcoverausgabe, Leineneinband mit Schutzumschlag, 162 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. jhw759 ISBN: 3201014869.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine chapters seek to account for the great variety and complexity inherent in the cadence by approaching it from different subdisciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these chapters challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the chapters are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers.Contributors: Pieter Berge (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University) The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

1.Aufl. 162 S., 1.Aufl., 4to, OLn, OU, tadelloser Zustand, 63 Abb. Sprache: Deutsch 4000g gr.

Condición: New.

Condición: New.

Leinen. Condición: Gut. 162 S. : zahlr. Ill. ; 28 cm Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. Mit Schutzumschlag. Sprache: Deutsch Gewicht in Gramm: 900.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 46 pages. German language. 11.00x8.50x0.11 inches. In Stock.

Condición: NEW.

Hardcover. Condición: New. Highlighting a decisive moment in the birth of modernity and offering previously unpublished insight into the relationship of Klimt, Schiele, Moser and Kokoschka from 1890 to 1918, this book, with its wealth of stunning images, makes an invaluable contribution to Secessionist scholarship and as such is essential reading for anyone wishing to seek a fresh perspective on a fascinating period in the history of art. Book has very minor shelf wear.

Condición: New. KlappentextrnrnThe variety and complexity of cadence.The concept of closure is crucial to understanding music from the classical style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by l.

346 pp. -TEXT IN ENGLISH- Sprache: Englisch Gewicht in Gramm: 600 Large 8vo. Softcover, no dust jacket, very fine.

Rilegato. Condición: new. A cura di Kindl U. e Rina P.Bolzano, 2017; ril., pp. 264, cm 19,5x24.(Merabilia. 1). Franz Tappeiner (1816-1902) rappresenta una figura chiave nella storia della città del Passirio, ove fu attivo per oltre cinquant'anni come medico e consulente sanitario. Attento alle novità introdotte dal turismo, fornì il suo contributo specifico per trasformare la piccola e provinciale Merano in uno splendido ed elegante luogo di villeggiatura. Coronò la sua carriera con importanti donazioni finanziarie che permisero la costruzione di lunghi tratti di quella Passeggiata Tappeiner che è oggi un affascinante sinonimo di Merano. Pochi sanno, tuttavia, che Tappeiner non fu soltanto medico e mecenate: si dedicò infatti anche agli studi botanici e antropologici, tessendo una importante rete di relazioni con l'élite scientifica del suo tempo. Si tratta del primo volume della collana "Merabilia" edita dal Palais Mamming Museum: il libro non indaga solo l'epoca di Franz Tappeiner ma pone l'accento anche su quelle scelte lungimiranti assunte agli albori del Novecento che ancora oggi caratterizzano il volto e il senso di Merano. Libro.

Ln. 1-2, OU. 162 S., zahlr. Illustr., (Asmus Jakob Carsten u. Joseph Anton Koch) Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Dänemark, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Deutsch Gewicht in Gramm: 808.

Paperback. Condición: Brand New. 1st edition. 346 pages. 9.25x6.00x1.00 inches. In Stock.

Paperback. Condición: Brand New. German language. 8.66x5.91x0.71 inches. In Stock.

Paperback. Condición: New. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine chapters seek to account for the great variety and complexity inherent in the cadence by approaching it from different subdisciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these chapters challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the chapters are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers.Contributors: Pieter Berge (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University).

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 23 x 28,5 cm, 160 Seiten/pages with 100 ­coloured illustrations. - The book intends to interpret the popular Narcissus theme, not merely from the mythological angle Narcissus is considered to be the godfather of painting or as a mirror image of Freudian psychoanalysis but in particular to place the theme in the context of gender discourse. According to one of the theses, it is only through the blurring of gender roles that a masculine physical self-awareness has come into play, which, with vain self-reflection, blatantly and radically parades a different part of the essence of feeling, some­where between denial and delu­sions of grandeur, as in works by Urs Lüthi, Niklas Goldbach, Ely Kim, Helmut Schober or Anan Tzukerman.

Paperback. Condición: new. Paperback. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine chapters seek to account for the great variety and complexity inherent in the cadence by approaching it from different subdisciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these chapters challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the chapters are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers.Contributors: Pieter Berge (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University) The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New.

Südtiroler Künstlerbund, Brixen, 2013, 165 Seiten, mit einigen Abbildungen, Pappband (mit Anstreichungen im Text)---- teils zweisprachig: deutsch und italienisch/ gutes Exemplar - 496 Gramm.