Marco iuliano (49 resultados)

hardcover. Condición: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condición: Used-Very Good. Pbk. Minor shelf wear. Else clean copy.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: New. Number One Poultry, London EC2R 8EJ, was a commission awarded by Peter Palumbo to James Stirling, Michael Wilford and Associates in May 1985. Designed from July 1985 onwards, it was completed in 1998. In 2016 it was listed grade II* and it is currently the youngest ever listed building in England.This book records the conversations between One Poultry and those involved with it over its controversial lifetime: Peter Palumbo, developer and patron; Michael Wilford, Stirling's lifetime working partner; Laurence Bain, Number One Poultry project architect; Peter Rees, the City of London Planning Officer at the time; and Charles Jencks, architectural historian and theoretician of Post-Modernism. The book includes original, unpublished sketches and drawings of the building from conception to realisation, documentation that explains the value of its architecture and a selection of letters sent by distinguished individuals to the City of London Planning Office to protest against threatened, heavy alterations that anticipated the listing.One Poultry Speaks, devised and edited by Marco Iuliano, is a collaboration between the University of Liverpool, whence James Stirling graduated in 1950, and the Royal Institute of British Architects, which awarded him its Royal Gold Medal in 1980.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. A nice, bright copy. ; Color Plates; 9.7 X 1.1 X 11.3 inches; 248 pages.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New. 2017. Paperback. . . . . .

Paperback. Condición: new. Paperback. Number One Poultry, London EC2R 8EJ, was a commission awarded by Peter Palumbo to James Stirling, Michael Wilford and Associates in May 1985. Designed from July 1985 onwards, it was completed in 1998. In 2016 it was listed grade II* and it is currently the youngest ever listed building in England. This book records the conversations between One Poultry and those involved with it over its controversial lifetime: Peter Palumbo, developer and patron; Michael Wilford, Stirlings lifetime working partner; Laurence Bain, Number One Poultry project architect; Peter Rees, the City of London Planning Officer at the time; and Charles Jencks, architectural historian and theoretician of Post-Modernism. The book includes original, unpublished sketches and drawings of the building from conception to realisation, documentation that explains the value of its architecture and a selection of letters sent by distinguished individuals to the City of London Planning Office to protest against threatened, heavy alterations that anticipated the listing. One Poultry Speaks, devised and edited by Marco Iuliano, is a collaboration between the University of Liverpool, whence James Stirling graduated in 1950, and the Royal Institute of British Architects, which awarded him its Royal Gold Medal in 1980. The story of Number One Poultry, the youngest listed building in England, as told by some of the key protagonists and the building itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. 120 pages. 9.81x8.25x6.06 inches. In Stock.

Condición: New. pp. 120.

Condición: New. 2017. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Condición: New. pp. 120.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. The Royal Institute of British Architects (RIBA) was founded in London in 1834 for the advancement of architecture and began assembling its collection of architectural photographs from the outset. It is now one of the largest in the world. The present book brings together a carefully selected set of images out of the many thousands the Institute holds of the city of Rome, from its landscape to close archaeological detail, through the intermediate scale of architecture. Apart from some professionals who worked for the Architectural Press, the photographers featured - James Anderson, Tim Benton, Richard Bryant, Ralph Deakin, Ivy and Ivor de Wolfe, Richard Pare, Monica Pidgeon and Edwin Smith - are exclusively British. Their images date from the birth of the medium to the present day. In the book, scholars and experts with different backgrounds tackle a difficult, interdisciplinary subject, moving back and forth between architecture and the visual arts. Marco Iuliano gives an overview of the project and introduces architectural photography in Rome, while Gabriella Musto reflects on the historical perception of the Vittoriano and its contemporary role; Richard Pare furnishes a scholarly analysis of the origins of photography in Rome, whilst Owen Hopkins and Francois Penz respectively consider the impact of the city on the imagination of British architects and filmmakers. Valeria Carullo explores the richness of the RIBA photographs collection prior to the catalogue section, which is complemented by essays by Paolo Mascilli Migliorini, Nicholas Ray, Antonello Alici, Carla Molinari and Tom True. A detailed bibliography by Jemma Street closes the book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condición: As New. 1st Edition.

hardcover. Condición: Fine. 1st. 4to, 247 pp. Fine copy (issued without dust jacket). Profusely illustrated (ilustrador).

Hardcover. Condición: Good. Light general wear. May have light notes/highlighting. 4 Volume set. Hardcover.

Taschenbuch. Condición: Neu. Neuware - ARCHITECTURE / General.

Oversized Paperback. Condición: Very good. First edition. Octavo (standard size). Slight wear to edges and corners of covers. Some scuffing to covers. 142 p. w/ illus., bibliography. An exhibition catalog from an exhibit which was part of the centenary of the Department of Architecture at Cambridge University.…

Condición: New. KlappentextrnrnARCHITECTURE / General.

Hardback. Condición: New. Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture - this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet's background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early 'discovery' of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet's approach to photography, her process and archive.Martino Stierli sets Binet's work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet's oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.…