Malsy victor (64 resultados)

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. 1. Designed in 1957, Helvetica quickly became a defi ning emblem of Swiss graphic design and a model for clear, functional communication worldwide. Its balanced, perceived neutral form deliberately resists overt expression - a restraint that has made it both admired and contested, securing its lasting cultural presence. Helvetica Forever traces the typeface's first fifty years, situating its development alongside other seminal sans serif designs of the twentieth century while examining the forces behind its remarkable global reach. The publication draws on the legacy and archives of Alfred Hoffmann, former director of the Haas'sche Schriftgiesserei, where Helvetica was developed in collaboration with Max Miedinger and Eduard Hoffmann. From signage and corporate identity to editorial design and ephemeral print, the book reveals the many contexts in which Helvetica has shaped visual culture and demonstrates how a seemingly neutral typeface became one of the most infl uential design tools of the modern era.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: Gut. 1. Auflage. 196 Seiten (Kunstdruckpapier, Zweispaltendruck), durchgehend sw bebildert. Französisch-deutsch. Umschlag berieben, sonst gutes bis seh rgutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1950 31 x 21 cm, Hardcover mit sw fotoillustriertem Schutzumschlag; graues Vorsatzpapier.…

Paperback. Condición: Brand New. 160 pages. 6.85x0.59x9.45 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware -Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity - a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica's fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields - from signal design to party flyers. 160 pp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity - a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica's fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields - from signal design to party flyers. 160 pp. Englisch.…

Hardcover. 175 S., Quart, Hardcover/gebunden. Hervorragend erhaltenes Bibliotheksexyemplar, als solches von außen nicht direkt erkennbar. In robuster, abwischbarer Klebefolie eingebunden. Innen vorne und hinten Stempel/Einträge, teilweise sauber und neutral überklebt. Weiter eintragsfrei. Buch zur Ausstellung typografischer Arbeiten von El Lissitzky. Mathildenhöhe Darmstadt. 15. November 1990 bis 6. Januar 1991. Sprache: Deutsch (unbesetzt) 1400 gr.…

Taschenbuch. Condición: Neu. Neuware -Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity - a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica's fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields - from signal design to party flyers.…

Broschiert. Condición: Gut. 1. Aufl. 30x20cm; Erste Auflage, 196 S. Broschiert. Ill. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat min. bis geringe Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

30 x 19 cm. 198 S. ISBN: 3874392511. Kartoniert / Soft cover. No jacket. Guter Zustand / Good condition. 1. Auflage. Sprache: de. * Zweisprachige Ausgabe in Französisch und Deutsch. Mit zahlreichen schwarz-weißen Abbildungen im Text und auf Tafeln. Katalog-Buch zur Ausstellung "Nach dem Passagen-Werk" von Wolfgang Schmitz mit Beiträgen zur Aktualität der Ästhetik Walter Benjamins, 2. Juni bis 17. Juli 1992 Goethe-Institut Paris,17. November bis 17. Dezember 1992, Städtische Galerie im Buntentor, Bremen, 15. Januar bis 31. Januar 1993, Bahnhof Westend, Karl-Hofer-Gesellschaft und Hochschule der Künste, Berlin, März 1993, Institut Français, Mainz. He6. (Zeit). jpg.…

Düsseldorf, Verlag der Fachhochschule 2003. Ca. 600 Seiten m. zahlreichen Abbildungen. Orig. Hardcover, Schutzumschl., Gr.8°. Sehr gut erhalten. Gewicht: 3,5 Kilogramm. Versandspesen im Inland nur 3,50 EUR .

Taschenbuch. Condición: Neu. Neuware - Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity - a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica's fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields - from signal design to party flyers.…

30 x 19 cm. 198 S. ISBN: 3874392503. Original Pappband mit OU / Hard cover. In dust jacket. Guter Zustand / Good condition. 1. Auflage. Sprache: de. * Zweisprachige Ausgabe in Französisch und Deutsch. Mit zahlreichen schwarz-weißen Abbildungen im Text und auf Tafeln. Katalog-Buch zur Ausstellung "Nach dem Passagen-Werk" von Wolfgang Schmitz mit Beiträgen zur Aktualität der Ästhetik Walter Benjamins, 2. Juni bis 17. Juli 1992 Goethe-Institut Paris,17. November bis 17. Dezember 1992, Städtische Galerie im Buntentor, Bremen, 15. Januar bis 31. Januar 1993, Bahnhof Westend, Karl-Hofer-Gesellschaft und Hochschule der Künste, Berlin, März 1993, Institut Français, Mainz. He3. (Zeit). jpg.…

175 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Obere Kante dews Buchrückens leicht bestoßen. Untere rechte Ecke des vorderen Buchdeckels mit leichter Knickspur. Sonst gut erhalten. Sprache: deu.

Condición: New.

Condición: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condición: New.

Mit zahlr. Abbildungen. 37 S. 4to. (29,8 : 18,7 cm). Spiralbuchbindung. * Vortrag am 5. November 1991 von Victor Malsy zur Typograpie und Gebrauchsgraphik der zwanziger Jahre. - Sehr gut und reich illustriert. Typographische Gestaltung vom Verfasser. - Sehr gut erhalten. Aufgrund der neuen PPWR-Regelung zur Zeit kein Versand in EU-Länder. Due to PPWR no delivery to EU-countries.…

Hardcover. Quarto. Hardcover. Grey paper board with a red triange design and titles on spine in glassine jacket with black titles. 175 pages : illustrations (some color) ; 31 cm. "Eine Ausstellung typografischer Arbeiten von El Lissitzky, Mathildenhöhe Darmstadt, 15. November 1990 bis 6. Januar 1991."/ Includes bibliographical references. VG-. Some bumping and light fraying to the jacket at corners.…

Condición: New. 2026. 1st Edition. paperback. . . . . .

30x20 cm, 195 S., OKart., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Taschenbuch. Condición: Neu. Neuware -Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity - a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica's fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields - from signal design to party flyers.Verlegerdienst München, Gutenbergstraße 1, 82205 Gilching 160 pp. Englisch.…

Verlag Hermann Schmidt, Mainz 1992. Tall, narrow 4to. 195 pages. Illustrated in b/w. Original black, soft cover. Spine cocked. Cover with some rubbing. Edges of book block slightly browned. Very good++. * Catalogue for the exhibiotion of the same name. **Texts in German and French.

Taschenbuch. Condición: Neu. Helvetica forever | Story of a Typeface | Victor Malsy (u. a.) | Taschenbuch | 160 S. | Englisch | 2026 | Lars Müller Publishers | EAN 9783037788141 | Verantwortliche Person für die EU: Lars Müller Publishers, Michael Klein, Hub 1, 84149 Velden, gpsr[at]lars-mueller-publishers[dot]com | Anbieter: preigu. …

Okrt., 195 S., 4°. (Minimale Altersspuren, gutes Exemplar)., 2-sprachig, dt/franz., mit Fotonachweis. Ausstellungen in Bremen, Paris, Berlin und Mainz 1992 - 1993. 1500 gr. 0.0.

Paperback. Condición: New. 1. Designed in 1957, Helvetica quickly became a defi ning emblem of Swiss graphic design and a model for clear, functional communication worldwide. Its balanced, perceived neutral form deliberately resists overt expression - a restraint that has made it both admired and contested, securing its lasting cultural presence. Helvetica Forever traces the typeface's first fifty years, situating its development alongside other seminal sans serif designs of the twentieth century while examining the forces behind its remarkable global reach. The publication draws on the legacy and archives of Alfred Hoffmann, former director of the Haas'sche Schriftgiesserei, where Helvetica was developed in collaboration with Max Miedinger and Eduard Hoffmann. From signage and corporate identity to editorial design and ephemeral print, the book reveals the many contexts in which Helvetica has shaped visual culture and demonstrates how a seemingly neutral typeface became one of the most infl uential design tools of the modern era.…