Mackay john iain (13 resultados)

Paperback. Condición: Fair. 1st edn. HB. Cloth. 4to. VG/G. DW s. Book.

hardcover. Condición: Very Good. Cover has light shelf wear and edge wear. No textual markings. Spine ends bumped.

Condición: good. Ancien support de bibliothèque. Photo non contractuelle. Envoi rapide et soigné.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: New.

Condición: New.

Condición: Very Good. First edition hard back binding in publisher's original navy cloth covered boards, blocked and lettered gilt back. Quarto 10½'' x 8¼''. Contains 79 pp with single tone illustrations throughout. Ink name dated 1967 to the front free end paper. Very Good condition book in Very Good condition price clipped dust wrapper with rubbing to the spine crowns. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. HUMOUR (Satire, Cartoon).…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 1343 pages. 10.50x7.50x3.25 inches. In Stock.

Condición: New. &Uumlber den Autor Iain M. Duguid (PhD, University of Cambridge) is professor of Old Testament at Westminster Theological Seminary. He also serves as pastor of Christ Presbyterian Church in Glenside, Pennsylvania.

Softcover. Condición: Fine. First edition. With one illustration by William Maclean. Slim tall octavo. Fine in glossy wrappers with a tiny bit of wear. Laid into an unprinted Stirling Gallery chemise with adhesive labels (now opened) that had closed three sides. Poems about trees by poets living in Scotland, all but two published here for the first time. The poets are Norman MacCaig, Valerie Gillies, Iain Crichton Smith, Bob Bridges, Liz Lochhead, Edwin Morgan, George Mackay Brown, Alastair Mackie, John Purser, George Bruce, Maurice Lindsay, Angus Ogilvy, Robert Philips, Alan Bold, and Robert Garioch. Five copies in *OCLC*, all in the UK.…

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.…