M v tracey (79 resultados)

Hardcover. Condición: Good+. No Jacket. Hardcover 1955 Vol 2 edition.Text in English and German. Ex-library book with stamps and labels attached. Binding firm. Pages unmarked and clean. Boards and text in good+ condition.[626 p, 48 fig.].

Hardcover. Condición: Near Fine. pp.xxiii, 512 pages, a near fine hardback, publisher's original green leatherette binding with gilt lettering to the spine and front cover. Minimal evidence that this is an ex-library book.

Hardcover. Condición: Near Fine. pp.xviii, 542 pages, a near fine hardback, publisher's original green leatherette binding with gilt lettering to the spine and front cover. Minimal evidence that this is an ex-library book.

Hardcover. Condición: Good+. No Jacket. Hardcover 1955 Vol 3 edition. Text in English and German. Ex-library book with stamps and labels attached. Binding firm. Pages unmarked and clean. Boards and text in good+ condition. [761p, 77 fig.].

Hardcover. Condición: Good+. No Jacket. Hardcover 1955 Vol 1 edition.Text in English and German. Ex-library book with stamps and labels attached. Binding firm.Pages unmarked and clean. Boards and text in good+ condition. [542 p, illus., 215 fig.].

Condición: Good. 1948. First Edition. 154 pages. No dust jacket. Green cloth. Contains black and white photographs. Binding remains firm. Pages have light tanning and foxing throughout. Pencil inscriptions to front pastedown and endpaper. Boards have light shelf-wear with corner bumping. Light tanning to spine and edges with crushing to spine ends. Wear marks overall.…

Condición: Good. 1948. First Edition. 154 pages. No dust jacket. Green cloth covered boards with gilt. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning.…

Hardcover. Condición: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condición: Good. Modern Methods of Plant Analysis: Volume VII (Moderne Methoden der PflanzenAnalyse). No DJ. Text in German and English. Usual library markings. Binding is tight, text clean. 735pp.

hardcover. Condición: Good. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.

hardcover. Condición: Very Good.

Hardcover. Condición: Good. Modern Methods of Plant Analysis: Volume III (Moderne Methoden der PflanzenAnalyse). Dritter Band. No DJ. Text in German and English. 761pp. Ex University of California, Berkeley library book with usual library markings. Binding is tight, text clean.

Condición: Good. 1948. First Edition. 154 pages. Green pictorial dust jacket over green cloth. Pages are lightly tanned at the edges, with light foxing. Occasional thumb marks to pages edges. Binding has remained firm. Boards have slight shelf wear with bumping to corners. Spine ends are a little crushed. Light tanning to spine and edges. Light wear to unclipped dust jacket with tears, nicks and creases to spine, edge and corners. Light tanning to spine and edges.…

Hardcover. English and German. 761pp. Front endpaper corner clipped, else very good condition with text clean & binding tight without dust jacket.

Cloth, dustjacket, 8vo 536 pp., 228 figs and photos This volume treats various experimental methods, among them: emission and absorption spectroscopy, mass spectroscopy, chromatography, dispersion, x-ray scattering, cell cultures and polarography very good condition (almost unused).

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN.…

hardcover. Condición: Very Good.

Condición: Good. Volume 7. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN. …

Bolsillo. Condición: New. Estado de la sobrecubierta: Nuevo. 08. LIBRO.

PF. Condición: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Gr.-8°, Hardcover. Condición: Gut. XVII, 542; XII, 626; XII, 761 S. Drei Bände. Mehrbändiges ehemaliges Bibliotheksexemplar mit Stempeln und Rückensignaturen. Einbände mit leichten Lagerspuren, Papier etwas nachgedunkelt, Seiten fest und textsauber. Dem Alter entsprechend guter Zustand. mbx mu Gewicht in Gramm: 4100.…

Hardcover. Condición: Very Good. 7 Volumes, XVIII, 542; XII, 626; XIII, 761; XV, 766; XXVII, 536; XXIV, 512; XXIV, 735 pages, each volume has numerous figures, generally very good plus matching hardbacks (publisher's original green cloth), from a uk university library.

Hardcover. Condición: Gut. 626 S. Moderne Methoden der Pflanzenanalyse, Band 2 = Modern Methods of Plant Analysis, Vol. 2. Sprachen: Englisch & Deutsch. - Ehemaliges Bibliotheksexemplar mit Stempel und handschriftlicher Signatur innen (G 2197). Leichte bis moderate Gebrauchsspuren, guter Zustand. mbx mu Gewicht in Gramm: 1272. …

25 cm. original cloth, gilt. xxiv,736 pp. ills, diagrams. references. index. -mostly English contributions, some in French, some in German. -(libr label, library stamps, with plasticized cover, otherwise (very) good). 1475g.

Condición: New.

Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Condición: New. pp. xiv + 761.

Condición: New. pp. xvi + 766 Index.

Paperback. Condición: Brand New. bilingual edition. 782 pages. German language. 9.61x6.14x1.78 inches. In Stock.