llano samuel (128 resultados)

Hardcover. Condición: Used-Very Good. Minimal shelf wear, clean internals. May have remainder mark.

paperback. Condición: Very Good.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: As New. Text clean and tight; 8vo 8" - 9" tall; 318 pages.

Hardcover. Condición: Very Good. 1st Edition. 8vo, hardcover, xv, 278pp. First edition. VG+: a clean, bright, sound, and presentable copy.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1. Cloth, dj. Some shelf wear; extensive scuffing to rear panel. Else fine. A sound copy with bright, clean internals. From the very beginning of the nineteenth century, many elements of Spanish culture carried an air of 'exoticism' for the French-and nothing played more important of a role in shaping the French idea of Spain than the country's musical tradition. However, as Samuel Llano argues in Whose Spain?, perceptions and representations of Spanish musical identities changed in the early twentieth century, due to the emergence of the hispanistes. These specialists on Spanish music and culture, who wrote encyclopedic and 'scientific' articles on 'Spanish music,' strived to endow the world of Spanish music with a sense of authority and knowledge. Yet, the writings of those hispanistes and other music critics showed a highly sensationalist attitude, aimed at describing 'Spanish music' in a way that was instrumental to the interests of French musicians. At the same time, the Spanish fought to articulate their own identities through the creation and performance of new musical works. In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' and the discourse's connection with French politics and culture. He also studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, given the enhanced possibilities of performance for cultural and critical engagement. The study covers the period 1908 to 1929, when representations of 'Spanish music' in the writings of the hispaniste Henri Collet and other French musicians underwent several transformations, mostly sparked by the need to reformulate French identity during and after the First World War. Ultimately, Llano demonstrates that definitions of 'French' and 'Spanish' music were to some extent interdependent, and that the public performances of these pieces even helped the musical community in France to begein to reformulate their notions of 'Spanish music' and identity.

Paperback. Condición: New. How music embodies and contributes to historical and contemporary nationalism What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music's role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO's Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music. Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Castaño Mesa, Samuel Ilustrador. Idioma/Language: Español. Mil orejas es una obra para personas sordas y oyentes que desea sensibilizar sobre la discapacidad auditiva; en la que, en palabras de su ilustrador, Samuel Castaño Mesa, «se refuerza la idea de que el diálogo entre el silencio y el sonido es necesario para que ambos existan». Siguiendo la línea de El libro negro de los colores (Libros del Zorro Rojo, 2008), Mil orejas tiende puentes entre la poesía y el relato, entre la literatura infantil y la literatura para adultos, entre la lengua escrita y la lengua de señas, al tiempo que rescata la intensa sensorialidad de lo efímero y lo sutil: de un olor fresco en el aire, una caricia en la espalda o una mirada dulce. Una obra sobre la percepción entendida como el conjunto infinito de formas de conocer el mundo. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: new.

Paperback. Condición: new. Paperback. How music embodies and contributes to historical and contemporary nationalism What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and musics role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCOs Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music. Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina SAnchez-Carretero, JosE Hugo Pires Castro, Paulo Ferreira de Castro, FernAn del Val, HEctor Fouce, Diego GarcIa-Peinazo, Leonor Losa, Josep MartI, Eva Moreda RodrIguez, Pedro Russo Moreira, Cristina Cruces RoldAn, and Igor Contreras Zubillaga Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCOs Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Cartoné (tapa dura cartón). Condición: New. Estado de la sobrecubierta: Nuevo. Castaño Mesa, Samuel Ilustrador. 01. LIBRO.

Condición: New.

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Rustica (tapa blanda). Condición: New. Estado de la sobrecubierta: Nuevo. 01. En las últimas décadas se ha observado un aumento del interés por los efectos del sonido en el espacio urbano y su población. Notas discordantes lleva esta investigación en una novedosa y esencial dirección al analizar los modos en que la música callejera y el mapa sonoro de Madrid supusieron un reto al orden social y económico, promoviendo el desarrollo de nuevas formas de control social. Llano sostiene que, lejos de ser un epifenómeno social, la música popular y la música callejera han jugado un papel fundamental en la modernización y refinamiento de la legislación y el control social de las modernas sociedades urbanas . Madrid experimentó turbulentos cambios socio-políticos durante el siglo XIX y principios del XX debido al rápido crecimiento urbano y al desarrollo de nuevas clases sociales. Los intentos oficiales por controlar ese desarrollo a través de una legislación que, bajo la bandera de la asistencia al pobre o el freno a la delincuencia y el alcoholismo, privilegiara la conformación de una ?clase media?, llevó a la aplicación de una ?higiene auditiva? en la que ciertas manifestac. LIBRO.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Cartoné. Condición: Nuevo. Castaño Mesa, Samuel Ilustrador.

Condición: New. 2023. First Edition. paperback. . . . . .

Condición: Nuevo. Castaño Mesa, Samuel Ilustrador. COLECCIÓN: APRENDER Y DESCUBRIR APRENDER Y DESCUBRIR - ALBUMES ILUSTRADOS | CUESTIONES PERSONALES Y SOCIALES: DISCAPACIDAD Y N | FICCION MODERNA Y CONTEMPORANEA.

Paperback. Condición: Brand New. 304 pages. 9.50x6.50x1.00 inches. In Stock.

Rústica. Condición: Nuevo.

Condición: New.

Condición: Nuevo. COLECCIÓN: OBJECIONES Y RESPUESTAS OBJECIONES Y RESPUESTAS - MUSICA | TEORIA DE LA MUSICA Y MUSICOLOGIA.

Condición: New. 2023. First Edition. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. Castaño Mesa, Samuel Ilustrador. 56 pages. Spanish language. 6.30x6.30x0.47 inches. In Stock.

Condición: New. Castaño Mesa, Samuel Ilustrador. Idioma/Language: Catalán. Mil orelles és una obra per a persones sordes i també per a gent que hi sent que desitja sensibilitzar sobre la discapacitat auditiva. Obra on, en paraules de l'illustrador, Samuel Castaño Mesa, «es reforça la idea que el diàleg entre el silenci i el so és necessari perquè ambdós existeixin». Seguint la línia d'El llibre negre dels colors (Libros del Zorro Rojo, 2008), Mil orelles basteix ponts entre la poesia i el relat, entre la literatura infantil i la literatura per adults, entre la llengua escrita i la llengua de signes, i alhora rescata l'intens caràcter sensorial de l'efímer i del subtil: una olor fresca en l'aire, una carícia a l'esquena o una mirada dolça. Una obra sobre la percepció entesa com el conjunt infinit de formes de conèixer el món. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Tapa dura. Condición: Muy bien. Castaño Mesa, Samuel Ilustrador. EXCELENTE ejemplar. S/N.

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.