Idioma: Inglés
Publicado por University of Chicago press, 2019
ISBN 10: 151790806X ISBN 13: 9781517908065
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Añadir al carritoPaperback. Condición: new. Paperback. A wide-ranging analysis of how the material limits to discrete, silicon-based computing power impact employment and automation.Since the end of the Second World War, we have come to expect continual growth in computing power and the rapid development of digital technology. This dynamic has enabled informational procedures to supplant an ever-increasing range of human and mechanical activity. However, indications that the semiconductor industry is approaching the physical limits of integrated circuitry pose an existential challenge to Intel Corporation cofounder Gordon Moore's "law," which prescribes an exponential increase in microchip density-and, by extension, processing performance-every two years.Placing theories of employment in dialectical conjunction with the concrete operations of computing, 100% Utilization explores the consequences of pushing processing power to its limits for a culture seemingly reliant on automation as much as human labor. In accounting for this contradiction, Andrew Lison offers a corrective to theories of digital mediation emphasizing its symbolic and representational capabilities. He connects the looming end of Moore's law to trends in semiconductor manufacturing, custom hardware, and parallelized software techniques, including AI. Ultimately, he traces this historical technological boom and impending bust through the racialized history of Silicon Valley to longer-term conceptions of the relationship between machinery and labor. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Publicado por Palgrave Macmillan, New York, 2014
ISBN 10: 1137375221 ISBN 13: 9781137375223
Librería: Any Amount of Books, London, Reino Unido
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Añadir al carritoHardcover. 8vo. Pp: viii, 296. First Edition. Publisher's laminated boards with colour illustration and white lettering. Black and white illustrations throughout.ISBN: 9781137375223 Very good plus. Some spots and scratches to front and rear cover. Small dint to fore edge of rear board. Slight crease to tail of spine.
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Añadir al carritoPaperback. Condición: new. Paperback. A wide-ranging analysis of how the material limits to discrete, silicon-based computing power impact employment and automation.Since the end of the Second World War, we have come to expect continual growth in computing power and the rapid development of digital technology. This dynamic has enabled informational procedures to supplant an ever-increasing range of human and mechanical activity. However, indications that the semiconductor industry is approaching the physical limits of integrated circuitry pose an existential challenge to Intel Corporation cofounder Gordon Moore's "law," which prescribes an exponential increase in microchip density-and, by extension, processing performance-every two years.Placing theories of employment in dialectical conjunction with the concrete operations of computing, 100% Utilization explores the consequences of pushing processing power to its limits for a culture seemingly reliant on automation as much as human labor. In accounting for this contradiction, Andrew Lison offers a corrective to theories of digital mediation emphasizing its symbolic and representational capabilities. He connects the looming end of Moore's law to trends in semiconductor manufacturing, custom hardware, and parallelized software techniques, including AI. Ultimately, he traces this historical technological boom and impending bust through the racialized history of Silicon Valley to longer-term conceptions of the relationship between machinery and labor. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoCondición: New. Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s. Editor(s): Brown, Timothy Scott; Lison, Andrew E. Num Pages: 304 pages, 17 black & white illustrations, biography. BIC Classification: 3JJPK; ACXJ; AVGP; JFCA. Category: (P) Professional & Vocational. Dimension: 241 x 158 x 22. Weight in Grams: 598. . 2014. Hardback. . . . .
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Añadir al carritoHardcover. Condición: Brand New. 296 pages. 9.25x6.00x0.75 inches. In Stock.