Lisa milroy (42 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Hardcover, dust jacket, very good. We ship fast. Kuspit, Donald,Hassrick, Peter H.,Perlman, Bennard B.,Pisano, Ronald G.,Peters, Lisa N.,Spanierman, Ira,Milroy, Elizabeth,Clark, H. Nichols B.,Lowrey, Carol,Ronnberg, Erik A. R.,Parry III, Elwood C.,Gerdts, William H. (ilustrador). …

hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Soft Cover Pamphlet. Condición: Fine (Book Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ].

paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Soft Cover Pamphlet. Condición: Fine (Book Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: 8vo. Book.

Condición: Very Good. From the Library of Tim Llewellyn, OBE.

1. Auflage. 50 Seiten. OBr., Quart 28 cm x 23 cm, 50 S.; tadellos erhalten.

Soft cover. Condición: As New. Like new paperback copy of a fine study. The catalogue produced to accompany an exhibition held at Tate Liverpool in 2001. This appears to be brand new unopened copy. This authoritative work documents the breadth of Milroy's career bringing together a range of her paintings from the 1980s and 90s and a body of new work. Illustrated with works from the retrospective exhibition being held at Tate Liverpool and other sources, the book is organized by subject rather than chronology and provides a visual catalogue that reveals recurrent themes and ideas. Milroy first received attention during the 1980s for her paintings of familiar and quite ordinary objects, often devoid of any specific context, which explored issues around space, repetition, pattern, rhythm, and order. Since the early 1990s, Milroy's subject matter has expanded to include landscapes, cityscapes, architecture, people and animals, revealing her continued interest in objects in relation to space. We pack our books properly and ship daily from the UK.…

Soft cover. Condición: Fine. 1st Edition. 8 landscape colour plates of an exhibition by the artist Lisa Milroy.

Soft cover. Condición: Fine. Qto., 52 pages, colour illustrated. Looks unused, a Fine copy.

Softcover, 28 pages, good condition, moderate rubbing to white covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition. Pictorial card covers, large 4to, pp.162. Illustrated. Essays by Lewis Biggs, Fiona Bradley and Jean-Pierre Criqui. Accompanies an exhibition of her work entitled Lisa Milroy at the Tate, Liverpool from January 19 to March 18 2001. Slight bump to upper corner with a little creasing to the cover corner and minor creasing to text corners. Previous owners inscription to title page. Near fine. Heavy book weighing c1300g when parcelled, exceeding the postage quotation default weight of 1000g and thus incurring extra postage over the default for orders from overseas and those sent by 1st class post in the UK ( 2nd class UK not affected ). Milroy, Lisa (ilustrador).…

SOFTCOVER. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Large Quarto size (4to). in plain white stiff card covers with plain yellow stiff card jacket. Unpaginated, approx. 60pp, colour plates, b/w illustrations in text, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (hint of tanning to leaves, minute speck of rub to cover corner tips) in a slightly sunned and very lightly edge rubbed but otherwise VERY GOOD complete Dust Jacket ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condición: Fine. 1st Edition. Large tall 4to. in colour printed stiff card covers, unpaginated, approx. 48pp on stiff art paper, colour plates, etc. Dual text in English and German . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (minute speck of shelf rub to cover corner tips) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards quarter-bound in beige cloth; no dust jacket as issued. Paintings by Lisa Milroy. Essay by Elisabeth Levovici. Includes an exhibition history. Unpaginated, with 25 four-color plates. 13-1/4 x 9-3/8 inches. Published on the occasion of an exhibition at Waddington Galleries. Near Fine (moderate surface wear, light soiling, boards slightly bowed, and a few bumps at the extremities, else Fine).…

SOFTCOVER. Condición: As New. Estado de la sobrecubierta: Fine. 1st Edition. Large Quarto size (4to). in plain white stiff card covers with plain yellow stiff card jacket. Unpaginated, approx. 60pp, colour plates, b/w illustrations in text, etc . [CONDITION: An AS NEW copy in a slightly sunned and very lightly edge rubbed but otherwise FINE complete Dust Jacket ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover. Condición: Gut. q03437 Ex-library with Stamp and Library-Signature in Good Condition, Some Traces of Use Sprache: Englisch Gewicht in Gramm: 550.

Original brochure, 27*21,5 cm. Condición: Gut. Unpaginated [23 p.], 8 ill. Bumped, otherwise clean. - From the text by Ian Jeffrey: Lisa Milroy paints light-fittings, quite a lot of light-fittings. There might be around twenty different kinds of bulbs and strips arranged in that large painting, with, for instance, an opaque mushroom cropping up in three or four different places in a varied company of cones and tubes. It asks to be worked out, and appears to have proceeded to a plan, although appearances can be deceptive. If there is a scheme there it will probably never be reduced to a formula, but the fathoming itself is straightforward enough, for the units are restricted to a few appearances, which might be taken in at a glance or two. Search, note, and repeat the performance, and become conscious of the time it takes. What sort of time? A time of looking and naming: cone whirl, green domestic, silver-based, grey globe. Find the unit, and then remember it via both a look and a name. Anyone intrigued here for long will, inevitably, become conscious of procedure, of routine, of a pattern in consciousness, just as anyone in front of a Judd piece must become aware of movement in relation to perception. Sprache: Englisch Gewicht in Gramm: 550. …

SOFTCOVER. Condición: As New. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 163pp on thick glossy art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover without dustjacket as issued, 48 pages, very good condition, rubbing to rear cover; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Lisa Milroy Catalogue from Galerie Lelong Zurich April - May 2006 Softcover, richly illustrated Text in both German and English 50 pages, in near fine condition 31.5 x 22 cm.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Very Good. A very good copy, a small mark on front cover else as new.

Near Fine in publishers decorated wrappers. Illustrated throughout. 1st edition, 1st issue.

SOFTCOVER. Condición: As New. 1st Edition. Slim, large Quarto size (4to). in stiff card covers, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hörbuch (DVD). Condición: Sehr gut. 1. Auflage. Z : 15 x 21,5 cm, Box with a DVD (103 min.) and a 64 pages booklet. - With films by Francis Alÿs, Robert Breer, Paul Bush/Lisa Milroy, Michael Dudok de Wit, Brent Green, Takashi Ishida, Susanne Jirkuff, William Kentridge, Avish Khebrehzadeh, Jochen Kuhn, Zilla Leutenegger, Arthur de Pins, Qubo Gas, Christine Rebet, Robin Rhode, Georges Schwizgebel, David Shrigley, Tabaimo, Naoyuki Tsuji, and Kara Walker.…

SOFTCOVER. Condición: Almost AS NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. Large 4to. in colour printed stiff card covers, 50pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (very slight crease to cover spine margin) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Couverture souple. Condición: Comme neuf. 120 PAGES-IN 8-NOMBREUSES ILLUSTRATIONS (22A).

SOFTCOVER. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Large 4to. in stiff card covers, with glossy paper dust jacket, unpaginated, approx. 32pp on thick art paper, colour plates, etc . [CONDITION: A well preserved almost AS NEW unmarked copy (hint of tanning to leaves) in an almost AS NEW complete Dust Jacket (two very small chips to bottom edge of rear panel) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…