Lindquist mark a (16 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. University of Wisconsin Press, c.1994, 1st.trade paperbk.prtg., 162pp., VG $.

Paper Back. Condición: Very Good.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Soft cover. Condición: Very Good-. No Dust Jacket. (1944) 180 pp. Original red wraps w/ wear and few short tears to edges; small chip to bottom edge of rear cover. Creases to spine and top corners. Includes a fold-out map in rear. Contents nice.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Brand New. 162 pages. 9.25x6.25x0.50 inches. In Stock.

Condición: New. In English.

Condición: New.

Paperback. Condición: Very Good+. First Ed. 76 pages, appears to be the first appearance of this item.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Neuware - Brunilde Sismondo Ridgway, one of the world s leading experts on classical sculpture, turns her attention in this volume to the fourth century, a period of transition from the classical Athenian style to an array of styles found simultaneously in the Hellenistic diaspora. Though a period very rich in important monuments, the fourth century has been particularly challenging and vexing to scholars, and Ridgway s is the first comprehensive study of this sculpture in sixty years. Ridgway s careful summaries of ongoing scholarly debates illustrate how the fourth century fits into the development of Greek sculpture and architecture. Discussing figural sculpture, votive and document reliefs, funerary art, and architectural sculpture from Greece proper to the non-Greek territories of Lykia and Karia in the Anatolian peninsula, she looks at major monuments and categories of monuments, describing each work carefully, puts into perspective problems surrounding interpretation and dating of the sculpture, reviews and evaluates previous scholarship on the subject, and offers her own views. Ridgway pays particular attention to Greek originals, but also provides valuable chapters on Roman copies, one of the most difficult but critical areas for understanding Greek sculpture. Taking a skeptical stance, Ridgway revisits scholarly attempts to attribute sculptural work to the famous masters of the fourth century: Praxiteles, Skopas, and Lysippos. She undertakes a factual analysis of the extant evidence for and against various attributions, bolstered by a critical reading of ancient literary sources. '.…