Leonhard frank duch (8 resultados)

Softcover/Paperback. Condición: Very Good. Leonhard Frank Duch. America Do Sul. Recife, Brazil: Libro Internacional, 1976-1980. Very good. Minor corner bumping as well as toning to sheet. Mail art work produced for Libro Internacional edited by Edgardo Antonio Vigo between 1976 and 1980. Rubber stamps on paper. Very good. Rectangle residue from an adhesive of some kind and minor corner creasing.…

Sin Encuadernar. Condición: Bien. Revista ligada ao movimento de arte postal e ao poema processo. Capa em papel kraft. Miolo em offset. Trabalhos reproduzidos com mimeógrafo. Capas, primeira e última página com marcas de umidade.

Encuadernación de tapa blanda. Condición: Muy bueno. 1ª Edición. BRUSCKY, Paulo (Coord/Editor). Magazine | Catálogo Coletivo Individual. II Festival de inverno 15-07- a 04-08-79. Recife, UNICAP, 1979. Published as part of the II Festival de Inverno / International Exhibition of Mail Art. Publication Type: Exhibition catalog, artist book, and alternative magazine (hybrid format). Some of the participants: Daniel Santiago; Ypiranga Filho; Leonhard Frank Duch; Paulo Leminski; Falves Silva e J. Medeiros; Clemente Padin; Edgardo Antonio Vigo; Felipe Ehrenberg; Ulises Carrion. Soft cover, 31 x 21 cm. Fully Illustrated. Because this was an avant-garde, self-published guerrilla document produced on a university press rather than a commercial book, its physical composition is unique. Offset printing combined with physical collage and electrographic elements (photocopies). It is composed of the registration sheets (fichas) and contact details of the participating artists, featuring a comprehensive list of 245 international parts / participants. Some aspects of its relevance: i) It defied Censorship: Used a university press to bypass Brazil's military dictatorship; ii) Killed the Art Market: Swapped expensive art objects for cheap, democratized photocopies; iii) Catalog as the Art: The catalog was not a guide; it was the actual exhibition; iii) Pre-Internet Network: Connected 245 global artists into a physical, borderless social network; iv) Tech Pioneer: Used office copy machines to create raw, avant-garde visual poetry. Paulo Bruscky, Daniel Santiago; Ypiranga Filho; Leonhard Frank Duch; Paulo Leminski; Falves Silva e J. Medeiros; Clemente Padin; Edgardo Antonio Vigo; Felipe Ehrenberg; Ulises Carrion. (ilustrador).…

Aart van Barneveld (ed.), Herman Guber, Ulises Carrión, Pawl Petasz I, Leonhard Frank Duch, Robert Rehfeldt, Johan van Geluwe/Ko de Jonge, Six Mail Art Projects/Zes post-kunst projekten, Stempelplaats, Amsterdam, 1980. 231 x 160mm. Unpaginated book. A record of the exhibitions of six artists working with mail art for a series of exhibitions at Stempelplaats. Edition of 500 copies. Photographs by John Liggins, translations by Martha Hawley. Dutch and English. This book constitutes Rubber Vol.3, no. 7-9, July-September 1980. Condition: Fine.…

Condición: Very good + / Near Fine. Rubber Vol.3, No.4 no.6, Aart van Barneveld (ed.), Rubber Stamp Publications (An Index), April June 1980, 235 x 160 mm. Various artists. Over 200 artist books by various Rubber associated artists are listed and pictured throughout in black and white. Artists include: Anna Banana, Peter Below, George Brecht, Stanley Brouwn, Paulo Bruscky, Ulises Carrion, Marie C. Combs, Ray DiPalma, Leonhard Frank Duch, Claudio Goulart, Davi Det Hompson, Hetty Huisman, Robert Jacks, J.H, Kocman, Geza Perneczky, Pawel Petasz, Dieter Roth, Willy Scholte, Elsa Stansfield, Gabor Toth, Tim Ulrichs. Condition: Very good + / Near Fine.…

Sin Encuadernar. Condición: Muy bien. Recife, Autoedición, 1979. Rústica / 21 x 28 cm / 69 páginas, fotos, collages e ilustraciones.

Recife, Brazil, 1978-1980. Various formats (from 15.3 × 10.5 to 58 × 38 cm, but mainly ca. 31 × 22 cm). Mainly very good; only a few, rather incidental specimen copies (one journal) toned, stained, with traces of use and tears in the margins; the original works (collages) somewhat musty, but else about very good. Group of fifteen works by Berlin-born Brazilian mail art artist Leonhard Frank Duch (b. 1940), noteworthy in particular for its recipients, who give an impression of the networking strategies of the international avant-gardes and the interactions between North and South. At the same time, this exchange enabled Brazilian subversive art to deal aesthetically with the restrictive and dangerous situation under the military dictatorship, which is documented here pars pro toto. The group contains two different groups for different recipients. The first group consists of cover designs with the title "I AM AN ARTIST" and two handwritten texts for the journal "Intermedia: Interdisciplinary Journal of the Arts, Resources & Communication": two handwritten postcards, both stamped, one of them inscribed and with a mounted newspaper article. Also nine loose Xerox sheets, one of which is inscribed, and two glued collages of different Xerox copies; eight of them stamped by Duch, mostly repeatedly. Furthermore, a Xerox copy mounted on cardboard and labeled by Duch himself. The second group consists on the one hand of the Xerox artist's book "A arte no meu caminho", comprising ten single-sided printed leaves (including cover), and on the other of a printed version of the photographic series on the cover of "Contexto: suplemento especial de 'A República'". The recipient of the second group was presumably the important copy and computer artist Ginny Lloyd. Both the first and second groups are accompanied by an A-4 postal envelope inscribed, addressed and stamped by Duch. The designs for the cover of the ninth issue of the art journal "Intermedia" presented here were part of a planned issue on counterculture and art in Latin America, which never materialized. The editor Harley Lond ceased publication of the magazine after the seventh issue and eventually had to sell his archive with the works for the planned issue in the 1990s, so that the letters, collages, reproductions etc. sent in were scattered to the four corners of the earth. The journal, inspired by Dick Higgins' "Statement on Intermedia", was published in San Francisco from 1974 to 1979. The first issue contained, among other things, a listing of art services, organizations, small print shops and free classified ads for artists in addition to texts and image contributions by artists. Lond formulated the claim of his venture, which was precariously financed with simple part-time jobs, thus: "The vacuum in which artists have struggled for years is now being filled by a host of political and economic organizations striving to create a stronger representation and voice for artists everywhere. There is almost a grassroots movement amongst artist to take control over their destinies in the econo/political facets of capitalist society. (.) One of the goals of Intermedia is to link the new art movement with these other alternative movements-to create a unified alternative force of artists, writers, workers, and radicals. (.) We want Intermedia to be by and for artists, to be a forum for artists' concerns and needs, to be a mode of interdisciplinary communications between the artist and the alternative learning people, radicals, communicators, and especially a mode of communication between artists of different media." (Website of Intermedia Magazine). From this perspective, Duch, as a representative of an art that positioned itself against the Brazilian military dictatorship, was the right candidate to open the planned Latin American special issue. His texts to "Intermedia" outline in clear and extremely concise sentences what his collages are about and what is also said with the stamp "I.…

Condición: Near fine. RUBBER VOL. 1-4 (missing only vol. 1 nos. 1-3), Stempelplaats, Amsterdam, 1978-1981. This collection includes 39 issues in 32 publications, with an additional 5 invitation cards and 1 hand-stamped envelope invitation.The monthly magazine was published in Amsterdam by Stempelplaats and edited by Aart van Barneveld. The issues explore artists' use of rubber stampsthedemocraticandanti-elitist Mail Artmedium.This collection is an indispensable resource on the Amsterdam art scene,rubber stamp practicesandthe international Mail Art movement overall.RUBBER VOL. 1, 1978 (incomplete, missing no. 1-3):All issues:two folded sheets,235 x 160 mm. Nr. 4,Pawel Petasz, April 1978.Hand-stampedin colour. Nr5,Marie C. Combs, Rubber Stamp Acts, May 1978. Nr.6,Ulises Carrion, Rubberstamps, Theory and Praxis, June 78. Rubber-stamped in blue with a hole-punched element. Nr.7,Dik Walraven, July 1978.Handstamp in red. Nr.8,Elsa Stansfield, August 1978.Includes black and whitephotographic elementsand ahand-stamped plastic sheet insert. Nr.9,Ray Di Palma, September 1978. Hand stamped in purple. Nr.10,J.H. Kocman, October 1978. Hand-stamped in blue. Nr.11,Anna Banana&Bill Gaglione, November 1978.Hand stamped. Includes Dadaland Stampbook; an invitation to the artists' exhibition at Stempelwerke; a folded sheet printed withanAnna Banana design andlist ofRubber Stamp Shows and publications on the verso. Nr.12,Franz Immoos, December 1978.RUBBER VOL.2,1979 (complete): All issues:folded sheets,235 x 160 mm. Nr.1,Davi Det Hompson, January 1979. Hand stamped in green. Nr.2,Paulo Brusky et al.Karimbada, Brasil Issue, February 1979.Includes text byUlises Carrion. Nr.3,FluxPostKit 7, March 1979. Contributions from Nam June Paik. Includes aFluxus exhibition invite. Nr.4,Claudio Goulart, March 1979. Nr.5,Dieter Rot, May 1979. Hand-stamped in pink. IncludesaDieter Rotinvitation card.Nr.6.Bart Boumans, June 79.Hand-stamped in colour. Nr.7, DR post, George Brett/ Henryk Bidok, June 1979. Hand-stamped in colour. Nr.8, Ulises Carrion, Mail-Art project, August 1979. Hand stamped in colour. Nr.9,Ken Friedmann, September 1979. Hand-stampedincolour.Nr.10,R.Saunders, October 1979. Hand-stamped. Nr.11,Raul Marroquin, November 1979. Colour stampswith English text by Raul Marroquin. Nr.12,R.D.Schroeck and Eduard Bal, December 1979. Hand stamped.RUBBER VOL.3,1980 (complete):All issues edited byAart van Barneveld,c.235x 160mm.Nr.1,Stempelkunst in Nederland, 1980.Printed booklet with rubber stampsand intro byUlises Carrion. Edition size: 500.Includespaper brochureinsert.Unnumbered issue,P.J. Spettstösser, April 1980. Nr.46,Rubber Stamp Publications (An Index), April June 1980.Nr.79,Six Mail Art Projects/Zes Post-Kunst Projeckten, July September 1980.Includes work byPawel Petasz andothers. Nr.1012,Stempelakties / Stamp Actions, October December 1980.Featuresstamp action projectsbyEndré Totand others.RUBBER VOL.4,1981 (complete):All issues: edited byPim Wiersinga and Mekka,235 x 160 mm.Nr.1,Four Projects, January April 1981. Including: Robin Crozier,Table-project, January April 1981.Oosterbos,Letters,with various contributions.Claudio Goulart,Daily Art Poster,March 1981.Hand-stamped in colour. Rodolpho and Rolf Weijburg,Inviting the World at Home, August 1981. Nr.4, Vol.3,Zero zero, schrijvers stempels, March 1981.'Rubber 4',Rubber Stamp Publications II,1981.OTHER RUBBER EPHEMERAThis collection includes arare invitationto Rubber'sfirst exhibition, hand-stamped (possibly) by Ulises Carrion.Rubber cards by Robert Jacks, Anna Banana & Bill Gaglione, Davi Det Hompson, Paulo Bruscky and Leonhard Frank Duck and Dieter Rot (all between 1978-9).FULL LISTING AVAILABLE UPON REQUEST.…