falves silva (6 resultados)

Sin Encuadernar. Condición: Muy Bien. 22,5 cm 15,5 cm. postcard, tarjeta postal. Falves Silva. Artist linked to the poema processo movement. foxing spots on the edges.

Sin Encuadernar. Condición: Bien. Revista ligada ao movimento de arte postal e ao poema processo. Capa em papel kraft. Miolo em offset. Trabalhos reproduzidos com mimeógrafo. Capas, primeira e última página com marcas de umidade.

Soft cover. Condición: Very Good. 1st Edition. Canada: ID Press, circa late seventies / early eighties.  Softcover. Unpaginated.Good.  Minor chipping bottom right spine front cover bottom right and back cover bottom left.  1/2" unobtrusive closed tear front bottom left at spine.Minor toning, creasing, and edgewear. Presentable copy of this scarce SIGNED artists' book.  Please see third photo for inscription.  In this artist's book, Hambleton details the original "Murder Research" in which 620 "image murders" were committed in 15 North American cities over a three year period. A subsequent mail-art project comprised of 240 artists' responses to Hambleton's request to complete the identity of "Mr. Reeee" (the mass killer) is also documented. Includes comments on the process by 28 of the participating artists including Hambleton, Ulises Carrión, Robin Crozier, Peter Below, David Zack, Leonhard Frank Duch, Ko De Jonge, Robert Rehfeldt, Judith A. Hoffberg, John Dowd, Noemi Maidan, Ken Friedman, Ed Varney, Anna Banana, Patricia Tavenner, Lon Spiegelman, Mike Crane, Miroljub Todorvic, etc.  R. Dick Trace It was a pseudonym of Hambleton. The Perpetual Cyclic Calendar operates as a slide ruler. An inner shaft can be moved in and out to predict the future of the artist. The phallic shaft is fully extended in peak years of productivity, retreating post-coitus style during the slump years. A major thrust in creativity was anticipated in 1984, 2000, 1982-1983, 1983-1988. To drive the point home, the rise and fall of Hambleton's creativity is plotted in stylized graphs and charts, like the projected profits and losses of a corporation. Almost complete list of contributors: John M Bennett, Buster Cleveland, Opal Louis nations, Nicola Frangione, Rolf Staeck, Peter Below / Mixed Media Edition, Sera Fin, Angelika Schmidt, Robert Rehfeldt, Claudio Goulart, Lincis, Andre akshun man Stitt, Pat Larter, Ray Varnbuhler, Dietrich Helms, Robin Crozier, Ti Parks, Dik Walraven, Guglielmo Achille Cavellini, Anna Banana, Richard C Johnson, G.E. Marx Vigo, Klivar Miroslav, Mp. Anker, Ulises Carrión, Terro, Hermann Gruber, Romano Peli, McGregor, Andrzej Wielgosz, The Emulatables, Geisha Among Barbarians, Franz Immoos, Leonhard Frank Duch, Joaquim Branco, Patrick, Michael Scott, J Medeiros, Ruth Wolf-Rehfeldt, VEC, theo Koning, Paul Carter, Silvio Spada, dave fobes, Falves Silva, Lomholt Formular Press, Jean-Paul Albinet, Ken Friedman, Horst Tress, Pier Van Dijk, Rachel Greenaway, Sophie H Sarlas, Riuko Ishida, Robert Joseph, Tom Hosier, Tommy Mew, Raymond Zablockis, J Battis, Wanderspüdz, S M Scott, Michele Perfetti, Poki Olson, Carlo Pittore, Ko De jonge, Femail Art, Dadaland - Bill Gaglione, John Baldessari, Jacques Juin, J Art Erdmann, Joachimage Frank, Horst Hahn, Gary Laskin, Luna Lust, Henryk Bzdok, Priscilla Birge, Albrecht D, Vino Malaise-Scilla, Kiyoshi Haruyama, G Rich, Guy Schraenen, Clifford Neal, Jerry Dreva, Bern Porter, Pawel Petasz, Bucher Max, Musicmaster, Diane Wood, Charlie Brown, Artfoot, Irene Dogmatic, Michele Perfetti, Rhoda Mappo, ID Baezkowski, Buster Cleveland, Louie Lewy, Paulo Bruscky, Ephemerealities Limited, Prost Viviane, K A Klammer, Ron Brownson, D Mcdonald, R M Greenaway, Dick Larter, Sunday Painter, Janos Urban, Gerald Jupitter-Larsen, Raul Marroquin, Alex Torrid Zone Igloo, Richard Schneider, Evelyn Berland, Marc Cassidy, Ewaneye, Michael Gibbs, Steve Durland, Bill Doherty the Artist, Barbara Helton-Berg, Madeleine Duff, Judith Hoffberg, Geoffrey Cook, Mario Lara, Jack Keguenne, William Louis Sørensen, Johan Van Geluwe, Vittore Baroni, György Galantai, Klaus Groh, Ely Raman, Maria Fitzgerald, Miroljub Todorovic, Mary Reed Daniel, Armin Hundertmark, Sphinx, Aaron Flores, Miss Invisible, Russell Butler, Baron Infinity Mind, Rotta Rinaldo, Miss Mew, High Performance - Linda Burshaw, Franz Immoos, Valdir Dos Santos, Artura Fallo, James Lineham, Carinca, Pablo Pikasshole, Marc D'champ, Diane Dixiecud, Endre Tót, Al Blaster Ackerman. Signed by Author(s).

Condición: Very Good +. Falves Silva, Original, for you!, (2016), 210 x 295mm. Full-colour photocopy on white stock, a white sheet of glassine paper overlays the photocopy and is attached at the top. Artwork by Falves Silva, an artist-member of Brazil's Poema/Processo movement. The image is a colour copy of one of Silva's collage works and here the artist plays with the concept of 'original' versus 'copy', by applying hand written annotations to both sheets. The colour copy is signed 'Falves Silva' in blue ink. 'Original, for you!' is hand written in pencil on the glassine overlay. Included is the original envelope in which Silva posted the artwork. The envelope has 2 stamps attached and includes 'Copia' and 'Original' hand written by the artist. On the envelope verso is Silva's home address in Natal. Condition: some handling marks to the colour copy, some small ink marks which may have been applied at production stage. Overall VG++.

Condición: Near Fine. Falves Silva, (DES) CONSTRUCTION VERBAL: 1967-1997 Poema-Processo Hoje, poema processo, 1997. 210 x 300mm. Dedicated to Álvaro De Sá and signed by Falves, in memory of the revolutionary Emanoel Bezerra. Printed folio covers containing 10 sheets with visual poetry designs in homage to those who have been 'exterminated' in revolutionary actions against a 'corrupt' government. A celebration of the 30th anniversary of the Poema-Processo movement, which began in 1967. Published with the support of the Natal Prefecture and FUNCART. Condition: near fine.

Condición: Very good+/near fine. Wlademir Dias-Pino, Virgula, published by the artist, Rio de Janeiro, Brazil, 1972. Printed brown envelope with 5 folded booklets/sheets and 5 single sheets printed black on various paper stock, c. 220 x 160mm each. Edited by Wlademir Dias-Pino, one of the originators of concrete poetry and the founder of the poema/processo movement in Brazil in 1967. Though no date is given for this issue of Virgula, it celebrates poema/processo and the final year of this important Brazilian avant-garde movement in 1972. The contents of this assembling magazine varied from issue to issue. The contributors to this issue of Virgula include Dias-Pino, Leandro de Castro, Anchieta Fernandes, Alderico Leandro, Sanderson Negreiros, P.J. Ribeiro, Neide Sa, José Luiz Serafini, Falves Silva, Ariel Tacla and Dailor Varela. Contents: - 'Limit Situation: Distinctions and Consequences'. Folded 4 pp. sheet printed black on cream paper. Manifesto by Dias-Pino, signed by the artist in black felt-tip pen. - Folded 4 pp. sheet printed black on cream paper. With two photographs of the poema/processo protest in Pirapora, in which numbers of students like Sonia Figueiredo and Maria das Graças Carvalho (pictured here) took to the streets with placards displaying poetic-political demands.- Folded 8 pp. loose leaf booklet printed black on cream paper. With contributions by Leandro de Castro ('Projeto do Poema 'A 3e Mundial'), Anchieta Fernandes, Alderico Leandro, Sanderson Negreiros ('Operação/Poema'), Falves Silva and Dailor Varela, typically dated 1968. - Folded 16 pp. loose leaf booklet printed black on cream paper. With designs by Neida Sa and the artist's name written in pencil on the final page. - Folded sheet printed black on pink stock. With design by Ariel Tacla.- Single sheet printed black on cream stock. With design by José Luiz Serafini.- Single sheet printed black on cream stock. With design by Neide Sa. - Single sheet printed black and yellow on cream stock. With design by P.J. Ribeiro.- Single sheet printed black on cream stock. With 'SOLIDA' design by Dias-Pino.- Single sheet printed black on cream stock. With 'A AVE' design by Dias-Pino.Condition: Contents vary from very good+ to fine with occasional toning to some sheets, but no tears or other significant condition issues. Envelope very good, with some wear and chipping. Overall: Very good+/Near fine.