Leiter maria (30 resultados)

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Condición: New. Brand New.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: As New. Unread book in perfect condition.

OPappband. Condición: Tadellos. 5. Vorstellung vom 19. Mai 1997 seit der Premiere 8. Mai 1997. 79 (1) S. mit zahlr., tls. farb. Abb., 8-seit. Falteinl. mit Stab, Besetzung u. Synopsis, OPpbd. mit mont. Titelschild, kl.8°. OBeiträge: Weber u. das Wunderbare (Julia Cloot). Rivalen oder Kollegen?: Zum Verhältnis zwischen Weber u. Berlins erstem Generalmusikdirektor Spontini (Manfred Haedler). Jäger sind Mörder: Weidgerechtigkeit u. Paarungsstress in Webers "Freischütz" (Jörg W. Gronius). Von höllischer Prominenz u. ihren Kulten (M. Chr. Lippe). Lebensdaten zu Weber. Schönes, tadelloses Exemplar. Buch.…

OPappband. Condición: Tadellos. 3. Vorst. 20. Juni 1993 seit der Premiere 15. Juni 1993. 89 (7) S. mit zahlr. tls. farb. Abb., 8-seit. Falteinl. mit Stab, Besetzung u. Synopsis, OPpbd., Lesebändchen, kl.8°. OBeiträge: Unter der Schellenkappe ein Mensch (M. v. Marcard). Zur musikal. Dramaturgie der Gewitterszene (Julia Cloot). Die Entstehungsgeschichte des Rigoletto (Miriam Rosenthal). Weit. Text u.a.: Selbstbildnis des Künstlers als Gaukler (Jean Starobinski). Lose beiliegen 1 illustr. Handzettel u. 1 Eintrittskarte. Schönes, tadelloses Exemplar. Buch.…

Condición: New.

Hardcover. Condición: new. Hardcover. From antebellum times, Louisiana's unique multipartite society included a legal and social space for intermediary racial groups such as Acadians, Creoles, and Creoles of Color. In Becoming Cajun, Becoming American, Maria Hebert-Leiter explores how American writers have portrayed Acadian culture over the past 150 years. Combining a study of Acadian literary history with an examination of Acadian ethnic history in light of recent social theories, she offers insight into the Americanization process experienced by Acadians - who over time came to be known as Cajuns - during the nineteenth and twentieth centuries.Hebert-Leiter examines the entire history of the Acadian, or Cajun, in American literature, beginning with Henry Wadsworth Longfellow's poem Evangeline and the writings of George Washington Cable, including his novel Bonaventure. The cultural complexity of Acadian and Creole identities led many writers to rely on stereotypes in Acadian characters, but as Hebert-Leiter shows, the ambiguity of Louisiana's class and racial divisions also allowed writers to address complex and controversial - and sometimes taboo - subjects. She emphasises the fiction of Kate Chopin, whose short stories contain Acadian characters accepted as white Americans during the nineteenth and early twentieth centuries. Representations of the Acadian in literature reflect the Acadians' path towards assimilation, as they celebrated their differences while still adopting an all-American notion of self. In twentieth-century writing, Acadian figures came to be more often called Cajun, and increasingly outsiders perceived them not simply as exotic or mythic beings but as complex persons who fit into traditional American society while reflecting its cultural diversity. Hebert-Leiter explores this transition in Ernest Gaines's novel A Gathering of Old Men and James Lee Burke's detective novels featuring Dave Robicheaux. She also discusses the works of Ada Jack Carver, Elma Godchaux, Shirley Ann Grau, and other writers.From Longfellow through Tim Gautreaux, Acadian and Cajun literature captures the stages of this fascinating cultural dynamism, making it a pivotal part of any history of American ethnicity and of Cajun culture in particular. Concise and accessible, Becoming Cajun, Becoming American provides an excellent introduction to American Acadian and Cajun literature. From antebellum times, Louisiana's unique multipartite society included a legal and social space for intermediary racial groups such as Acadians, Creoles, and Creoles of Color. In Becoming Cajun, Becoming American, Maria Hebert-Leiter explores how American writers have portrayed Acadian culture over the past 150 years. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Hardback. Condición: New. In the 1930s, the U.S. government famously sent photographers across the country to document on film the need for federal assistance in rural areas. Dorothea Lange's well-known image Migrant Mother came from this effort, along with thousands of other photographs. Ben Shahn, Russell Lee, and Marion Post Wolcott contributed to this compelling body of images. As primary photographers for the Farm Security Administration (FSA) in the state of Louisiana, the three took more than 2,600 photographs, recording the modest homes, family gatherings, and working lives of citizens across the state. In Images of Depression-Era Louisiana, Bryan Giemza and Maria Hebert-Leiter curate more than 150 of those photographs, offering a riveting collection that captures this pivotal time in Louisiana's history. The book's stunning photo gallery, with original captions, provides a moving visual tour of Louisiana during a period of economic struggle and transition. Organized by photographer, parish, and date, the revealing images reflect an era when extreme poverty exacerbated the divide between classes and races. Scenes of agricultural and rural communities- families in clapboard houses, sugarcane cutters in the field, and trappers navigating bayous- as well as cityscapes of New Orleans's bustling markets, busy docks, and peaceful Jackson Square demonstrate the scope of the photographers' work and the diversity of conditions and occupations they found. Giemza and Hebert-Leiter trace the genesis of the FSA Collection, examine its role in promoting the documentary style of picture-taking, and explore the motivations and methods of the collection's head, Roy E. Stryker. They sketch the biographies, techniques, and perspectives of Shahn, Lee, and Wolcott, explaining how the photographers operated in Louisiana from their first experiences to their last days in the state. Letters and other archival documents further illuminate the three artists' impressions of Louisiana, its people, and its traditions. …

Condición: Gut. Bll. + 255 S. inkl. Anhang u. mit s/w. u. meist. farb. Abb. (Gemälde, Zeichnungen, Fotografie.). * Ausstellung 2003 in der Fondation Pierre Gianadda Martigny Suisse Sprache: Französisch Gewicht in Gramm: 1005 Kl.-4° (24 x 22 cm), OIll.-Paperback/Softcover. Minimale Gebrauchsspuren. Gutes Exemplar. Erstauflage der Ausgabe. Traductions des Textes: Francois Boisivon. …

Hardcover. Condición: Brand New. 160 pages. 10.00x9.50x0.50 inches. In Stock.

Condición: New.

Condición: New. 2017. Illustrated. hardcover. . . . . .

Hardcover. Condición: Brand New. 160 pages. 10.00x9.50x0.50 inches. In Stock.

Condición: New.

Hardcover. Condición: Brand New. 216 pages. 8.60x5.50x0.90 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

In Mitteilungen der Geographischen Gesellschaft in Wien, 1935/1.-4. Orig.-Broschur, 17x24. Seiten 41-76 und S 34-40.

Condición: New. 2017. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Buch. Condición: Neu. Neuware - In the 1930s, the U.S. government famously sent photographers across the country to document on film the need for federal assistance in rural areas. Dorothea Lange's well-known image Migrant Mother came from this effort, along with thousands of other photographs. Ben Shahn, Russell Lee, and Marion Post Wolcott contributed to this compelling body of images. As primary photographers for the Farm Security Administration (FSA) in the state of Louisiana, the three took more than 2,600 photographs, recording the modest homes, family gatherings, and working lives of citizens across the state. In Images of Depression-Era Louisiana, Bryan Giemza and Maria Hebert-Leiter curate more than 150 of those photographs, offering a riveting collection that captures this pivotal time in Louisiana's history. The book's stunning photo gallery, with original captions, provides a moving visual tour of Louisiana during a period of economic struggle and transition. Organized by photographer, parish, and date, the revealing images reflect an era when extreme poverty exacerbated the divide between classes and races. Scenes of agricultural and rural communities- families in clapboard houses, sugarcane cutters in the field, and trappers navigating bayous- as well as cityscapes of New Orleans's bustling markets, busy docks, and peaceful Jackson Square demonstrate the scope of the photographers' work and the diversity of conditions and occupations they found. Giemza and Hebert-Leiter trace the genesis of the FSA Collection, examine its role in promoting the documentary style of picture-taking, and explore the motivations and methods of the collection's head, Roy E. Stryker. They sketch the biographies, techniques, and perspectives of Shahn, Lee, and Wolcott, explaining how the photographers operated in Louisiana from their first experiences to their last days in the state. Letters and other archival documents further illuminate the three artists' impressions of Louisiana, its people, and its traditions.…

Buch. Condición: Neu. Neuware - From antebellum times, Louisiana's unique multipartite society included a legal and social space for intermediary racial groups such as Acadians, Creoles, and Creoles of Color. In Becoming Cajun, Becoming American, Maria Hebert-Leiter explores how American writers have portrayed Acadian culture over the past 150 years. Combining a study of Acadian literary history with an examination of Acadian ethnic history in light of recent social theories, she offers insight into the Americanization process experienced by Acadians - who over time came to be known as Cajuns - during the nineteenth and twentieth centuries.Hebert-Leiter examines the entire history of the Acadian, or Cajun, in American literature, beginning with Henry Wadsworth Longfellow's poem Evangeline and the writings of George Washington Cable, including his novel Bonaventure. The cultural complexity of Acadian and Creole identities led many writers to rely on stereotypes in Acadian characters, but as Hebert-Leiter shows, the ambiguity of Louisiana's class and racial divisions also allowed writers to address complex and controversial - and sometimes taboo - subjects. She emphasises the fiction of Kate Chopin, whose short stories contain Acadian characters accepted as white Americans during the nineteenth and early twentieth centuries. Representations of the Acadian in literature reflect the Acadians' path towards assimilation, as they celebrated their differences while still adopting an all-American notion of self. In twentieth-century writing, Acadian figures came to be more often called Cajun, and increasingly outsiders perceived them not simply as exotic or mythic beings but as complex persons who fit into traditional American society while reflecting its cultural diversity. Hebert-Leiter explores this transition in Ernest Gaines's novel A Gathering of Old Men and James Lee Burke's detective novels featuring Dave Robicheaux. She also discusses the works of Ada Jack Carver, Elma Godchaux, Shirley Ann Grau, and other writers.From Longfellow through Tim Gautreaux, Acadian and Cajun literature captures the stages of this fascinating cultural dynamism, making it a pivotal part of any history of American ethnicity and of Cajun culture in particular. Concise and accessible, Becoming Cajun, Becoming American provides an excellent introduction to American Acadian and Cajun literature.…

Hardback. Condición: New. In the 1930s, the U.S. government famously sent photographers across the country to document on film the need for federal assistance in rural areas. Dorothea Lange's well-known image Migrant Mother came from this effort, along with thousands of other photographs. Ben Shahn, Russell Lee, and Marion Post Wolcott contributed to this compelling body of images. As primary photographers for the Farm Security Administration (FSA) in the state of Louisiana, the three took more than 2,600 photographs, recording the modest homes, family gatherings, and working lives of citizens across the state. In Images of Depression-Era Louisiana, Bryan Giemza and Maria Hebert-Leiter curate more than 150 of those photographs, offering a riveting collection that captures this pivotal time in Louisiana's history. The book's stunning photo gallery, with original captions, provides a moving visual tour of Louisiana during a period of economic struggle and transition. Organized by photographer, parish, and date, the revealing images reflect an era when extreme poverty exacerbated the divide between classes and races. Scenes of agricultural and rural communities- families in clapboard houses, sugarcane cutters in the field, and trappers navigating bayous- as well as cityscapes of New Orleans's bustling markets, busy docks, and peaceful Jackson Square demonstrate the scope of the photographers' work and the diversity of conditions and occupations they found. Giemza and Hebert-Leiter trace the genesis of the FSA Collection, examine its role in promoting the documentary style of picture-taking, and explore the motivations and methods of the collection's head, Roy E. Stryker. They sketch the biographies, techniques, and perspectives of Shahn, Lee, and Wolcott, explaining how the photographers operated in Louisiana from their first experiences to their last days in the state. Letters and other archival documents further illuminate the three artists' impressions of Louisiana, its people, and its traditions. …

Broschur Einband etwas berieben und angestaubt, am Schnitt Wasserrandig, sonst guter und sauberer Zustand. ------------------------------------------- Inhalt: Anton Becker: Hengstberg und Strengberge; eine landeskundliche Skizze. - Artur Maria Scheiber: Die Besiedlung von Strengberg. Sprache: Deutsch Gewicht in Gramm: 240. …

4.Auflage. kl.4°. 96 S. mit zahlreichen photographischen Abbildungen. Farbig illustr. Okart., min. bestoßen, dezenter hs. Eintrag (mit Füllfeder) a.d. Vortitel, sonst gut erh. Das Heft bietet einen guten Überblick über die mehr als 30 Vereine der Marktgemeinde Sillian in Osttirol.

Auf Briefpapier der Klar schen Versorgungs- & Beschäftigung-Anstalt für Erwachsene Blinde in Prag. Eine Seite. Adressat nicht zu ermitteln. Antwort an Euer Hochwohlgeboren" auf den in Aussicht gestellten Besuch unserer Blindenanstalt". Bittet darum mir von Dresden" durch Brief oder Correspondenz-Karte mitzuteilen, wann Euer Hochwohlgeboren mit dem Herrn geheim. Oberregierungsrathe unsere Anstalt besuchen werden.damit ich.disponieren kann.mich sodann unbesorgt den Herren zur Verfügung halten zu können.". 2 Längs- eine Querfalte. Sauberes Blatt. -Wie schon 2 Generationen vor ihm, hat Klar sich auch mit privatem Vermögen für die Blinden-"Anstalt" eingesetzt.…

MARIA HARTL (1916-96, Pseudonym: M. E. v. Uderwangen) deutsche Landschaftsmalerin und Schriftstellerin, die ?Bodenseemalerin?; ALBERT HARTL (1904-82) SS-Sturmbannführer und seit 1941 Leiter der Amtsgruppe IV B ?Weltanschauliche Gegner? im Reichssicherheitshauptamt (RSHA) M.E. VON UDERWANGEN Leben und Werk, dargestellt von ALBERT HARTL. Verlag Friedr. Stadler Konstanz, 1. Auflage 1979, ERSTAUSGABE, 64 SS. gebunden (Hardcover 4°) mit ganzseitigen s/w- und Farbtafeln ihrer Gemälde, mit Schutzumschlag - von Marie Elisabeth von Uderwangen unter ihrem Foto als Frontispiz eigenhändig voll signiert, dazu von ALBERT HARTL auf der Titelseite gegenüber eigenhändig signiert.…