Legendre george (27 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: New.

Paperback. Condición: New.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. John Pickering has been described as a modern-day alchemist who hews his sculptures from pure mathematical principles. His technique is to conjugate a numerical sequence and to cast its form in space. As the form unfolds, it invites us to explore surfaces as sculpture, and to interpret volumes and spaces as architecture. Because of the mathematical rigour that underpins the form, it is already potent, engineered, rational and ultimately, buildable. "The Inversion Principle" conveys, through photographs, the full impact of Pickering's sculptures. But equally it describes the meticulous process of making them. It defines the inspirations behind the works (which include Naum Gabo, space probes, satellites and Stockhausen). It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. This title conveys the full impact of John Pickering's sculptures and describes the meticulous process of making them. It defines the inspirations behind the works. It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2011. Paperback. . . . . .

Condición: New. 2011. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: as new. Wie neu/Like new.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:1902902378.

Hardcover. Condición: Good. Ex-Library copy with typical marks and stamps. Boards bumped at corners. Pages clean and tightly bound.

Paperback. Condición: new. Paperback. John Pickering has been described as a modern-day alchemist who hews his sculptures from pure mathematical principles. His technique is to conjugate a numerical sequence and to cast its form in space. As the form unfolds, it invites us to explore surfaces as sculpture, and to interpret volumes and spaces as architecture. Because of the mathematical rigour that underpins the form, it is already potent, engineered, rational and ultimately, buildable. "The Inversion Principle" conveys, through photographs, the full impact of Pickering's sculptures. But equally it describes the meticulous process of making them. It defines the inspirations behind the works (which include Naum Gabo, space probes, satellites and Stockhausen). It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. This title conveys the full impact of John Pickering's sculptures and describes the meticulous process of making them. It defines the inspirations behind the works. It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New.

Paperback. Condición: Very good. Condition: Zeer goed. Binding: Paperback. Year: 2011. Language: Engels. Description: Lichte sporen omslag verder als nieuw.

Hardcover. Condición: Very Good. Book is in very good condition. 208pp with colour photographs.

Hardcover. Condición: Brand New. illustrated edition. 208 pages. 9.25x7.75x1.00 inches. In Stock.

Paperback. Condición: New.

Hardcover. Condición: Good. No Jacket. Ex-Library copy with typical library marks and stamps. Shelf and handling wear to cover and binding, with general signs of previous use. Binding and pages are intact. All pages are free from any markings. Light scuffing and bumping visible to boards. Secure packaging for safe delivery.…

Condición: Very Good. Very Good; Hardcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 2.2 lbs; Black and gold covers with title in white lettering; 2011, Thames & Hudson Publishing; 208 pages; "Pasta by Design," by George L. Legendre. …

Condición: Good. Good+; Hardcover; Light-to-moderate shelfwear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 2.2 lbs; Black and gold covers with title in white lettering; 2011, Thames & Hudson Publishing; 208 pages; "Pasta by Design," by George L. Legendre.…

Hardcover. Condición: New. An in-depth investigation of a beloved food, a celebration of the complexity of simple pleasures, and a delight for everyone who eats pasta.Everyone loves pasta, but despite myriad cookbooks no one has ever seen the worldâs favorite food presented like this. Created by a team of obsessive designers, this unique book reveals the hidden mathematical beauty that cooks across the globe have taken for granted since Marco Polo. Pastaâs wonderful, sometimes whimsical, geometrical shapes and surfaces are designed to hold certain sauces or accompaniments, to be beautiful yet functional. Here are over ninety forms of pasta, each shown through especially commissioned photographs, mathematical formulae that accurately describe each shape, and drawings that reveal the hidden genius of our everyday food. Brief texts describe the special attributes of each form of pasta, along with advice on specific uses in cooking. 90 full-color photographs and 200 black-and-white illustrations.…

Condición: Good.

PARIS, Albert Quantin, Éditeur [5, rue Saint-Benoît /// May & Montteroz, Lib.-Imp. réunies, 7, rue Saint-Benoît] - 1896 - R.25,5x19x4,3 cm - L'ENSEMBLE DES 60 LIVRAISONS DU 1er SEMESTRE DE L'ANNÉE 1896, sous reliure éditeur, pleine percaline verte Art Nouveau (Fernandez & Cie), premier plat et dos illustrés en noir, plats biseautés; tranche de tête dorée; 960 pages en pagination continue (16 pages par livraison); importante iconographie illustrée ou photographique en noir; texte sur 2 colonnes. (Collection Le Monde Moderne - Revue mensuelle illustrée - 2e Année - Tome III - Janvier-Juin 1896 - L'Éditeur-Gérant: A. Quantin). Percaline passée et frottée; mors faibles, coupure sur 3 cm (1er plat) et 5 cm (2e plat); mouillure au dos. Ensemble solide et très correct. LE PREMIER SEMESTRE COMPLET DU TOME III (1896). ASINA. (p. 7 à 31 - G. Bergeret, 5 illustrations de Roux). *****___***** LA MOISSON. (p. 32 à 38 - F. Fabié, 7 illustrations de Gusman). *****___***** LES FEMMES D'ESPAGNE. (p. 39 à 54 - L. Garcia-Ramon, 12 illustrations de L. M. Vauzanges). *****___***** EN ÉRYTHRÉE. (p. 65 à 75 - L. Lanier, 6 illustrations de P. Steck). *****___***** L'ÉCOLE D'APPLICATION DE CAVALERIE DE SAUMUR. (p. 76 à 88 - L. d'Or, 14 illustrations de F. Régamay). *****___***** L'EXPOSITION DE 1900. (p. 97 à 117 - A. Robida, 26 illustrations de l'auteur). *****___***** LA MODE DU MOIS. (p. 150 à 151, 312 à 313, 474 à 475, 632 à 633, 792 à 793, 950 à 951 - B. de Présilly, illustrations). *****___***** ROUSSOT ET BLANCAS. (p. 161 à 176 - J. Rameau, 5 illustrations de F. Courboin). *****___***** POUR L'HISTOIRE DE L'ARMURE. (p. 177 à 187 - F. Maindron, 13 illustrations). *****___***** AUX ABATTOIRS DE LA VILETTE. (p. 188 à 196 - T. Bourrier, 10 illustrations de A. Lemaistre). *****___***** UNE MAISON DU VIEUX COLOGNE. (p. 197 à 205 - J. Adeline, 8 illustrations de l'auteur). *****___***** EXCURSIONS DANS LES ASILES DE NUIT d'hommes et de femmes à Paris. (p. 286 à 297 - P. Gsell, 15 illustrations de Seguin). *****___***** LE VOL. (p. 321 à 331 - G. Beaume, 5 illustrations de Etcheverry). *****___***** VIEILLARDS. (p. 347 à 350 - Edgy, 1 illustration de Mucha). *****___***** LE MÉTROPOLITAIN DE PARIS. (p. 353 à 368 - G. Cadoux, 11 illustrations et photographies). *****___***** LES CHIENS COURANTS. (p. 440 à 450 - P. Mégnin, 7 illustrations de C. Weisser). *****___***** MÈRE DES DOULEURS. (p. 481 à 497 - C. Lemonnier, 5 illustrations de Mucha). *****___***** DANS LE BEFFROI. (p. 526 à 176 - J. Doucet, 3 illustrations de A. Robida). *****___***** LES AFFICHES ILLUSTRÉES ÉTRANGÈRES. (p. 537 à 546 - J. Adeline, 10 reproductions). *****___***** THÉÂTRE DU CHAT NOIR. (p. 563 à 579 - P. Eudel, 18 illustrations dont 3 de Robida). *****___***** LES COURSES DE TAUREAUX. (p. 580 à 497 - P. Vrignault, 15 illustrations de D. Serlach). *****___***** L'ARTILLERIE EN CAMPAGNE. (p. 591 à 602 - E. Manceau, 9 illustrations de A. Lalauze). *****___***** REVUE DU MOIS. (p. 639 - 9 illustrations par Moloch). *****___***** LES PASSANTS. (p. 641 à 651 - A. Hermant, 5 illustrations de R. Lelong). *****___***** LES FÊTES FORAINES DE PARIS. (p. 652 à 660 - P. Vauthier, 8 illustrations de l'auteur). *****___***** HANOÏ ET SES ENVIRONS. (p. 676 à 602 - E. Jung, 7 illustrations de A. Montader). *****___***** LA MONNAIE. (p. 685 à 602 - C. de Néronde, 23 illustrations et photographies). *****___***** PROFIL DE COMÉDIENS DE SALON. (p. 709 à 718 - P. Bilhaud, 6 illustrations de E. Bayard). *****___***** UN COUVENT CATHOLIQUE A LONDRES. (p. 731 à 736 - L. P., 11 illustrations de G. Lambert). *****___***** UNE EXCURSION AU TRANSVAAL. (p. 737 à 753 - L. de Launay, 18 illustrations et photographies). *****___***** LE MOIS COMIQUE. (p. 799 - 9 illustrations par Moloch). *****___***** LES DEUX FILS FARCOT. (p. 801 à 817 - Masson-Forestier, 5 illustrations de C. Vaugneray). *****___***** CHANTEURS COMIQUES. (p. 926 à 932 - P. Frimm, 12 portraits illustrés de P. Frimm). *****___***** LE MOIS COMIQUE. (p. 956 - 9 illustrations par Moloch). *****___***** TABLE DES AUTEURS ET DES ARTISTES /// TABLE DES MATIÈRES. Français Revues.…