Leeper john palmer (43 resultados)

Hardcover. Condición: Very Good. No Dust Jacket. This book is in very good condition; no remainder marks. Missing dustjacket : It does have some cover shelfwear. Gift inscription to fly leaf. Inside pages are clean. ; Number 4 Blaffer Series Of Southwestern Art.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good. JULES PASCIN'S CARIBBEAN SKETCHBOOK, with introduction by John Palmer Leeper, 107 mainly B/W sketches with eight in color, hardcover with unclipped dust jacket, 1964. BOOK CONDITION: near fine. The text block and illustrations are in fine condition, with no tears, dogears, or marks. There is no bookplate or signature of a prior owner. Not a library book or remainder. The tan cloth boards are in near fine condition (tiny bump of upper righthand corner). The dust jacket is in good condition (age-toning inside, tiny spots on front and back, white circle on front where price tag was affixed). 10 x 9, 184 pages, 26 ounces XX [From the dust jacket flaps] Jules Pascin (1885—1930) stands, like his friend Modigliani, in the great tradition of the romantic, bohemian artist. A charming, lavish host, Pascin was closely associated with the artists, musicians, and effervescent literati of the 1920's. The Bulgarian-born artist was a major figure in the School of Paris before coming to the United States, where he became a naturalized citizen. In the United States Pascin traveled extensively, and was particularly drawn to the southern states and to the Caribbean islands. He recorded his travels in brilliant, instantaneous pencil sketches, sometimes touching them with delicate washes of color. Dispassionately he painted field workers and the picturesque citizens of a tropical land steaming in the sun, mules and wagons waiting in the shade of palm trees, yachts swinging in motionless harbors. These drawings Pascin assembled into two scrapbooks, regarding them highly himself. After his suicide in 1930 one scrapbook passed into the collection of the Museum of Modern Art, New York, and the second became a prized treasure of the Marion Koogler McNay Art Institute of San Antonio. The McNay Art Institute, with the University of Texas Press, here presents one hundred and seven exquisite drawings from the scrapbook, eight of them in color, the first extensive publication of drawings by one of the major draughtsmen of the twentieth century. While Pascin himself was relatively impervious to the influence of other artists, he exerted a striking influence on American art of the 1920's and 1930's. Kuniyoshi, Ganso, Brook, Dehn, Biddle, and others whom he met in the United States all bear the imprint of his style, which they have generously acknowledged, and even of the subject matter to which he drew their attention. He was, Francis Biddle wrote, intensely of our fluid, contemporary world, suffering from its aimlessness, a child of its tolerant skepticism, free from traditions, but also without roots or hardy and impassioned prejudices. Henry McBride wrote touchingly: I had the greatest admiration for Pascin. I never met him without feeling his superiority. He was completely the artist. It was so natural for him to be an artist that unconsciously he complimented everyone he met by assuming that they, too, were artists. It was partly due to this sweetness in his character that he exerted such a great influence upon his fellow painters, particularly here in America where we are not used to so entire a devotion to the arts, and where it is so difficult to be an artist. It was due to his essential integrity as an artist, I think, that he died. Pascin, Jules (ilustrador).…

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Near Fine. No Jacket. EXHIBITION CATALOGUE.

Condición: New.

171pp. Illustrated in color and black and white of The Texas Pan-American Series Ex-library, else clean tight copy: VG/VG dj (dj in plastic, flaps scotch taped to endpapers).

Soft cover. Condición: Very Good. New York: The American Federation of Arts, 1959. Small quarto, 28 p., with suite of black and white reproductions of the work at rear. Small library sticker to front wrap and inside of same; rear wrap heavily stained, else VG.

Paperback. Condición: Very Good. [4] pp.; b/w ill.; pictorial stapled-wraps; 21 cm. Sharp copy; no ownership markings. Well packaged in a box; ships with tracking.

Paperback. Condición: Very Good. ***Please Read*** wear and rubbing marks to outside cover - No marks on text - My shelf location - k-16-a*.

Condición: New.

Softcover. Condición: VG. White illus. stapled wraps, [32 pp.] 65 bw illus. Issued in conjunction with an exhibition of lithographic work rendered by American painter and printmaker Jasper Johns (b. 1930). With an introductory essay by John Palmer Leeper. The exhibition catalogue lists 55 works, and some are series which have multiple members. Not all are pictured here, but 65 are. Uncommon.…

Hardcover (Original Cloth). Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Size: A4 Landscape. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. Dust Jacket is in very good condition, without tears or chips or other damage. Dust Jacket un-clipped. All edges clean, neat and free of foxing. Illustrator: Caroline Shelton. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Travel & Places; ISBN: 0911536981. ISBN/EAN: 9780911536980. All our pictures shown here are of the actual item, not stock photos. Inventory No: 15775. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. Caroline Shelton (ilustrador).…

Hardcover. Condición: Good.

Hardcover. Condición: Very Good. First Edition. Signed by painter Michael Frary with a black felt tip on first (end) page, Very Good Plus/Good, tight clean unmarked, NO age toning in book, light edge wear on boards, price-clipped dust jacket shows ordinary mild shelf and edge wear, dj shows closed tear at top of spine which has been taped from the inside. Signed.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket. Minor wear to dust jacket corners & edges, otherwise very good.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. Dust Jacket Included. 1st Edition. Retrospective of Pascin's Caribean sketches. First edition, hardcover, a Near Fine copy in a VG dustjacket which has a few short closed tears and a couple of small chips.

Paperback. Condición: Brand New. 171 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condición: Near Fine. 1st. 92 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Published in the year (1954) that the Marion Koogler McNay Art Institute opened its doors to the public. Size: 4to. Collectible.

Softcover staple bound, 32 pages, very good condition, light rubbing to white covers; no internal marks.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Poor. First Edition. Limited edition of 2,500 copies. Unread. DJ in two pieces, town at front spine edge as well as nicks and tears to edges. Previous owner name inked on inside front cover: Diana Scott. No other markings in book. Binding is fine.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Good. Secure packaging for safe delivery.

Condición: Good. Catalogue for exhibition held in November 1984. 8vo. 21 pp., illus. Works by George L. K. Morris, Giacomo Torelli, Ludovico Burnacini, Edward Gordon Craig, Rafaello Busoni, Robert Israel, et al. Very good in staple-bound wraps.

Cloth - Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: Fine. First Edition. 142 pages. Published in conjunction with an exhibition by Margaret Wilson [sic], November 17-December 17, 1993. University of Texas at San Antonio. Presentation plate is affixed to the blank front free end leaf. Otherwise Fine. Dust jacket is now in a clear Brodart protective sleeve. Due to weight, additional charges will apply for Priority and/or International shipping.…

paperback. Condición: Used; Like New. First Edition; First Printing. 17 full page plates in color and black and white by Leon Bakst and Alexandre Benois. Introduction by John Palmer Leeper. With an essay by Robert L. B. Tobin. Published on the occasion of the exhibition at the Tobin Wing, Marion Koogler McNay Art Museum, San Antonio, Texas, June 1986. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

Softcover. White illus. stapled wraps; Unpaginated, 24 pp.; 9 bw plates, 1 bw photo. Accompanied an exhibition of costume, decor, and stage design from Robert L.B. Tobin's collection; 84 pieces listed from artists and designers such as Eugene Berman, Juan Gris, Henri Matisse, Leon Bakst, Alexandre Benois, and more. VG (Discolored around edges due to age).…

Pamphlet. Condición: Near Fine. Slim six-page [SIX PAGES], staple-bound pamphlet from the exhibition of Richard Stout drawings at the Marion Koogler McNay Art Museum, San Antonio, Texas from 7 February-7 March 1971. Short essay by John Palmer Leeper. Includes two black and white illustrations and a catalogue of the exhibition.…