Laxton susan (45 resultados)

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miró's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.…

Condición: new.

First Edition. First edition. Softcover. 96 pages. Features essays by Colin Westerbeck, Susan Laxton, and Jason Weems. Features an interview of Joe Deal by Westerbeck and an interview of Lewis Baltz by Jason Weems. Incudes 51 black and white and 7 color images from a wide range of images of California. A clean very near fine copy in wrappers.…

paperback. Condición: As New. First Edition. Tight clean unmarked, no creases no slant, covers show ordinary mild shelf wear, VG+ or Near Fine overall.

Condición: New. 2019. Paperback. . . . . .

PAPERBACK. x. + 36pp + 41 plates. Color frontispiece. Black & white facsimiles + 41 plates. x. + 36pp. + 41 plates. Issued in conjunction with the exhibition: 'Paris as Gameboard: Man Ray's Atgets'. Miriam & Ira Wallach Gallery, Columbia University, 23 April to 15 June 2002. All works from the George Eastman House collection, Rochester, New York. Fine. (book like new. no writings or flaws).…

Paperback. Condición: Brand New. 408 pages. 10.25x7.00x1.00 inches. In Stock.

Condición: New. pp. 408.

Paperback. Condición: New. In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miró's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.…

Condición: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Hardcover. Condición: Fine. Near Fine. 1st. Cloth, 239 pages, illustrations; 31 cm. Exhibition held at the Los Angeles County Museum of Art: October 21, 2012 to January 6, 2013; Morgan Library & Museum, New York, January 25 to May 12, 2013. Firm binding, clean inside copy. Dust jacket, lightly rubbed, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Drawing, often considered a minor art form, was central to Surrealism from its very beginning. Automatic drawing, exquisite corpses, and frottage are just a few of the techniques invented by Surrealists as means to tap into the subconscious realm. While previous books have examined the connection between drawings and Surrealist paintings, Drawing Surrealism is the first to recognize the medium as a fundamental form of Surrealist expression, and to explore its impact on other media as well. Surrealist collage, photography, and even paintings are presented in the context of drawing as a metaphor for innovation and experimentation. It is also the first book to encompass a wide array of artists on a global scale--from the great figures in Surrealist history to lesser-known Surrealists from Japan, Central Europe, and the Americas, where the movement had a profound and lasting effect. In addition to brilliant reproductions of drawings and other works by more than 100 artists, this volume also includes a substantial historical essay by the exhibition's curator as well as informative essays by leading scholars. This groundbreaking book offers a deep understanding of the techniques and concerns that made Surrealism such an intimate perceptual revolution." - Publisher. *** CONTENTS: Director's Foreword, by Michael Govan; Tracing Dreams: Surrealist Drawing 1915-1950, by Leslie Jones; Chronology; Drawing/Writing/Scribbling, by Isabelle Dervaux; The Surreality Effect, by Susan Laxton; Checklist of the exhibition; Selected bibliography; Acknowledgments; Lenders to the Exhibition; Illustration credits; Index. Size: 4to. Collectible.…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: Good.

Condición: as new. Durham : Duke University Press, 2019. Paperback. 384 pp. Ills. - In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miró's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity. Condition : as new copy. ISBN 9781478003076. Keywords : ART HISTORY SURREALISM.…

Hard cover. Condición: Very good. No jacket. Cover corners are lightly bumped. Binding is tight and inside is clean and unmarked.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Portfolio. Condición: Near Fine. 1st. 1 portfolio, [33] leaves, illustrations (chiefly colour); 23 cm. Exhibition held February 1 to March 22, 2014 at Diane Rosenstein Fine Art, Los Angeles, California. A near-fine copy of the first printing, age toning. Numbered 155/250 copies. Size: 8vo. Collectible. …

softcover. Condición: Collectible; Like New. First Edition; First Printing. Blue folder containing works reproduced on single sheets of heavy card stock by Eleanor Antin, Carmen Argote, My Barbarian, Ray Anthony Barrett, Hans Bellmer, Martin Soto Climent, Deville Cohen, Tim Davis, Zackary Drucker, Luke Gilford, Tim Hawkinson, Julian Hoeber, Mie Horlyck Mogensen, Masood Kamandy, Matt Lipps, Shana Lutker, Magdalene Odundo, Chloe Piene, Max Rain, Man Ray, Martha Rosler, Kim Schoen, Robert Therrien, Jacques Villeglé, Jane Wilbraham, Kansuke Yamamoto, and Unica Zürn. Text by Farrah Karapetian and Susan Laxton. Published in a limited edition of 250 copies on the occasion of the exhibition, Unsparing Quality, curated by Farrah Karapetian, at Diane Rosenstein Fine Art, Los Angeles, February 1st - March 29th, 2014. ; As New. Folder and content in excellent condition. As New. Scarce. …

in lettuce (Lactuca sativa) to downy mildew (Bremia lactucae) (S. A. Ann. appl. Biol. 89) 1978. S. 257 - 264. m. zahlr. Tab. (St.) geklammert -2) Sonderabdruck.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 160 Seiten, 65 farbige und 9 s/w-Abbildungen - 2024 jährt sich das Erscheinen von André Bretons Manifeste du Surréalisme und damit die Geburtsstunde der surrealistischen Bewegung zum 100. Mal. Aus diesem Anlass erscheint dieser französischsprachige Band, dessen Titel sich von der Zeitschrift Le Grand Jeu ableitet, die von 1928 bis 1930 von einer jungen, vom Surrealismus abweichenden Gruppe französischer Künstler herausgegeben wurde.…

Paperback. Condición: New. In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miró's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.…

Condición: New. In English.

Hardback. Condición: New. In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miró's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.…

Hardcover. Condición: Brand New. 363 pages. 10.00x7.00x1.00 inches. In Stock.

Hardcover. Condición: Very Good. 1st Edition. Published on the occasion of the exhibition Taking Shots: The Photography of William S. Burroughs, held at the Photographers Gallery London, January 17th 2013 - 30 March 2014. Contents: Foreword / Clare Grafik -- Introduction / Patricia Allmer and John Sears -- The photo collage / William S. Burroughs -- Photographs as weapons: William S. Burroughs and photography / Barry Miles -- Innerspace documents / David Brittain -- The fugitive: citation and flux in William S. Burroughs' re-photography / Susan Laxton -- Tickets to St. Louis: time and place in Burroughs' photographs / John Sears -- Unfolding Burroughs / Patricia Allmer -- Plates: Self/Portraits ; Assemblage ; Pattern recognition. 160 pages : illustrations (black and white) ; 28 cm. First edition, first printing. Illustrated boards, slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardback. Condición: New. New copy - Usually dispatched within 3 working days.

Paperback. Condición: New. In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miró's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.…