lars hendrikman (26 resultados)

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject "Christ Carrying the Cross," and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.

Hardcover. Condición: new. Hardcover. A publication that takes a new approach at the work of Pieter Bruegel the Younger and his contemporaries. This book shows what appears to be a purely religious subject, has been approached in such a way that it can be seen as a hidden critical commentary on the power structures and religious reality of the Flanders as Pieter Bruegel II knew it. In the book the work of Pieter Bruegel the Younger will be shown with interpretations of the carrying of the cross by predecessors, contemporaries and followers. SELLING POINTS: . A book about critical commentary on power structures in the days of Pieter Bruegel the Younger and his contemporaries 175 colour illustrations Documents an exhibition of paintings by Pieter Bruegel the Younger, his predecessors, contemporaries, and followers that incorporate covert social and political critiques in the popular religious subject Christ Carrying the Cross. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. In.

Condición: New.

Condición: New.

Hardcover. Condición: Brand New. 192 pages. 9.88x8.25x0.94 inches. In Stock.

Hard Cover. Condición: Fine. First English Language Edition. hard cover, illustrated boards., no flaws or wear. clean. no markings. no bumps. tight binding. an unused copy.; english text.; 232pp., illustrated throughout in color. two essays followed by catalogue with text accompanying each work. includes all of the brueghels and their ranging influence on the flemish painters of the time and through the later 16th century. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Condición: New.

Condición: New. Documents an exhibition of paintings by Pieter Bruegel the Younger, his predecessors, contemporaries, and followers that incorporate covert social and political critiques in the popular religious subject Christ Carrying the Cross. &Uumlber den Aut.

Condición: Very good.

Condición: As New. Unread book in perfect condition.

Condición: Good.

Hardcover. Condición: new. Hardcover. A publication that takes a new approach at the work of Pieter Bruegel the Younger and his contemporaries. This book shows what appears to be a purely religious subject, has been approached in such a way that it can be seen as a hidden critical commentary on the power structures and religious reality of the Flanders as Pieter Bruegel II knew it. In the book the work of Pieter Bruegel the Younger will be shown with interpretations of the carrying of the cross by predecessors, contemporaries and followers. SELLING POINTS: . A book about critical commentary on power structures in the days of Pieter Bruegel the Younger and his contemporaries 175 colour illustrations Documents an exhibition of paintings by Pieter Bruegel the Younger, his predecessors, contemporaries, and followers that incorporate covert social and political critiques in the popular religious subject Christ Carrying the Cross. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - Documents an exhibition of paintings by Pieter Bruegel the Younger, his predecessors, contemporaries, and followers that incorporate covert social and political critiques in the popular religious subject 'Christ Carrying the Cross.'.

Hardback. Condición: New. This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject "Christ Carrying the Cross," and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.

Paperback | Nederlands / 96 PAGES. ISBN 9789462623194. Binnen de grote en veelzijdige Nederlandse zilversmeedkunst neemt die van Maastricht een bijzondere positie in. De stad was gedurende eeuwen cultureel en economisch vooral verbonden met de stad Luik en verre van ?Hollands? Edelsmeden zijn al minstens sinds de veertiende eeuw actief in Maastricht. Dit boek geeft een vernieuwende blik op Maastrichts zilverwerk, dat topstukken uit een roemrijk verleden plaatst in relatie tot de hedendaagse ontwerpen. Er wordt stilgestaan bij de ontstaansgeschiedenis en de signatuur van de verschillende collecties in het Bonnefanten museum. Daarnaast worden ca. 20 topstukken uitgelicht en worden verbindingen gelegd naar andere voorwerpen en thema?s, zoals gebruik en techniek, stedelijke trots en familierelaties, Maastricht tegenover andere steden, religie en familiewapens. Maastrichtse zilver stond bekend om zijn onberispelijke kwaliteit en is ook daarom tot vandaag een geliefd verzamelgebied 0 g.

Gebonden, Hardcover HB, 260 x 210 mm, 208 p, 100 colour illustrations. NL edition. ISBN 9789462622180. Aan het einde van de middeleeuwen bestond in het huidige provincie Nederlands Limburg en aangrenzende gebieden in Duitsland en Belgie een levendige productie van houtsculptuur. De vraag ernaar was groot want de Luiks-Bourgondische oorlogen van de vijftiende eeuw hadden grote verwoesting aangericht en vele kerken moesten worden heropgebouwd en opnieuw worden ingericht. Vaak weten we niet wie deze beelden heeft besteld of wie ze gemaakt heeft, maar dat de makers, of beter ateliers, van zeer hoge kwaliteit waren laat het nog overgebleven werk duidelijk zien. Om toch enig houvast te krijgen werden deze beeldhouwers met een zogenaamde 'noodnaam' voorzien, en veruit de bekendste daarvan is de zogenaamde 'Meester van Elsloo'. Om de beeldhouwkunst uit de noordelijke Maas-Rijnregio, en in het bijzonder de Meester van Elsloo beter onder de aandacht te brengen organiseert het Maastrichtse Bonnefantenmuseum een tentoonstelling waar een representatief beeld wordt geschetst van deze meester, naast enkele bij naam gekende tijdgenoten uit dezelfde regio zoals Jan van Steffeswert en Kersten Woyers. 0 g.

Hardcover HB, 260 x 210 mm, 208 p, 100 colour illustrations. ENGLISH edition. ISBN 9789462622197. During the Middle Ages there was a vibrant wooden sculpture industry in what is now known as the Meuse-Rhine region. During the Middle Ages there was a vibrant wooden sculpture industry in what is now known as the Meuse-Rhine region. Unfortunately, in most cases we do not know who commissioned the sculptures or who made them. The artists responsible have therefore been given improvised names, the most famous of which is the ?Master of Elsloo? In recent years several studies have examined the sculptures attributed to this master. Nevertheless, his identity remains shrouded in mystery. This book presents a representative picture of the ?Master of Elsloo?, bringing together more than fifty isolated sculptures to form a new collection 0 g.

Hardcover 192 PAGES, Illustrated.26x21cm.English text. *new. ISBN 9789462620636. Brabant collector Willem Neutelings (1916-1986) began to acquire medieval religious art in the 1960s. His choices were motivated by the aesthetic appeal, intrinsic quality and - often - religious connotations of the objects. Leading Dutch art historian Henk van Os described his collection as "of exceptional quality and diversity, and assembled with unmistakable love and care". The Neutelings Collection covers the entire field of (small) Western European sculpture of the Middle Ages. It can be divided into a number of categories: Limoges enamels from France, diptychs and triptychs from Paris and Northern France, alabaster panels for altarpieces produced in the Nottingham area of England, marble and stone statues from France, Germany and the Low Countries, and entire of fragmentary wooden altarpieces made in Flanders and Brabant. 0 g.

HB, 260 x 210 mm, ENG. edition, 192 pages, 175 illustrations in colour / b/w., in Perfect condition. ISBN 9789462623163. The turbulence of the sixteenth century wrought major changes in Netherlandish society, but also left clear traces in the art of the region. The destruction of religious images, the Spanish occupation and the Dutch Revolt are all occasionally reflected in it. Why do the Roman legionaries in Brueghel's Procession to Calvary wear Spanish helmets? And what is that conspicuous Habsburg crest doing on their flag? Surely the double-headed eagle represents the much-resented foreign oppressor? And what about those crescent moons and drooping moustaches in Brueghel's Conversion of St Paul? They must surely mean something. Were the artists of the Netherlandish Renaissance covert resistance heroes? Or simply pragmatists keen to satisfy their clients? We track the evidence from the luxurious Books of Hours of the Middle Ages, through the many works of Pieter Brueghel II ('the Younger') to the great artists of seventeenth-century Flemish Baroque. 0 g.

Zwolle/Maastricht, Waanders/Bonnefantenmuseum, 2019. Gebonden in bedrukte band. 21,5x26,5 cm. 191 pp. Illustraties in kleur. Nieuwstaat. Met het Zaalboekje (in kleur) bij de tentoonstelling. 31 pp. l Aan het einde van de middeleeuwen bestond in het huidige Maas-Rijngebied een levendige productie van houtsculptuur. Helaas is meestal onbekend wie deze beelden besteld of gemaakt heeft. Om toch enig houvast te krijgen werden deze beeldhouwers van een 'noodnaam' voorzien, en veruit de bekendste daarvan is de zogenaamde 'Meester van Elsloo'. De afgelopen jaren zijn diverse onderzoeken verricht naar de aan deze meester toegeschreven beelden. Ondanks dat blijft zijn identiteit in nevelen gehuld. Dit boek schetst een representatief beeld van de 'Meester van Elsloo' en brengt meer dan vijftig eenlingen samen tot een nieuwe verzameling houtsculpturen.

Condición: Nuovo. Bross., cm 25 X 19, pp 208, molt. tavv a colori e ill. b/n. - ISBN: 9789072251619.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 128 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.