Tamis dorien (31 resultados)

Hardcover. Condición: new. Hardcover. How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather we are talking about the depths of the Little Ice Age contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its centre. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins. AUTHORS: Dr. Dorien Tamis - Curator of Old Master Painting, Sculpture and Applied Arts, Bonnefanten in Maastricht, The Netherlands. Jip van Reijen - Curator Old Masters, Bonnefanten in Maastricht, The Netherlands. Dr Saskia Cohen-Willner - Art historian. Established independent curator, researcher and author, specialising in 16th- and 17th-century paintings, works on paper and art literature. Dr. Wendelien van Welie wrote her PhD-dissertation on the earliest illuminated manuscripts of Brunetto Latini's Livre dou Tresor. She published on a variety of topics such as the representation of Jews in Quaerendo, the representation of power. She is specialised in early medieval art, especially early Christian art, Byzantine art and Karolingian/Ottonian art. Dr. Van Welie works at the department of Art History of the Middle Ages where she lectures in both the bachelor and master on medieval Western and Byzantine art, iconography and historiography. SELLING POINTS: . Published to accompany the exhibition Truly Wicked: The Seven Deadly Sins Visualised at Bonnefanten, Maastricht, October 18, 2024 - January 12, 2025 . A unique picture of good and evil in the time of Pieter Bruegel the Elder and today 100 colour illustrations A unique picture of good and evil in the time of Pieter Bruegel the Elder and today, published to accompany the exhibition Truly Wicked: The Seven Deadly Sins Visualised at Bonnefanten, Maastricht, October 18, 2924 - January 12, 2025. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather - we are talking about the depths of the Little Ice Age - contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its centre. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins.…

Condición: New.

Hardback. Condición: New. This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject "Christ Carrying the Cross," and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.…

Hardcover. Condición: Brand New. 160 pages. 10.26x8.26x8.27 inches. In Stock.

hardcover. Condición: New. Special order direct from the distributor.

Condición: New. In English.

Hardcover. Condición: Brand New. 192 pages. 9.88x8.25x0.94 inches. In Stock.

Hardcover. Condición: Good. Originele bedrukte hardcover, illustraties in kleur en z/w, 4to.

Condición: New. In English.

Condición: New.

Condición: New.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: No Jacket, as Issued. First English Language Edition. hard cover, illustrated boards., no flaws or wear. clean. no markings. no bumps. tight binding. an unused copy.; english text.; 232pp., illustrated throughout in color. two essays followed by catalogue with text accompanying each work. includes all of the brueghels and their ranging influence on the flemish painters of the time and through the later 16th century. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Hardcover. Condición: Brand New. 160 pages. 10.26x8.26x8.27 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

160 S. Hardcover. Gr. 8°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

Hardcover. Condición: new. Hardcover. How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather we are talking about the depths of the Little Ice Age contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its centre. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins. AUTHORS: Dr. Dorien Tamis - Curator of Old Master Painting, Sculpture and Applied Arts, Bonnefanten in Maastricht, The Netherlands. Jip van Reijen - Curator Old Masters, Bonnefanten in Maastricht, The Netherlands. Dr Saskia Cohen-Willner - Art historian. Established independent curator, researcher and author, specialising in 16th- and 17th-century paintings, works on paper and art literature. Dr. Wendelien van Welie wrote her PhD-dissertation on the earliest illuminated manuscripts of Brunetto Latini's Livre dou Tresor. She published on a variety of topics such as the representation of Jews in Quaerendo, the representation of power. She is specialised in early medieval art, especially early Christian art, Byzantine art and Karolingian/Ottonian art. Dr. Van Welie works at the department of Art History of the Middle Ages where she lectures in both the bachelor and master on medieval Western and Byzantine art, iconography and historiography. SELLING POINTS: . Published to accompany the exhibition Truly Wicked: The Seven Deadly Sins Visualised at Bonnefanten, Maastricht, October 18, 2024 - January 12, 2025 . A unique picture of good and evil in the time of Pieter Bruegel the Elder and today 100 colour illustrations A unique picture of good and evil in the time of Pieter Bruegel the Elder and today, published to accompany the exhibition Truly Wicked: The Seven Deadly Sins Visualised at Bonnefanten, Maastricht, October 18, 2924 - January 12, 2025. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2021 Harvey Miller Publishers large format hardcover edition. Unread in very good condition. Contents: Introduction: Collaboration in the Early Modern Low Countries by Abigail D. Newman Part I. Theory, Beginnings, Beyond Antwerp 1. The Appreciation and Reception of Painters' Collaborations in the Low Countries: An Overview, c. 1500-1700 by Dorien Tamis 2. Collaboration, Connoisseurship, and the Artistic Canon by Bernard Aikema 3. Landscapes, Figures, Demons: Collaboration as Canon Formation in Joachim Patinir and Quentin Metsys's Temptation of St. Anthony by Katharine Campbell 4. Collaboration in Exile: Crispijn de Passe I and Matthias Quad in Cologne, 1589-1604 by Julia Lillie 5. Many Hands, Many Lands: Collaborative Copper Painting by Hans Rottenhammer, Paul Bril, and Jan Brueghel I by Sophia Quach McCabe Part II. Collaboration in Seventeenth-Century Antwerp Paintings 6. The Raid by Jan Brueghel I and Sebastiaen Vrancx: Prime Version and Autograph Replica by Angela Jager and Jorgen Wadum, with contributions by Aoife Daly, David Buti, and Gianluca Pasternelli 7. Many Hands in Rubens's Workshop: An Exploration by Arnout Balis 8. Antwerp as a Center of Artistic Collaboration: A Unique Selling Point? by Filip Vermeylen 9. Additive Painting and the Social Self by Elizabeth Alice Honig 10. Considering Collaboration: Then and Now by Anne T. Woollett Bibliography Photo Credits About the Contributors.…

Hardback. Condición: New. How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather - we are talking about the depths of the Little Ice Age - contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its centre. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins.…

Hardback. Condición: New. This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject "Christ Carrying the Cross," and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.…

Hardback, Dimensions 260 x 210 mm, 100 Illustrations col.ill., 160 Pages, Language English ed. *new. ISBN 9789462625860. How to depict sin, human wickedness and folly? In what is now known as the long sixteenth century, religious and political tensions, and even the weather - this was the low point of the Little Ice Age - prompted a flood of images featuring the seven deadly sins in the Netherlands and the surrounding region. In this publication, four accessibly written essays examine different aspects of the pictorial tradition of the seven deadly sins. 0 g.…

Gebonden, Hardcover, 160 pages, 26x21 cm English. ISBN 9789462625860. How to depict sin, human wickedness and folly? In what is now known as the long sixteenth century, religious and political tensions, and even the weather - this was the low point of the Little Ice Age - prompted a flood of images featuring the seven deadly sins in the Netherlands and the surrounding region. In this publication, four accessibly written essays examine different aspects of the pictorial tradition of the seven deadly sins, with Pieter Bruegel the Elder's renowned series of prints of the same name as the main focus. A fifth, literary essay describes among other things the fevered visions - strewn with representations of the seven deadly sins - of one of the victims of a series of murders that really did happen in the sixteenth century 0 g.…

Condición: gut. BRUEGEL AND CONTEMPORARIES : Art as a covert resistance In deutscher Sprache. pages.

Condición: gut. seven deadly sins in Bruegel's time In deutscher Sprache. pages.

HB, 260 x 210 mm, ENG. edition, 192 pages, 175 illustrations in colour / b/w., in Perfect condition. ISBN 9789462623163. The turbulence of the sixteenth century wrought major changes in Netherlandish society, but also left clear traces in the art of the region. The destruction of religious images, the Spanish occupation and the Dutch Revolt are all occasionally reflected in it. Why do the Roman legionaries in Brueghel's Procession to Calvary wear Spanish helmets? And what is that conspicuous Habsburg crest doing on their flag? Surely the double-headed eagle represents the much-resented foreign oppressor? And what about those crescent moons and drooping moustaches in Brueghel's Conversion of St Paul? They must surely mean something. Were the artists of the Netherlandish Renaissance covert resistance heroes? Or simply pragmatists keen to satisfy their clients? We track the evidence from the luxurious Books of Hours of the Middle Ages, through the many works of Pieter Brueghel II ('the Younger') to the great artists of seventeenth-century Flemish Baroque. 0 g. …

Condición: Very Good.