Landow george editor (11 resultados)

paperback. Condición: Fair.

Paperback. Condición: Very Good. General wear, but clean and solid. ; 8vo; 377 pages.

Paperback. Condición: Fine. clean, unmarked copy.

Hard cover. Condición: Fine in new dust jacket. Unabridged. 354 p. Fine, Like new, in protective mylar.

Paperback. Condición: Near Fine. Glossy Printed Green Wraps; 377 Clean, Unmarked Pages/ Amazon "Among The Contributors, Charles Ess Uses The Work Of Jürgen Habermas And The Frankfurt School To Examine Hypertext's Potential For True Democratization. Stuart Moulthrop Turns To Deleuze And Guattari As A Point Of Departure For A Study Of The Relation Of Hypertext And Political Power. Espen Aarseth Places Hypertext Within A Framework Created By Other Forms Of Electronic Textuality. David Kolb Explores What Hypertext Implies For Philosophy And Philosophical Discourse. Jane Yellowlees Douglas, Gunnar Liestol, And Mireille Rosello Use Contemporary Theory To Come To Terms With Hypertext Narrative. Terrence Harpold Investigates The Hypertextual Fiction Of Michael Joyce. Drawing On Derrida, Lacan, And Wittgenstein, Gregory Ulmer Offers An Example Of The New Form Of Writing Hypertextuality Demands.". Drawings And Sketches (ilustrador).…

Paperback. Condición: Brand New. reprint edition. 400 pages. 8.25x5.75x1.25 inches. In Stock.

Hardback. Condición: Near Fine. Very Good Plus. First Edition, First Printing. NrF/VG+. First edition, first printing in d/w. This collection of essays argues that a unique development in autobiographical writing occurred in Victorian England and attempts to provide a wide ranging perception of the role not only of autobiography, but of the 'autobiographical impulse' in this period. Like contemporary poetry, the novel, painting, and other non-fiction, Victorian autobiography sought new forms to accommodate private experience and make it relevant to the needs of others. With Index. D/w has two short edge tears (longest 17mm); else a near fine copy, in a very good plus d/w, of an UNCOMMON first edition, first printing. NO inscriptions, underlining or highlighting. D/w now protected in a detachable, non-adhesive, clear sheaf.…

hardcover. Condición: Like New. Like New. First Edition. Publisher: M.I.T. Press, Cambridge, MA, 1991.FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. Pristine. As new. Unread.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: Very good. - Quarto [approximately 11 inches high by 8-3/8 inches wide], softcover. Printed self-wrappers. 48 pages plus 8 pages of black-and-white illustrations. The edges of the wraps are slightly darkened & there is a small stain to each wrap. Very good. Leading off this issue is the nearly 9-page long landmark essay by P. Adams Sitney describing "Structural film", a term he coined. Sitney identified the formal characteristics common in Structural films as fixed camera position, flicker effect, and loop printing ("the immediate repition of shots"). Among the other contents of this issue are interviews with George Landow and Bruce Baillie. There are articles on Stan Brakhage's "Mothlight with verse by Robert Creeley, on Rossellini's "The Rise to Power of Louis XIV" by Ken Kelman and on World War Two and American film by Lewis Jacobs. There is also an article by Tom Chomont on "Eros, O Basileus", a film by Markopoulos.…