Lambe trish (20 resultados)

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer. Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's Troubles. This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived. Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country. AUTHORS: Trish Lambe is Artistic Director of Photo Museum of Ireland in Dublin. Masako Toda is a Japanese photographic historian. Pauline Vermare is a curator of the exhibition on Okamura at the Photo Museum of Ireland in Dublin. Sean O'Hagan is a journalist for the Guardian (London). 75 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Good. Good condition. (ireland, irish history, photography) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer.Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's "Troubles." This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived.Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country.…

Hardback. Condición: New. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer.Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's "Troubles." This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived.Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country.…

Hardcover. Condición: New.

Condición: New.

Condición: new.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover/Paperback. Condición: As New. Author: Trish Lambe (Project Director) Brand: Gallery of Photography Ireland Number Of Pages: 366 Release Date: 01-01-2021 EAN: 9781907918094 Languages: English Binding: paperback Item Condition: UsedLikeNew ISBN-13: 9781907918094 ISBN-10: 1907918094.

Hardcover. Condición: new. Hardcover. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer. Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's Troubles. This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived. Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country. AUTHORS: Trish Lambe is Artistic Director of Photo Museum of Ireland in Dublin. Masako Toda is a Japanese photographic historian. Pauline Vermare is a curator of the exhibition on Okamura at the Photo Museum of Ireland in Dublin. Sean O'Hagan is a journalist for the Guardian (London). 75 illustrations Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condición: New. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer.Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's "Troubles." This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived.Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country.…

Condición: New.

Hardcover. Condición: new. Hardcover. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer. Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's Troubles. This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived. Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country. AUTHORS: Trish Lambe is Artistic Director of Photo Museum of Ireland in Dublin. Masako Toda is a Japanese photographic historian. Pauline Vermare is a curator of the exhibition on Okamura at the Photo Museum of Ireland in Dublin. Sean O'Hagan is a journalist for the Guardian (London). 75 illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condición: Neu. Neuware.

Hardback. Condición: New. Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer.Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's "Troubles." This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived.Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices. Illuminating essays by renowned photographic historians place this astounding collection in context with Okamura's larger body of work and situate these images within the history of both the medium and the country.…